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Sartana - Bete um deinen Tod

Originaltitel: Se incontri Sartana prega per la tua morte
  • 1968
  • 18
  • 1 Std. 35 Min.
IMDb-BEWERTUNG
6,3/10
2075
IHRE BEWERTUNG
Gianni Garko in Sartana - Bete um deinen Tod (1968)
A cabal of dignitaries hire Mexican and American gangsters to steal their bank's shipment of gold as part of an insurance scam, but master gunfighter Sartana interferes with their plans.
trailer wiedergeben2:50
1 Video
65 Fotos
Spaghetti WesternActionDramaMysteryWestern

Eine Gruppe von Würdenträgern heuert mexikanische und amerikanische Gangster an, um die Goldladung ihrer Bank im Rahmen eines Versicherungsbetrugs zu stehlen, aber der Meisterschütze Sartana... Alles lesenEine Gruppe von Würdenträgern heuert mexikanische und amerikanische Gangster an, um die Goldladung ihrer Bank im Rahmen eines Versicherungsbetrugs zu stehlen, aber der Meisterschütze Sartana durchkreuzt ihre Pläne.Eine Gruppe von Würdenträgern heuert mexikanische und amerikanische Gangster an, um die Goldladung ihrer Bank im Rahmen eines Versicherungsbetrugs zu stehlen, aber der Meisterschütze Sartana durchkreuzt ihre Pläne.

  • Regie
    • Gianfranco Parolini
  • Drehbuch
    • Luigi De Santis
    • Fabio Piccioni
    • Adolfo Cagnacci
  • Hauptbesetzung
    • Gianni Garko
    • William Berger
    • Sydney Chaplin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    2075
    IHRE BEWERTUNG
    • Regie
      • Gianfranco Parolini
    • Drehbuch
      • Luigi De Santis
      • Fabio Piccioni
      • Adolfo Cagnacci
    • Hauptbesetzung
      • Gianni Garko
      • William Berger
      • Sydney Chaplin
    • 21Benutzerrezensionen
    • 29Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    Trailer
    Trailer 2:50
    Trailer

    Fotos65

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    Topbesetzung38

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    Gianni Garko
    Gianni Garko
    • Sartana
    • (as John Garko)
    William Berger
    William Berger
    • Lasky
    Sydney Chaplin
    Sydney Chaplin
    • Jeff Stewal
    • (as Sidney Chaplin)
    Gianni Rizzo
    Gianni Rizzo
    • Alman
    Fernando Sancho
    Fernando Sancho
    • Jose Manuel Mendoza
    Klaus Kinski
    Klaus Kinski
    • Morgan
    • (as Klaus Kinsky)
    Andrea Scotti
    • Perdido
    • (as Andrew Scott)
    Carlo Tamberlani
    Carlo Tamberlani
    • Rev. Logan
    Franco Pesce
    • Dusty
    Heidi Fischer
    Heidi Fischer
    • Evelyn
    Gianfranco Parolini
    • Gambler
    • (as J. Francis Littlewords)
    Maria Pia Conte
    Maria Pia Conte
    • Jane
    Sabine Sun
    Sabine Sun
    • Girl at the Saloon
    Sergio Jossa
      Antonietta Fiorito
      Ugo Adinolfi
        Rossella Bergamonti
        • Meggie Sam - Stagecoach Passenger
        • (as Patricia Carr)
        Arrigo Peri
        • Speedy - the Telegrapher
        • Regie
          • Gianfranco Parolini
        • Drehbuch
          • Luigi De Santis
          • Fabio Piccioni
          • Adolfo Cagnacci
        • Komplette Besetzung und alle Crew-Mitglieder
        • Produktion, Einspielergebnisse & mehr bei IMDbPro

        Benutzerrezensionen21

        6,32K
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        Empfohlene Bewertungen

        6LatentSophism

        Dreadful and confusing

        I'm a big Spaghetti Western fan and fairly tolerant of the stylistic excesses, but this film made little sense. It's not clear what is motivating Sartana, the undertaking laughs insanely, William Berger does not know how to act, etc.
        6ma-cortes

        SARTANA is an entertaining SW with lots of action, gun-play and fun

        A coach is stolen and its passengers are killed. Later occur a murders series starred by a bandit named Lasky(William Berger, unforgettable co-starring in ¨Sabata¨ as the banjo man). The stagecoach's strongbox has disappeared turning into several hands. The dark,elegant hero, a freelance gunman, named Sartana(Gianni Garco or John Garco) appears to chase the nasty gunfighter and discover the robberies and killings.The confrontation will be inevitable among the town's despots(Sydney Chaplin, Gianni Rizzo), a cruel murderous( top-notch Klaus Kinski, as always), a Mexican general named Tampico( the great Fernando Sancho in his regular character), Lansky and of course Sartana.

        The first movie on Sartana starred by Gianni Garco is plenty of action, shootouts, double-crosses, twists and loads of violence and blood. It was followed by director Alfonso Balcazar with ¨Sartana non Perdona or Sonora¨. Miles Deem directed two Sartanas deemed lousy and cheesy. Giuliano Carmineo , alias Anthony Ascott, directed various with George Hilton who replaces to Garco. Hilton played more natural and roguish than Garco who was cold and peculiar. The movie gets the usual Western issues, such as greedy antiheroes, violent facing off, quick zooms, exaggerated baddies, among them. Appear very secondaries the habitual at Italian Western and Peplum genre, such as Sal Borgese, Carlo Tamberlani Andrea Scotti, and cameo by the director Parolini as a gambler. Special mention to Franco Pesce, Spaghetti's customary, as an old gravedigger. Atmospheric musical score by Piero Piccioni and appropriate cinematography by Sandro Macori. The picture is professionally directed by Frank Kramer or Gianfranco Parolini, subsequently he directed another Spaghetti-hero named Sabata with Lee Van Cleef in two entries.
        9chaosrampant

        Sartana, angel of death!

        It is very obvious why Sartana created an avalanche of sequels, only second to Django. Even if it looks like yet another tale about stolen gold, Mexican bandits and switching allegiances, Sartana feels (and is) different. Of course seen back in 1968, it must have wowed European audiences with its bleak cinematography and nihilistic characters. However, 40 years (!) down the line, and it still feels as refreshingly dark and stylish as ever.

        As in with most spaghettis, the plot is near incomprehensible. It has something to do about a stolen shipment of gold and a constant switching of allegiances, as thief betrays thief to get the gold. But, again as in with most spaghettis, the plot isn't the issue at all.

        Sartana (1968) is a capsule of pure spaghetti western style. Everything is kept very minimal here, from the scarce dialogues, to the perennially empty town streets. Yet there's a hellish ambiance to proceedings and the nonsensical plot only adds to its psychotronic charm. I gave up trying to follow the plot after a while and just immersed myself in the surreal happenings.

        Sartana himself is like a crossover between The Man with no Name (the standard by which every spag antihero is measured) and Django, a black-clad amoral anti-hero. He's not out there to catch the baddies. He's just out for money and blood. His quirky gadgets often bring to mind the other Parolini character, Sabata, but Gianni Garko's character plays on a whole other level. There is of course, the occasional comic relief, in the form of an old gravedigger, but it only confirms that Sartana is indeed a grim western. That same darkness would resurface in Clint Eastwood's High Plains Drifter years later, on the other side of the pond.

        Overall, this is a must see for SW afficionados. If you're a fan of Corbucci's nihilistic side (Django, The Great Silence), Sartana will make you cream your pants. Dark, stylish, with a streak of Euro horror running through it, Sartana is a criminally forgotten piece of celluloid. Watch it and find out.
        7elo-equipamentos

        Sartana stylized as Clint Eastwood's facet !!

        Forget the plot that was usual, this unique genre spaghetti western certainly are their colorful characters, Sartana (Gianni Garko) portraits a soft spoken hero, overtly akin as Clint Eastwood, but highly stylized, handling a sort of cylinder tagged with cards symbols, spinning around, playing poker, winning of course, those enemies as the Mexican General Tampico, who wants for any means who everybody shall call him as real name "DonJosé Manuel Francisco Mendoza Montezuma de La Plata Perez Rodriguez, very usual on realty spanish members, what a name, what character eating the chicken with dirty hands on a few bites only, also the blue eyes Lasky (William Berger) as often a crook and a special guest Klaus Kinski as the skillful dagger man, beauty girls, without forget the funniest older undertaker, the screenwriter and friendly director Gianfranco Parolini states at bonus material that never received a penny for this picture, which he had 30% of the profits, the producer did swear that lost all his money and couldn't pay his share!!!

        Resume:

        First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.25
        5JohnWelles

        An Insult to the Spaghetti Western Genre.

        "If You Meet Sartana Pray for Your Death" (1968), directed by Gianfranco Parolini and starring Gianni Garko, William Berger Fernando Sancho, Sidney Chaplin(!) and Klaus Kinski phoning in a cameo role, has only one great thing going for it, and that's its ridiculously over the top title. The rest is a banal Spaghetti Western that has no tension and no direction.

        The script, such as it is, has a lot of incident and detail, none of which is interesting, as it is completely convoluted and very hard to care what happens to whom. Still, the plot is something like this: Sartana (Garko) gets involved with an insurance swindle run by several dignitaries, who hire a Mexican gang to steal a strong-box, and an American gang, led by Lasky (Berger), to kill the Mexicans.

        It takes a very long time, too long, to find all this out, and by that point, I ceased to care. Berger is a good actor, one that fits very well into the greed-fill world of Spaghetti's, but isn't given anything interesting to do and is wasted completely. Kinski obviously was doing his role for the money, which is a shame, as his is, career wise the best actor in the film. Garko has a good opening line ("I am your pallbearer."), but not much else, and doesn't have the same magnetic presence as Clint Eastwood or Lee Van Cleef.

        The director made "Sartana" and other "Circus" Westerns like this. They're called "Circus" Westerns because there is so much jumping around and choreographed back-flips that you might be watching a kung-fu movie and not a Spaghetti. The sets here aren't so much grand as big, to accommodate all the acrobatics; it has a hefty budget, but the desert scenes are shot in some quarry. Why? I suspect because Parolini was more interest in making an action film that just happened to be set in the West than creating a Western. These types of Spaghetti's were certainly very popular in their day, and they gave a lifeline to an ailing genre a few years later. I just wish the lifeline had been better. Maybe saying this movie is an insult to the genre is too strong, but when you see progressive and transcendent Spaghetti Westerns like "Black Jack" and "Once Upon a Time in the West" that were made in the same year, you realise how lazy this film is.

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        Handlung

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        • Wissenswertes
          On the Norwegian cover of the VHS tape, it does not have the name of the main star, Gianni Garko. Only the names of the co-stars Klaus Kinski, Willam Berger and Sidney Chaplin.
        • Patzer
          At the end of the film, large clouds of dust and hay billow in the street, yet the leaves on the tree in the foreground are perfectly still. The dust and hay are obviously being blown by large fans off-camera.
        • Zitate

          El moreno: You look just like a scarecrow.

          Sartana: I am your pallbearer.

        • Verbindungen
          Featured in Denn sie kennen kein Erbarmen - Der Italowestern (2006)

        Top-Auswahl

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        FAQ14

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        Details

        Ändern
        • Erscheinungsdatum
          • 22. August 1969 (Westdeutschland)
        • Herkunftsländer
          • Italien
          • Westdeutschland
        • Sprachen
          • Englisch
          • Italienisch
          • Spanisch
          • Latein
        • Auch bekannt als
          • If You Meet Sartana Pray for Your Death
        • Drehorte
          • Manziana, Rom, Latium, Italien
        • Produktionsfirmen
          • Paris Etolie Films
          • Parnass Film
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        Box Office

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        • Budget
          • 137.000.000 ITL (geschätzt)
        Weitere Informationen zur Box Office finden Sie auf IMDbPro.

        Technische Daten

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        • Laufzeit
          1 Stunde 35 Minuten
        • Sound-Mix
          • Mono
        • Seitenverhältnis
          • 1.85 : 1

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