Taiyô no ôji: Horusu no daibôken

I first saw this film in the mid-1970's and I really enjoyed it. It came at the time I was first introduced to such Japanese exports as Speed Racer and Kimba, as well as all the Godzilla films. The thing that really made me enjoy it was the story about the young protagonist's quest to free the village of his birth from the evil wizard and his love for the young girl that turned out to be the wizard's daughter. It is just too bad that this film has never been released on DVD. Not only would I enjoy watching it once again, but I think that this film would be enjoyed by younger kids as well. In fact, this film is probably a good introduction for younger viewers to the world of Japanese anime.

It's impressive what this guys managed to create 1968. Only Disney movies have been on a similar level back then. The drawings have been beautiful, it was full of amazing action, great characters (especially Hilda impressed me) and a captivating story. Also worth mentioning is the music. The music was totally unusual and impressive.

Sadly the story doesn't make fully sense. Some characters aren't designed as well as they could have been. Especially the evil demon didn't look impressive at all - not even slightly scary. Also the drawings lacked detail all together. But that is all understandable, since "Anime" has been in it's children's shoes.

I don't know why, but Isao Takahata movies are the emotionally most touching movies for me. Hotaru no haka (Grave of the Fireflies) has been the most extreme cinematic experience for me. I am almost crying remembering this movie. And it's almost 10 years ago since I watched it the last time. Horus is different. It's not a sad movie, like Grave of the Fireflies is. I'ts quite cheerful and optimistic. It's one of the movies that is so warmhearted, that it makes you feel like a child again.

I can only imagine how hard it was to do an animation such as this in 1968. At the time Disney was doing Mickey Mouse animation (the squeaky voice ones) and Yellow Submarine was released.

However, as in most Isao Takahata animes the focus is not on the animation, but on the script. People battle against the forces of evil using their most powerful weapon: will power. Evil comes in the form of bad luck, misfortune, direct attacks and sneaky social manipulation. Good's champion is a boy that has come to fulfill his dying father's last wish. You can find love, betrayal, anger, violence, marital ceremonies, friendship, all the hallmarks of good Japanese anime.

OK, the animation is not great. There are whole scenes of static images that are filmed , for example. Also, there is a plague that Disney is just now getting rid of, the plague of group songs in the middle of the film. But there are a lot of good things that overcome by far the bad parts. It's like a battle of good versus evil in its own :)

Doesn't hurt to mention Hayao Miyazaki, which is humbly placed somewhere in the middle of the crew list, as an animator and scene designer. As far as I know this is his first work, but you already find a lot of elements that will appear in all his work from then on.

Any anime fanatic must watch this. Children or very young people might get slightly bored.

The influence of Horus: Prince of the Sun (1968) cannot be overstated. It is not only the feature debut of the legendary Isao Takahata or a precursor of Studio Ghibli; it changed the face of Japanese animation forever, pushing aside the notion that all animation must be for children, that all animation must fit in the Disney musical mold.

I don't feel I need to go into the film's notoriously troubled production; other reviewers have done so with skill. But let me stress to you that if you consider yourself a fan of animation at all, you owe it to yourself to view Horus. Its musical numbers and talking animals are belied by psychological realism, a gritty sensibility, and political commentary. This isn't just a dark family film in the mode of Disney's Pinocchio (1940) or Bluth's The Secret of NIMH (1982), nor is it an "edgy" adult animation which mistakes crudity for maturity.

The film was a disappointment when first released, but its fan base grew quickly with re-releases, many of these fans being high school and college aged students who connected with the struggles of the protagonists, Horus and Hilda. In the United States, we have no equivalent to Horus as of this writing. We are still trapped by the Snow White and Toy Story model. I earnestly pray an American Takahata will one day give us a film such as this and change our animation landscape too.

excerpt, more at my location - Developed and created in 1968, Isao Takahata's first feature-length outing fuses Japanese and Norse philosophies and mythologies into the charmingly grown-up children's tale that is The Little Norse Prince.

While the impact of The Little Norse Prince resonates even in today's modern anime, as an individual film, it is a triumphant hallmark of sublime animation and an adult story with genuine heart, warmth, danger and menace that the talking squirrels of Disney's preceding '60s sword film (The Sword In The Stone) could only dream of achieving.

The originality that The Little Norse Prince exudes is nothing short of impressive, as his anti-aging formula transports us back in time to makes us feel young and vulnerable. While it may not be the greatest anime of all time, it is nothing short of being the most important.