Der Engel mit der Mörderhand

I just finished watching Pretty Poison, and it is a great movie worthy of recognition. I don't know why or how this movie has been somewhat obscured, I guess it wasn't so popular back in those days and it ruined it for other generations.

I'm glad I found this on the movie channel, great performances by Anthony Perkins, really impressive and not exaggerated, which is what a lot of times makes people see as good acting, but this is not the case here, a deep performance is what Mr. Perkins gives us, really laid back and neutral, Kind of the characters he played through his career (Josef K on Welles adaptation of Kafka's "The Process", and his Classic Norman Bates on Psycho) and a great Tuesday Weld as the strange and evolving character Sue Ann Stepanek.

It is so sad that movies like this get lost. A great Screenplay (Best Screenplay Award given by the New York Film Critics Circle Awards) and great acting should make a successful movie, I don't know what happened here.

[8.5/10]

The sleeper of 1968, this little-scene film is frightening with Tuesday Weld giving her best performance as a self-centered tinderbox of passion and greed. Anthony Perkins is his usual affable set of nervous tics and equally as good. What happened to this director? What happened to this film? The script has you guessing from beginning to end and it's a great payoff eventually.

A definite 9 out of 10 (the music is strictly bad tv score) in a great location in New England that hopefully will come out on DVD eventually. If you've never appreciated Ms. Weld before, this is the one you should try to track down. Strange story, wonderful cinematography, and sensitive lead performances make this one special.

Legendary critic Pauline Kael staunchly championed "Pretty Poison" which she clearly loved but her accolades did little in preventing this small, funny but decidedly evil movie from vanishing into obscurity.

The pairing of Tuesday Weld and Anthony Perkins was inspired. Being actors who Hollywood never quite understood how to use, they are perfectly cast as social renegades. Both are in their prime; young, attractive, funny and fiercely intelligent. They are a joy to watch. Four years later they would be brought together for the wonderful "Play It As It Lays", but by then both tapped into a world weary disillusionment far from the playfulness of "Pretty Poison". They were an odd team, playing off each other to dazzling effect.

How those two movies have been relegated to almost total obscurity remains a sad testament to the industry. Should the rare opportunity to watch "Pretty Poison" arises, don't miss it.

"Pretty Poison" is a very interesting, offbeat, darkly comic thriller and a film that remains somewhat under-valued 50 years after its release. Anthony Perkins stars in the kind of role that fit him like a glove: Dennis Pitt, a young man just released from a mental institution. Starting a job at a chemical plant in a small Massachusetts town, he becomes utterly entranced with Sue Ann Stepanek (the memorable Tuesday Weld), a sexy blonde high-schooler and majorette. Given that Dennis is prone to a rich fantasy life, he feeds her a bunch of bull about the spy work that he's doing. She seems to fall for it, hook, line, and sinker, but as things progress, she takes the reigns, making him realize that underneath her wholesome beauty is a psycho that's about to emerge. Then he's just meekly plodding along in her wake.

A good candidate for cult status, "Pretty Poison" marked the filmmaking debut for young Noel Black, who worked mostly in TV and made only a handful of features. He gives the fast-moving, twisty plot very surefooted direction, and gets excellent performances out of his two stars. "Pretty Poison" also has a great feel for small-town America, and the kind of madness that could be boiling beneath the surface. What's appreciated about the tale (scripted by the busy Lorenzo Semple, Jr., based on the novel "She Let Him Continue" by Stephen Geller) is the fact that it's not so predictable. You're fascinated by this character played by the lovely Ms. Weld, and wonder what else she and the filmmakers will do with her.

Perkins may be too old for his role by at least a decade or so, but, much as he did in "Psycho", he does have the ability to earn some sympathy. By the end of the picture, you realize that for all his mental issues, he's not unintelligent. He may have been played for a sap, but he knows it, and he has some advice to pass on to his case worker Azenauer (top character actor John Randolph).

In addition to the great Randolph, other supporting players help to add gravitas: 1950s B movie queen Beverly Garland as Sue Ann's disapproving mother, Dick O'Neill as Dennis' cranky boss, and Clarice Blackburn as the helpful Mrs. Bronson. Ken Kercheval of future 'Dallas' fame has a bit at the end of the story.

But Ms. Weld, despite being a little too old for her role as well, is this pictures' main draw, revealing this not-so-innocent teens' true personality with a vengeance.

All in all, "Pretty Poison" is a striking little film that sinks its hooks into you and doesn't let go for 90 straight minutes.

Eight out of 10.

This forgotten 1968 sleeper "Pretty Poison" is an underrated classic. Directed by Noel Black (who hasn't really made a decent film since), this film is the story of a recently released Dennis Pitt (from a mental hospital), who's trying to begin a new life in the real world (while still stuck in his childhood fantasy world of his mind). Anthony Perkins plays Dennis Pitt, the nervously energized, accident prone, sapp that will be the victim to high school "femme fatale" Sue Ann Stepanek (brilliantly portrayed by Tuesday Weld). Dennis after being released, pretends to be a secret agent that's recruiting Sue Ann to assist in the sabotage of the factory he is currently working at. Sue Ann goes along with Dennis in playing out his fantasies, only to ensure that she adds more havok to his already goofy plans. What starts off as a childish prank (and most of his schemes are childish) turns into complete collapse of the factory structure and the death of one of the security gaurds, due mostly through Sue Ann's intervention. The search to find and question Dennis, leads to his hiding out with Sue Ann's help. Between dodging his old doctor (who's responsible for him since his release) Morton Azenauer (reliable actor John Randolf), and being manipulated by Sue Ann to kill her mother (a wicked Beverly Garland), Dennis has turned into a nervous twitching idiot. He really hasn't the bottle to kill anyone, and Sue Ann begins to use him as the patsy. What's interesting about this film is that the whole story of Dennis being set up as the sapp for a murder he didn't commit, can be connected with the time of the John F. Kennedy assasination and the country's suspicion to foul play. It's the losers like Dennis that the country won't believe, while honor role students like Sue Ann are looked at as nice girls. Sue Ann Stepanek is one of the few trully "bad seeds" of cinema. She has absolutely no morals or concience. She can commit murder, and resume living as if nothing has happened. But she's also terribly exciting. She's sexually active, she'll live out your childish fantasies and games, and she's very clever. But she's poison. Incidentally, the factory that Dennis works at dumps hazardous chemicals in the lake everyday. This innocent looking chemical (which has a pretty glow) is a toxic compound that is being dumped into the cities water supply. Not only is this just a metaphore symbolic to Sue Ann's character, but I can't help feeling that maybe Sue Ann's Mother was digesting some of these toxins while pregnant with Sue Ann. Because Sue Ann is trully a "bad seed" from birth. An intelligent sleeper, that never received it's fair dues. Highly recommended.