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Bullen - Wie lange wollt ihr leben?

Originaltitel: The Split
  • 1968
  • 18
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,0/10
1636
IHRE BEWERTUNG
Bullen - Wie lange wollt ihr leben? (1968)
Thieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.
trailer wiedergeben2:41
1 Video
54 Fotos
CaperActionCrimeDramaThriller

Füge eine Handlung in deiner Sprache hinzuThieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other ... Alles lesenThieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.Thieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.

  • Regie
    • Gordon Flemyng
  • Drehbuch
    • Donald E. Westlake
    • Robert Sabaroff
  • Hauptbesetzung
    • Jim Brown
    • Diahann Carroll
    • Ernest Borgnine
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    1636
    IHRE BEWERTUNG
    • Regie
      • Gordon Flemyng
    • Drehbuch
      • Donald E. Westlake
      • Robert Sabaroff
    • Hauptbesetzung
      • Jim Brown
      • Diahann Carroll
      • Ernest Borgnine
    • 29Benutzerrezensionen
    • 20Kritische Rezensionen
    • 58Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:41
    Official Trailer

    Fotos54

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    Topbesetzung50

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    Jim Brown
    Jim Brown
    • McClain
    Diahann Carroll
    Diahann Carroll
    • Ellie
    Ernest Borgnine
    Ernest Borgnine
    • Bert Clinger
    Julie Harris
    Julie Harris
    • Gladys
    Gene Hackman
    Gene Hackman
    • Lt. Walter Brill
    Jack Klugman
    Jack Klugman
    • Harry Kifka
    Warren Oates
    Warren Oates
    • Marty Gough
    James Whitmore
    James Whitmore
    • Herb Sutro
    Donald Sutherland
    Donald Sutherland
    • Dave Negli
    Joyce Jameson
    Joyce Jameson
    • Jenifer
    Harry Hickox
    Harry Hickox
    • 1st Detective
    Jackie Joseph
    Jackie Joseph
    • Jackie
    Warren Vanders
    Warren Vanders
    • Mason
    Priscilla Ann
    • Daughter
    • (Nicht genannt)
    Thordis Brandt
    Thordis Brandt
    • Police Clerk
    • (Nicht genannt)
    Calvin Brown
    Calvin Brown
    • Guard Charlie
    • (Nicht genannt)
    Antony Carbone
    Antony Carbone
    • Man
    • (Nicht genannt)
    Dee Carroll
    Dee Carroll
    • Payroll Clerk
    • (Nicht genannt)
    • Regie
      • Gordon Flemyng
    • Drehbuch
      • Donald E. Westlake
      • Robert Sabaroff
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen29

    6,01.6K
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    Poseidon-3

    Tight, sharp, unfairly obscure little heist flick

    The cast list of this film reads like a who's who of 60's and 70's Hollywood character actors. While they don't all get a chance to really shine here, their familiar faces and inherent skills help move this heist flick along nicely. Brown is a ne'er do well thief who returns to Los Angeles just in time to help Harris mastermind the robbery of the L.A. Coliseum during a Rams play-off game. He enlists the aid of four disparate men (Borgnine, Klugman, Oates and Sutherland) who form a tenuous alliance, working as a unit just long enough to get the job done and split the $500,000 take. The heist itself is suspensefully handled and skillfully done, but the primary thrust of the story kicks in when it's time to divvy out the loot, hence the title of the film (brought home even more in the title of the source novel.) Brown, though stiff at times, is such a physical presence (and an amiable one) that he anchors the story well, faltering only when it's called upon him to enact scenes of grief. Harris is tough-as-nails as a hard, (big!) red-haired schemer. All of the men in the gang give their customary polished and distinct performances. Borgnine is, of course, the most blustery. Klugman (who would return to this venue in "Two Minute Warning") plays the nervous one. Oates gives the most texture to his role as a wary safe-cracker. Sutherland is a class-act hit man with the necessary cool and effortlessness. Carroll is very attractive in a thankless role of decoration/plot device. Hackman turns up late as the police detective assigned to a murder related to the heist and gives a decent performance. Trivia buffs will note that one of the clerks (Joseph) provided the voice of Melody in the 70's cartoon series "Josie and the Pussycats". Nearly all of the roles in the film are filled with people who worked extensively as guest stars in major television series. The film is creatively directed, contains bouncy Quincy Jones music and clips along at a very tight pace except for a mouthwash commercial-esque romantic montage between Brown and Carroll. Some of the plot elements are pretty preposterous (such as Brown's initial sequences of "auditioning" the heist participants), but it makes for interesting viewing. The movie serves as a fun time capsule of the era's fashions and procedures (check out the hair on Borgnine's secretary!) The story is never completely predictable and is at home with other similar (if more polished and better known) films from that time such as "Bullit" and "The Thomas Crown Affair".
    8phillindholm

    What A Cast!

    An underrated actioner from the Swinging Sixties, ''The Split'' boasts an incredible cast. Though former football great Jim Brown gets star billing, the meaty parts go to such reliable performers as Julie Harris, Ernest Borgnine, Jack Klugman,Gene Hackman, James Whitmore Warren Oates and Donald Sutherland. The story, about a well-planned and well-executed robbery (which takes place during a Football Game at the L.A Coliseum)is taut and mean.Hard-Bitten Harris and Career Criminal Brown hatch the plot, and it's up to him to round up a suitable group of thugs capable of pulling it off. And a nastier bunch has seldom been seen on screen. Donald Sutherland, in an early part as a psychopathic sadist, really makes his presence felt, as do Borgnine, Klugman and Oates (as usual.) As the leader of this group, Brown has a rather one note part. He's given little room for displaying anything much besides toughness. Diahann Carroll is wasted once again, as his ex-wife, who still loves him, and though she's the only ''good'' character in the story,she's supposedly tainted by her association with Brown. On the sidelines are seedy landlord Whitmore, and crooked cop Hackman. Both are excellent, but it's Julie Harris, successfully cast against type as the ''Brains''behind the scheme, who comes close to stealing the picture.(And, considering the rest of the cast, that's no small achievement.)Still, Hooker Joyce Jameson gets the best line, when she tells prospective client Oates: ''If you catch anything from me, it WON'T be a cold ''. Naturally, the real tension comes toward the end of the story, when the gang turn on each other, but until then, there's still plenty worth seeing.Yes, the ''Thieves Fall Out'' plot has been done before, but it's the twists and turns this movie takes that provide the excitement. Director Gordon Flemying maintains a brisk pace throughout, slowing down only for the obligatory ''love scenes''.The photography is excellent, and the same goes for Quincy Jones moody score (available on cd). The other technical credits are equally fine. This month, the ''Warner Archives'' will release the film, for the first time on home video. The DVD will be in it's original Anamorphic (Panavision) Widescreen aspect ratio, and, judging from the sample clip provided, should look fine. Hopefully, the snappy Theatrical Trailer will be provided as well. As the ads for the film proclaimed: ''Watch what happens when it's time for ''The Split''!.
    7virek213

    Big Heist And Big Complications

    The books of crime novelist Donald Westlake (usually writing as "Richard Stark") have made for some fairly interesting movies for almost half a century now. The first real one was in 1967, when his novel "The Hunter" was the basis for the John Boorman-directed cult classic POINT BLANK (with Lee Marvin); and there have been others: THE HOT ROCK (with George Segal and Robert Redford, from 1972); THE OUTFIT (with Robert Duvall and Robert Ryan, released in 1974); and BANK SHOT (with George C. Scott, also released in 1974).

    And then there's 1968's THE SPLIT.

    Based on Westlake's book "The Seventh", the film is a classically themed Hollywood heist film, involving a group of thieves robbing the cash office at the Los Angeles Memorial Coliseum during a playoff game between the Los Angeles Rams and the Atlanta Falcons. Former NFL legend Jim Brown, who turned to acting after retiring from the Cleveland Browns in 1965 and became a star in Robert Aldrich's 1967 classic THE DIRTY DOZEN, is the leader of this group that includes his fellow DIRTY DOZEN cast members Donald Sutherland and Ernest Borgnine; Jack Klugman (one of the jurors in the 1957 classic TWELVE ANGRY MEN); and veteran character actor Warren Oates. The heist goes off with almost laser-like perfection, but it's what happens thereafter--the complications; the screw-ups; and the betrayals--that are the real payoff. Gene Hackman, who had at the time recently leaped to acting prominence as a result of his role in BONNIE AND CLYDE, portrays a seedy Los Angeles cop (perhaps presaging his Oscar-winning turn in THE FRENCH CONNECTION); and Diahann Carroll and Julie Harris are the women involved. James Whitmore plays a superbly seedy landlord at Carroll's apartment.

    By 21st century standards, this must seem terribly old-fashioned: there are no hyper-violent, over-the-top stunts, no CGI bloodshed, or any of that extraneous junk. And this is clearly a film of the late 1960s, in terms of costumes, hairstyles, and all of that—this and, of course, the fact that the Rams were L.A.'s pro-football team too. And yet, even though it doesn't necessarily stand out among the many great crime heist films, from Stanley Kubrick's THE KILLING to Sam Peckinpah's THE GETAWAY, or even the 1988 blockbuster DIE HARD, there's still something hugely fascinating about THE SPLIT, in terms of the way suspense is built up. Perhaps part of the reason it isn't as well-known as it should be is that the director, British-born Gordon Flemyng, was not a known entity, save for a couple of episodes of the TV series "The Avengers", and the 1965's DR. WHO AND THE DALEKS. All the same, though, the cast still does well under Flemyng's direction, with very good cinematography by Burnett Guffey (who won an Oscar for BONNIE AND CLYDE), and a taut, early action film music score by Quincy Jones, who had done major work on THE PAWNBROKER, IN THE HEAT OF THE NIGHT, and IN COLD BLOOD. This was also the first film to be released following the establishment of the movie ratings system by the MPAA where the for-adults 'R' rating was placed, even though it is closer to a 'PG-13' rating by today's ultra-violent standards.

    Imperfect and dated as it is at times, I'd still give THE SPLIT a '7' rating, simply because of the surface pleasures of the piece.
    Wizard-8

    Mediocre

    Though I think Leonard was a little harsh, "The Split" still isn't a very good movie. The characters are paper-thin, scenes seem to be missing, and the movie is generally predictable. And there are some unbelievable scenes, like when Jim Brown's character "tests" the potential recruits. The lame climax you've seen in countless other movies.

    On the positive side, there is quite a bit of A-T-T-I-T-U-D-E here, which only something from this time period could pull off. There's a great scene when Borgnine and Brown slug it out. And the Quincy Jones soundtrack is great. I suspect the music is behind the reason why this has never been released on video.
    8dima-12

    THE SPLIT is a surprise hit

    Star and a half Maltin review is a bit discouraging for watching THE SPLIT. And yet it`s great to say that Maltin is horribly wrong in his case, sibce THE SPLIT delivers loads of cool soft-noir.

    Gordon Flemyng, the British film and TV veteran shapes a posh and groovy heist flick about a post robbery split gone bad. The cast is masterful, Jim Brown does a great Wastlake/Stark character up there with Lee Marvin in POINT BLANK and Mel Gibson in THE PAYBACK. The rest of the cast includes such hard-asses like Gene Hackman, Donald Sutherland, Warren Oates and Ernest Borgnine. So the movie emanates great energy on screen and Flemyng cuts it with typical British elegance, smart and sharp decisions.

    Maybe THE SPLIT felt too calculated to Maltin, but to me, it represents the era when Hollywood entertainment still managed to assuredly deliver the authentic exploitation of a formula.

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    • Wissenswertes
      While promoting this film, Jim Brown told critic Roger Ebert "What I want to do is play roles as a black man, instead of playing black man's roles. You know? The guy in 'The Split,' for example, could be any color. And I don't make a big thing out of my race. If you try to preach, people give you a little sympathy and then they want to get out of the way. So you don't preach, you tell the story. I have a theory, an audience doesn't need to get wrapped up in blackness every time they see a Negro actor. And a movie doesn't have to be about race just because there's a Negro in it. If there's a bigot in the audience, he has to keep reminding himself, that's a black man, that's a Negro, because the story line has left him 'way behind, man. Away behind. Just tell the story, and before you know it, that cat will be identifying with you, and he won't even know how it happened."
    • Patzer
      During the car chase scenes between McClain and Kifka, they are mainly on dirt roads, but tires are heard squealing - which does not happen on unpaved roads.
    • Zitate

      Dave Negli: Listen, Marty, the last man I killed I did it for $5000. For $85,000 I'd kill you 17 times.

    • Verbindungen
      Featured in Jim Brown: All American (2002)
    • Soundtracks
      It's Just A Game, Love
      Music by Quincy Jones

      Lyrics by Ernie Shelby

      Sung by Arthur Prysock

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 21. März 1969 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • El atraco al estadio
    • Drehorte
      • Los Angeles Memorial Coliseum - 3911 S. Figueroa Street, Exposition Park, Los Angeles, Kalifornien, USA(Stadium and football game footage)
    • Produktionsfirmen
      • Metro-Goldwyn-Mayer (MGM)
      • Spectrum
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    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 30 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.39 : 1

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