Kugeln sind sein Autogramm

2 out of 10

Why even bother giving names to these plot advancers? It is a reach even to call them characters, since there is zero context, characterization or texture provided. "Supercop" infiltrates "Latin Drug Lord's" operation using "Blonde Moll" who is on the run from "Mob Guy." Who are these people? Apparently the director didn't care either, all he wanted was a few gun and knife fights to occur in front of a camera.

Unfortunately for the viewer, the plot itself is just as underdeveloped. I defy anyone to explain why the Michael Conrad character exists, why Sol Madrid does 3/4ths of the things he does (or how he could be allowed by his superiors to do so), or why "Mob Guy" decides to reenact the desert hotel scene from Touch of Evil.

The "mafia meeting" at the beginning is the silliest I have ever seen. And, no, this isn't supposed to be a comedy.

David McCallum and Stella Stevens believe the best way to deliver lines in an "intense" scene is to yell them, otherwise, any inflection is superfluous.

The only morsels of merit are seeing a completely unbelievable yet interesting way to smuggle drugs play out and Ricardo Montalban, who, despite the decent resumes of the other actors, is the only one who decided to employ his talents instead of pocketing his paycheck simply for showing up on the set.

International crime thriller, that's how I could describe this movie from a director who, after this one, will give us two pieces of sh.... WHERE EAGLES DARE and KELLY'S HEROES, twp big, juicy, fancy pieces of crap. So let's enjoy this one at least, it is tense, with a good paced script, a surprising lead David McCallum - I suppose his only lead role for the big screen. And the supporting characters such as Telly Savalas and Ricardo Montalban are also effective. Good production design, atmosphere so typical from the late sixties. To find another good Brian G Hutton's film, you'll have to wait till 1973 with NIGHT WATCH and eight years later with FIRST DEADLY SIN. Forget the rest. Good bittersweet ending, and cynical too.

I well remember David McCallum from his Man from U.N.C.L.E. days, enjoy him now on NCIS, and saw him on stage as Emperor Josef in Amadeus on Broadway. At that time I interviewed him. I have never met anyone less like a matinée idol in my life: unassuming, detached, nervous, but very polite and obviously hard-working. Only those my age would know that in the '60s, with his cute blond haircut, adorable face, and accent, he was the object of so much affection.

Here he stars in Sol Madrid, probably MGM's attempt to capitalize on his matinée idol status. He plays undercover agent Sol Madrid who is assigned to destroy drug traffic coming from Mexico, engineered by a man named Dietrich (Telly Savalas) and distributed by a man named Villanova (Rip Torn).

With the help of a U.S. officer working undercover in Mexico, Jalisco (Ricardo Montalban), Madrid uses Villanova's ex-girlfriend (Stella Stevens) to get into Dietrich's home, where he poses as a drug dealer looking for a huge amount of heroin.

This is not a very interesting script, but the Acapulco locations are beautiful, and it's a last chance to see the wonderful Paul Lukas -- this was his final film. Savalas has a showy part and acquits himself well. Rip Torn is appropriately evil, and Montalban very good. McCallum doesn't exhibit much in the way of personality; he underplays, but the character he portrays is clever and can get a job done with a sort of quiet authority, and when he needed to be more demanding, he was. So in spite of some criticism of his performance here, I think his instincts were right. Stella Stevens was a good choice for Villanova's girlfriend - tough and edgy.

Not great, but not bad.

Petty criminal Harry Mitchell and girlfriend Stacey Woodward (Stella Stevens) split half a million stolen from the mob. He takes off for Aapulco. Mob hitman Dano Villanova (Rip Torn) is sent to retrieve the money. Government agent Sol Madrid (David McCallum) finds Stacey. He hopes to bring down drug lord Emil Dietrich (Telly Savalas) with her help. Jalisco (Ricardo Montalban) is Sol Madrid's local contact in Mexico.

This is inferior James Bond. Maybe they are trying to be more real and failing. There is some brutal stuff in the subject matter. Either way, it's not that good. There are quite a few familiar faces. David McCallum is not necessarily a leading man type although I guess he had a leading role in The Man from U. N. C. L. E. During that time. I still don't see it. I don't get Sol and Stacey. I don't get why she goes with him. She threatens to leave at one point. Non of it seems reasonable. The plot is a bit clunky and simplistic. It's sometimes interesting to see some of the lesser films of an era. They do spend most of their time in sunny Mexico and that's something. Oh, it's also a horrible name even for a can of sardines.

David McCallum plays the anti-Sam-Spade private eye in this wry latter-day film-noir-esque look at decadence in the late 60's. Telly Savallas and Rip Torn both are wonderful as the antagonists. As good a momento of its period as any film you will ever find.