Shadow on the Land

This movie is a great movie for those people who love alternate history. The acting is well done, but many of the sets look as if it were filmed on a closed factory. I hope that someday it will appear on video. If you do like this type of movie then you must read "The Devils Advocate" by Taylor Caldwell it too is about a military dictatorship in the 1960's US.

A rarely seen gem that hasn't been broadcast in Los Angeles since 1987!! Luckily I grabbed a VHS copy. The plot follows a group of freedom fighters called the Society of Man in their struggle against a fascist government that takes control of the U.S. Fine acting from all the principles, including a young Gene Hackman. It asks a lot of questions about political laziness and expediency. Note: the airport scene at LAX; it almost mirrors the chaos that goes on now with the TSA and their security! Remember this was filmed in 1968! Also the scene at the concentration camp with the freedom fighters and the American Flag is awe inspiring. I wish this film would be released on DVD.

I saw this movie when I was about twelve and it made a profound impression on me. Coming from a conservative Republican family, it got my wheels and gears turning so that when Watergate happened, I saw the parallels.

In reading the comments, I wondered about a couple of things. While I saw it more than 35 years ago, I remember that the resistance group was called the "Brotherhood of Man" or something similar. Also, the facility that they attacked was a power plant or vital production facility.

I'd be grateful for any insight on these questions, and I too wish it that were available on DVD or VHS.

"Shadow on the Land" was the first made-for-TV movie produced and broadcast on ABC and includes in its cast Jackie Cooper, John Forsythe, Gene Hackman, and Carol Lynley. Its producer, Matthew Rapf, produced series like Ben Casey and Kojak. Its screenwriter, Nedrick Young, won an Oscar as co-writer of The Defiant Ones.

I was 16 when I saw it and its portrait of the United States devolved into a fascist dictatorship made an indelible impression on me. It's one of the most important films in the library of liberty ever made, and it deserves to be revived and seen by every lover of freedom who weeps that the United States is well down the path to tyranny shown in this movie.

But this film also shows seeds of hope, in its portrayal of an underground called the Society of Man.

Watch this! It has more power than a dozen tracts on economics and politics, or political campaigns.

When it aired, "Shadow on the Land"'s premise was barely credible: an unexplained national emergency so terrifies the country that Congress grants the President virtually unlimited emergency powers, which he promptly uses to establish a national security agency charged with hunting down the nation's external and internal "enemies." Soon the country is awash in curfews, traveling papers, checkpoints and managed news. Dissent is unpatriotic and quashed in the name of security and national harmony. In response, a small underground emerges dedicated to revealing the corruption and our loss of freedoms.

Run as a TV movie, "Shadow on the Land" should have done better than it did, and might have made an interesting series had it received better viewer response. Unfortunately, its cautionary message of a fearful America willing to surrender basic freedoms seemed preposterous. Not helping was a fairly plodding script, generally heavy-handed characterizations and an absence of any sense of impending menace or danger.

Still, "Shadow" featured such dependable lead actors as Jackie Cooper, John Forsythe, Gene Hackman, Carol Lynley, Marc Strange and Janice Rule, supported by a strong cast of future character actors including Scott Thomas, Bill Walker and Ken Swofford. All the actors -- Cooper and Hackman especially -- gave solid performances despite the script, which must have seemed something of a fantasy to everyone involved.

While many of the casting decisions were predicable, there was one truly inspired piece of casting that set the show apart: John Forsythe as General Wendell Bruce, head of West Coast security and the resident villain. Setting his likable "Bachelor Father" (1957-1962) persona on its head, Forsythe created a disturbingly complex and believable nemesis: intelligent, dedicated to his duty, sophisticated, articulate and likable, with a ready smile and well-tailored suits. It was truly chilling to watch him, and helped build a case for the type of people who might someday convince us they were only there to "protect" us.

Given the current political and social climate, "Shadow on the Land" was clearly a show forty years ahead of its time – an unusually cautionary tale raised in a television era still dominated by fare such as "Beverley Hillbillies," "Batman," "Death Valley Days: and "Hawaii Five-O." Someone ought to find it in the archives, dust it off, and either run it or redo it; I think we'd be far more willing to believe its vision of America than we were in 1968.

Still, given that same climate, one has to wonder if the show could be done today. The premise strikes far too close to home, and patriotism isn't what it used to be. We've clearly demonstrated that as a people we are now perfectly willing to sacrifice a little freedom for security and safety, just as were the citizens of "Shadow."

On a final minor note, one has to wonder if our Homeland Security folks realize that their eagle logo bears a haunting similarity to "Shadow"'s homeland security agency emblem. If we don't learn from history – even fictional ones – we are somehow doomed to repeat it.