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Bullen - Wie lange wollt ihr leben?

Originaltitel: The Split
  • 1968
  • 18
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,0/10
1641
IHRE BEWERTUNG
Bullen - Wie lange wollt ihr leben? (1968)
Thieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.
trailer wiedergeben2:41
1 Video
54 Fotos
KapernAktionDramaKriminalitätThriller

Füge eine Handlung in deiner Sprache hinzuThieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other ... Alles lesenThieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.Thieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.

  • Regie
    • Gordon Flemyng
  • Drehbuch
    • Donald E. Westlake
    • Robert Sabaroff
  • Hauptbesetzung
    • Jim Brown
    • Diahann Carroll
    • Ernest Borgnine
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    1641
    IHRE BEWERTUNG
    • Regie
      • Gordon Flemyng
    • Drehbuch
      • Donald E. Westlake
      • Robert Sabaroff
    • Hauptbesetzung
      • Jim Brown
      • Diahann Carroll
      • Ernest Borgnine
    • 29Benutzerrezensionen
    • 20Kritische Rezensionen
    • 58Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:41
    Official Trailer

    Fotos54

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    Topbesetzung50

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    Jim Brown
    Jim Brown
    • McClain
    Diahann Carroll
    Diahann Carroll
    • Ellie
    Ernest Borgnine
    Ernest Borgnine
    • Bert Clinger
    Julie Harris
    Julie Harris
    • Gladys
    Gene Hackman
    Gene Hackman
    • Lt. Walter Brill
    Jack Klugman
    Jack Klugman
    • Harry Kifka
    Warren Oates
    Warren Oates
    • Marty Gough
    James Whitmore
    James Whitmore
    • Herb Sutro
    Donald Sutherland
    Donald Sutherland
    • Dave Negli
    Joyce Jameson
    Joyce Jameson
    • Jenifer
    Harry Hickox
    Harry Hickox
    • 1st Detective
    Jackie Joseph
    Jackie Joseph
    • Jackie
    Warren Vanders
    Warren Vanders
    • Mason
    Priscilla Ann
    • Daughter
    • (Nicht genannt)
    Thordis Brandt
    Thordis Brandt
    • Police Clerk
    • (Nicht genannt)
    Calvin Brown
    Calvin Brown
    • Guard Charlie
    • (Nicht genannt)
    Antony Carbone
    Antony Carbone
    • Man
    • (Nicht genannt)
    Dee Carroll
    Dee Carroll
    • Payroll Clerk
    • (Nicht genannt)
    • Regie
      • Gordon Flemyng
    • Drehbuch
      • Donald E. Westlake
      • Robert Sabaroff
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen29

    6,01.6K
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    7tavm

    The Split was one of the late Jim Brown's early movies after retiring from football

    After football great Jim Brown died recently, I decided to watch two of his films he made after retiring from the sport that made him famous. I've long been interested in watching this one because I found out it was the first one to be rated R after the Motion PIcture Association of America (now simply reduced to Motion Picture Association) started doing the letter ratings system. R at the time meant that "no one under 16 admitted without parent or adult guardian" only raising the age limit to 17 two years later. Anyway, Brown ends up planning a heist of the box office earnings from a football game with Donald Sutherland, Ernest Borgnine (two of Brown's previous co-stars from The Dirty Dozen), Warren Oates, Jack Klugman, and Julie Harris in on the action. Diahann Carroll is his leading lady and Gene Hackman is a police detective on the trail. I liked most of the goings-on most of the time though I admit some scenes confused me. But The Split was really intriguing to me especially when Quincy Jones' score was used. So I recommend The Split for anyone looking for one of Jim Brown's early films. Next, I'll review him in El Condor.
    6Nate-48

    All of the ingredients for greatness but comes up short

    This movie had everything necessary for a great movie but fell short while still an entertaining flick. The amazing cast features early performances by Jim Brown, Gene Hackman and Donald Sutherland. Other stars include Ernest Borgnine, Jack Klugman and Julie Harris. How could this go wrong? The plot centers around a heist which is reminiscent of The Killing but replaces the racetrack with a football stadium (Los Angeles Memorial Coliseum). The action is mostly good though perhaps slightly overboard at times. The story is largely believable though the scenes with Brown's girlfriend are at times problematic though not insurmountable. There are some other issues with the script but not major dealbreakers. Things get a little sloppy in the second half and the director tries to tie it all together in a rushed knot at the end which brings the movie down a notch. This is really must-see for any Gene Hackman fan since it is one of his earlier roles and he shows all of the character traits which made him a great star. Mostly, this film has some appealing parts namely in the way of its stars but too many little flaws which are emblematic of the time period when films were getting sloppier.
    Wizard-8

    Mediocre

    Though I think Leonard was a little harsh, "The Split" still isn't a very good movie. The characters are paper-thin, scenes seem to be missing, and the movie is generally predictable. And there are some unbelievable scenes, like when Jim Brown's character "tests" the potential recruits. The lame climax you've seen in countless other movies.

    On the positive side, there is quite a bit of A-T-T-I-T-U-D-E here, which only something from this time period could pull off. There's a great scene when Borgnine and Brown slug it out. And the Quincy Jones soundtrack is great. I suspect the music is behind the reason why this has never been released on video.
    6gridoon

    Twisty yarn.

    Near the beginning of this film, there is a fistfight, but it's not exciting because we don't know why the two men are fighting. A little later, there is a car chase, but it's not exciting either, because we don't know who's chasing whom or why. Later still, we find out the answers to those questions, but two potentially good action scenes have been wasted. And then the movie turns into a standard heist flick....thankfully only for a while. The focus here is not on the actual heist, but more on the aftermath. And it's there that the movie finally goes in unexpected directions.

    There is, for example, the bizarre scene in which a man gets off on shooting someone with a machine-gun. There is the memorable image of a white sheet that gradually "absorbs" the blood of the body that's underneath it, and red spots start appearing on it. And there some neat plot twists along the way, mostly involving a character (I won't say which) that enters the picture when you least expect him to.

    If the whole movie was as good as its final 30 minutes, I'd give it one more star, but for now this gets a ** rating.
    Poseidon-3

    Tight, sharp, unfairly obscure little heist flick

    The cast list of this film reads like a who's who of 60's and 70's Hollywood character actors. While they don't all get a chance to really shine here, their familiar faces and inherent skills help move this heist flick along nicely. Brown is a ne'er do well thief who returns to Los Angeles just in time to help Harris mastermind the robbery of the L.A. Coliseum during a Rams play-off game. He enlists the aid of four disparate men (Borgnine, Klugman, Oates and Sutherland) who form a tenuous alliance, working as a unit just long enough to get the job done and split the $500,000 take. The heist itself is suspensefully handled and skillfully done, but the primary thrust of the story kicks in when it's time to divvy out the loot, hence the title of the film (brought home even more in the title of the source novel.) Brown, though stiff at times, is such a physical presence (and an amiable one) that he anchors the story well, faltering only when it's called upon him to enact scenes of grief. Harris is tough-as-nails as a hard, (big!) red-haired schemer. All of the men in the gang give their customary polished and distinct performances. Borgnine is, of course, the most blustery. Klugman (who would return to this venue in "Two Minute Warning") plays the nervous one. Oates gives the most texture to his role as a wary safe-cracker. Sutherland is a class-act hit man with the necessary cool and effortlessness. Carroll is very attractive in a thankless role of decoration/plot device. Hackman turns up late as the police detective assigned to a murder related to the heist and gives a decent performance. Trivia buffs will note that one of the clerks (Joseph) provided the voice of Melody in the 70's cartoon series "Josie and the Pussycats". Nearly all of the roles in the film are filled with people who worked extensively as guest stars in major television series. The film is creatively directed, contains bouncy Quincy Jones music and clips along at a very tight pace except for a mouthwash commercial-esque romantic montage between Brown and Carroll. Some of the plot elements are pretty preposterous (such as Brown's initial sequences of "auditioning" the heist participants), but it makes for interesting viewing. The movie serves as a fun time capsule of the era's fashions and procedures (check out the hair on Borgnine's secretary!) The story is never completely predictable and is at home with other similar (if more polished and better known) films from that time such as "Bullit" and "The Thomas Crown Affair".

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    • Wissenswertes
      While promoting this film, Jim Brown told critic Roger Ebert "What I want to do is play roles as a black man, instead of playing black man's roles. You know? The guy in 'The Split,' for example, could be any color. And I don't make a big thing out of my race. If you try to preach, people give you a little sympathy and then they want to get out of the way. So you don't preach, you tell the story. I have a theory, an audience doesn't need to get wrapped up in blackness every time they see a Negro actor. And a movie doesn't have to be about race just because there's a Negro in it. If there's a bigot in the audience, he has to keep reminding himself, that's a black man, that's a Negro, because the story line has left him 'way behind, man. Away behind. Just tell the story, and before you know it, that cat will be identifying with you, and he won't even know how it happened."
    • Patzer
      During the car chase scenes between McClain and Kifka, they are mainly on dirt roads, but tires are heard squealing - which does not happen on unpaved roads.
    • Zitate

      Dave Negli: Listen, Marty, the last man I killed I did it for $5000. For $85,000 I'd kill you 17 times.

    • Verbindungen
      Featured in Jim Brown: All American (2002)
    • Soundtracks
      It's Just A Game, Love
      Music by Quincy Jones

      Lyrics by Ernie Shelby

      Sung by Arthur Prysock

    Top-Auswahl

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 21. März 1969 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • El atraco al estadio
    • Drehorte
      • Los Angeles Memorial Coliseum - 3911 S. Figueroa Street, Exposition Park, Los Angeles, Kalifornien, USA(Stadium and football game footage)
    • Produktionsfirmen
      • Metro-Goldwyn-Mayer (MGM)
      • Spectrum
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    Technische Daten

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    • Laufzeit
      1 Stunde 30 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.39 : 1

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    Bullen - Wie lange wollt ihr leben? (1968)
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    By what name was Bullen - Wie lange wollt ihr leben? (1968) officially released in India in English?
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