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IMDbPro

Bullen - Wie lange wollt ihr leben?

Originaltitel: The Split
  • 1968
  • 18
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,0/10
1641
IHRE BEWERTUNG
Bullen - Wie lange wollt ihr leben? (1968)
Thieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.
trailer wiedergeben2:41
1 Video
54 Fotos
KapernAktionDramaKriminalitätThriller

Füge eine Handlung in deiner Sprache hinzuThieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other ... Alles lesenThieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.Thieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.

  • Regie
    • Gordon Flemyng
  • Drehbuch
    • Donald E. Westlake
    • Robert Sabaroff
  • Hauptbesetzung
    • Jim Brown
    • Diahann Carroll
    • Ernest Borgnine
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    1641
    IHRE BEWERTUNG
    • Regie
      • Gordon Flemyng
    • Drehbuch
      • Donald E. Westlake
      • Robert Sabaroff
    • Hauptbesetzung
      • Jim Brown
      • Diahann Carroll
      • Ernest Borgnine
    • 29Benutzerrezensionen
    • 20Kritische Rezensionen
    • 58Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:41
    Official Trailer

    Fotos54

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    Topbesetzung50

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    Jim Brown
    Jim Brown
    • McClain
    Diahann Carroll
    Diahann Carroll
    • Ellie
    Ernest Borgnine
    Ernest Borgnine
    • Bert Clinger
    Julie Harris
    Julie Harris
    • Gladys
    Gene Hackman
    Gene Hackman
    • Lt. Walter Brill
    Jack Klugman
    Jack Klugman
    • Harry Kifka
    Warren Oates
    Warren Oates
    • Marty Gough
    James Whitmore
    James Whitmore
    • Herb Sutro
    Donald Sutherland
    Donald Sutherland
    • Dave Negli
    Joyce Jameson
    Joyce Jameson
    • Jenifer
    Harry Hickox
    Harry Hickox
    • 1st Detective
    Jackie Joseph
    Jackie Joseph
    • Jackie
    Warren Vanders
    Warren Vanders
    • Mason
    Priscilla Ann
    • Daughter
    • (Nicht genannt)
    Thordis Brandt
    Thordis Brandt
    • Police Clerk
    • (Nicht genannt)
    Calvin Brown
    Calvin Brown
    • Guard Charlie
    • (Nicht genannt)
    Antony Carbone
    Antony Carbone
    • Man
    • (Nicht genannt)
    Dee Carroll
    Dee Carroll
    • Payroll Clerk
    • (Nicht genannt)
    • Regie
      • Gordon Flemyng
    • Drehbuch
      • Donald E. Westlake
      • Robert Sabaroff
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen29

    6,01.6K
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    6DelVarrick

    If You Like Heist Films, You'll Love The Split

    Great little heist number starring some of the finest actors ever to grace the silver screen. Jim Brown made only few films between his most famous outing, The Dirty Dozen, and his biggest claim to fame, the Blaxploitation films of the 1970s. The Split may well be the best of those, though ...tick...tick...tick... with George Kennedy would be a close second. Here, Brown turns in one of his best performances as McClain, a down on his luck career criminal looking to make a big score.

    Jim Brown teams with two of his Dirty Dozen cohorts, Ernest Borgnine and Donald Sutherland, as well as Jack Klugman, Warren Oates and Gene Hackman. All give fine performances as do the film's leading ladies, Julie Harris and Diahann Carroll. Warren Oates is terrific here in one of his early roles. When compared to his later work, this shows just how versatile and actor he was. Gene Hackman is also excellent as Brille, a role which foreshadows the work he would do later in The French Connection. Keep an eye out for veteran character actor James Whitmore in a small but pivotal role as Diahann Carroll's creepy landlord.

    Tight direction by Gordon Flemyng, interesting cinematography by Burnett Guffey, wonderful music by Quincy Jones, an effectively clever story and script by Richard Stark and Robert Sabaroff. The Split has a lot going for it. If you liked Peckinpah's The Getaway and Don Siegel's Charley Varrick, chances are you'll like The Split.

    Highly recommended.
    6gridoon

    Twisty yarn.

    Near the beginning of this film, there is a fistfight, but it's not exciting because we don't know why the two men are fighting. A little later, there is a car chase, but it's not exciting either, because we don't know who's chasing whom or why. Later still, we find out the answers to those questions, but two potentially good action scenes have been wasted. And then the movie turns into a standard heist flick....thankfully only for a while. The focus here is not on the actual heist, but more on the aftermath. And it's there that the movie finally goes in unexpected directions.

    There is, for example, the bizarre scene in which a man gets off on shooting someone with a machine-gun. There is the memorable image of a white sheet that gradually "absorbs" the blood of the body that's underneath it, and red spots start appearing on it. And there some neat plot twists along the way, mostly involving a character (I won't say which) that enters the picture when you least expect him to.

    If the whole movie was as good as its final 30 minutes, I'd give it one more star, but for now this gets a ** rating.
    Wizard-8

    Mediocre

    Though I think Leonard was a little harsh, "The Split" still isn't a very good movie. The characters are paper-thin, scenes seem to be missing, and the movie is generally predictable. And there are some unbelievable scenes, like when Jim Brown's character "tests" the potential recruits. The lame climax you've seen in countless other movies.

    On the positive side, there is quite a bit of A-T-T-I-T-U-D-E here, which only something from this time period could pull off. There's a great scene when Borgnine and Brown slug it out. And the Quincy Jones soundtrack is great. I suspect the music is behind the reason why this has never been released on video.
    7virek213

    Big Heist And Big Complications

    The books of crime novelist Donald Westlake (usually writing as "Richard Stark") have made for some fairly interesting movies for almost half a century now. The first real one was in 1967, when his novel "The Hunter" was the basis for the John Boorman-directed cult classic POINT BLANK (with Lee Marvin); and there have been others: THE HOT ROCK (with George Segal and Robert Redford, from 1972); THE OUTFIT (with Robert Duvall and Robert Ryan, released in 1974); and BANK SHOT (with George C. Scott, also released in 1974).

    And then there's 1968's THE SPLIT.

    Based on Westlake's book "The Seventh", the film is a classically themed Hollywood heist film, involving a group of thieves robbing the cash office at the Los Angeles Memorial Coliseum during a playoff game between the Los Angeles Rams and the Atlanta Falcons. Former NFL legend Jim Brown, who turned to acting after retiring from the Cleveland Browns in 1965 and became a star in Robert Aldrich's 1967 classic THE DIRTY DOZEN, is the leader of this group that includes his fellow DIRTY DOZEN cast members Donald Sutherland and Ernest Borgnine; Jack Klugman (one of the jurors in the 1957 classic TWELVE ANGRY MEN); and veteran character actor Warren Oates. The heist goes off with almost laser-like perfection, but it's what happens thereafter--the complications; the screw-ups; and the betrayals--that are the real payoff. Gene Hackman, who had at the time recently leaped to acting prominence as a result of his role in BONNIE AND CLYDE, portrays a seedy Los Angeles cop (perhaps presaging his Oscar-winning turn in THE FRENCH CONNECTION); and Diahann Carroll and Julie Harris are the women involved. James Whitmore plays a superbly seedy landlord at Carroll's apartment.

    By 21st century standards, this must seem terribly old-fashioned: there are no hyper-violent, over-the-top stunts, no CGI bloodshed, or any of that extraneous junk. And this is clearly a film of the late 1960s, in terms of costumes, hairstyles, and all of that—this and, of course, the fact that the Rams were L.A.'s pro-football team too. And yet, even though it doesn't necessarily stand out among the many great crime heist films, from Stanley Kubrick's THE KILLING to Sam Peckinpah's THE GETAWAY, or even the 1988 blockbuster DIE HARD, there's still something hugely fascinating about THE SPLIT, in terms of the way suspense is built up. Perhaps part of the reason it isn't as well-known as it should be is that the director, British-born Gordon Flemyng, was not a known entity, save for a couple of episodes of the TV series "The Avengers", and the 1965's DR. WHO AND THE DALEKS. All the same, though, the cast still does well under Flemyng's direction, with very good cinematography by Burnett Guffey (who won an Oscar for BONNIE AND CLYDE), and a taut, early action film music score by Quincy Jones, who had done major work on THE PAWNBROKER, IN THE HEAT OF THE NIGHT, and IN COLD BLOOD. This was also the first film to be released following the establishment of the movie ratings system by the MPAA where the for-adults 'R' rating was placed, even though it is closer to a 'PG-13' rating by today's ultra-violent standards.

    Imperfect and dated as it is at times, I'd still give THE SPLIT a '7' rating, simply because of the surface pleasures of the piece.
    4moonspinner55

    "The Split" goes splat...

    Richard Stark's novel "The Seventh" becomes a great-looking all-star heist flick with a football backdrop which, unfortunately, completely falls apart in the final quarter. Drifting thief, apparently a genius at concocting schemes and rounding up partners, comes up with a brilliant plan to rob the cash-office at the Los Angeles Coliseum during a football game. Selecting his ex-con cohorts by means of making them display their muscles (not especially their skills) is rather perplexing, though it works for the movie. What doesn't work is a sharp left turn in the narrative about an hour into the proceedings, with an absolutely unbelievable (and unforgivable) turn of events pitting the robbers against each other. This ridiculous third act smacks of desperation, and leaves Gene Hackman (as a somewhat dirty detective) with nothing but absurdity to play opposite. The rest of the cast does well until the screenplay drops the ball, and Burnett Guffey's cinematography is first-rate. *1/2 from ****

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    • Wissenswertes
      While promoting this film, Jim Brown told critic Roger Ebert "What I want to do is play roles as a black man, instead of playing black man's roles. You know? The guy in 'The Split,' for example, could be any color. And I don't make a big thing out of my race. If you try to preach, people give you a little sympathy and then they want to get out of the way. So you don't preach, you tell the story. I have a theory, an audience doesn't need to get wrapped up in blackness every time they see a Negro actor. And a movie doesn't have to be about race just because there's a Negro in it. If there's a bigot in the audience, he has to keep reminding himself, that's a black man, that's a Negro, because the story line has left him 'way behind, man. Away behind. Just tell the story, and before you know it, that cat will be identifying with you, and he won't even know how it happened."
    • Patzer
      During the car chase scenes between McClain and Kifka, they are mainly on dirt roads, but tires are heard squealing - which does not happen on unpaved roads.
    • Zitate

      Dave Negli: Listen, Marty, the last man I killed I did it for $5000. For $85,000 I'd kill you 17 times.

    • Verbindungen
      Featured in Jim Brown: All American (2002)
    • Soundtracks
      It's Just A Game, Love
      Music by Quincy Jones

      Lyrics by Ernie Shelby

      Sung by Arthur Prysock

    Top-Auswahl

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    FAQ

    • How long is The Split?
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    Details

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    • Erscheinungsdatum
      • 21. März 1969 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • El atraco al estadio
    • Drehorte
      • Los Angeles Memorial Coliseum - 3911 S. Figueroa Street, Exposition Park, Los Angeles, Kalifornien, USA(Stadium and football game footage)
    • Produktionsfirmen
      • Metro-Goldwyn-Mayer (MGM)
      • Spectrum
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 30 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.39 : 1

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