Oliver!

I took part in a little mini production of this when I was a bout 8 at school and my mum bought the video for me. I've loved it ever since!! When I was younger, it was the songs and spectacular dance sequences that I enjoyed but since I've watched it when I got older, I appreciate more the fantastic acting and character portrayal. Oliver Reed and Ron Moody were brilliant. I can't imagine anyone else playing Bill Sykes or Fagin. Shani Wallis' Nancy if the best character for me. She put up with so much for those boys, I think she's such a strong character and her final scene when... Well, you know... Always makes me cry! Best musical in my opinion of all time. It's lasted all this time, it will live on for many more years to come! 11/10!!

I love this movie. Love it love it love it.

But I know that not everyone loves musicals. So: if you find the musical genre contrived or unnatural or kitschy, if it's just not your thing, then don't bother with this movie because it is unabashedly and outstandingly a MUSICAL.

The songs: "Food, Glorious Food," "Consider Yourself," "You've Got to Pick a Pocket or Two," just for starters. These are wonderfully singable, indelibly memorable, and they move the plot and action along the way musical numbers in a film should. This is a lost art now, I'm convinced, although maybe with the TV series "Glee!" now riding a wave of popularity, there will be some talented musicians and lyricists who will revive this art-form. Anyway, suffice it to say: "Oliver!" is the musical at its best.

The actors: Oh my lord. Here we have Ron Moody in the role of Fagin, and he is INDELIBLE. He doesn't just act the role, he doesn't just sing it and dance it, he slips into the character's skin and he IS Fagin, in a way that makes it impossible to imagine anyone else in this role.

Jack Wild as the Artful Dodger. He's just superb, audacious and sassy and swaggering, and you can't help but like him even as you see him cheerfully taking up a life of crime. He makes us accept the character as someone basically good-hearted who is just adapting to the life he has to live. Matter-of-factly and without malice, and leaping to grab joy when the opportunity presents itself.

Shani Wallis as Nancy: tender and tough, tough and tender, she has the virtues of loyalty and honesty even as those values become hindrances to survival. She is who she is and she doesn't apologize for it, she's key to saving young Oliver.

Oliver Reed as Bill Sikes. I love Oliver Reed, always have, and he dominates every scene he has in this movie. You look at him and you see what the Artful Dodger would turn into if he had malice in his soul. Sikes is dangerous; he has no code but survival for himself, and he'll throw anyone else to the wolves without pausing to think about it if it serves him to do so. Oliver Reed really makes the movie work, because he brings genuine menance and sexuality to his role, which serves as a counterpoint for the sweetness of the musical as a whole.

And finally, Mark Lester. He is beyond winsome as the title character, a completely believable innocent who is without guile and imbued with a natural sense of goodness. I just love looking at Mark Lester, he's such a beautiful and dreamy-looking child.

This movie is about as good as a musical gets: it's visually stunning, in the sets and the cinematography and the costumes, and in the staging of the musical numbers. The characters are wonderful, they're classics. The plot is pared down to the basics and conveys the material as Dickens wrote it without being slavish or getting bogged down in detail.

When I saw this movie for the first time, I laughed and I cried and I sat at the edge of my seat, and when it was over I wanted more. Since the first time I saw it, I've seen it more than a dozen times more, and it's a movie I can watch again and again and again.

As a musical, it's tops. But not everyone likes musicals. Maybe because not every musical is as good as "Oliver!" on every level.

Maybe, just maybe, we'll see a renaissance of the genre soon, and more people who "don't like musicals" because they've only seen bad ones will understand that when a musical is good, it's really, really good.

Its strange that the film that won the best picture Oscar at the 1968 Academy Awards was a film made in England, but if ever a movie deserved that honor, I think it is Oliver. This movie is a true classic that should be on every best picture list and given a place of honor at The American Film Institute. Movie musicals died out a long time ago and it is a shame because this is the best movie musical I have ever seen. Usually movie musicals are slipshod with some great numbers mixed in with some poor ones. Oliver does the impossible, because every number and every dance in this film hits the bullseye! From "Food Glorious Food" to "Consider Yourself" to "Who Will Buy This Wonderful Morning". Ron Moody, Shani Wallace (as Nancy) and Mark Lester as Oliver all give outstanding performances. Mark Lester was at one time the most famous child actor in the entire world. He was the Ricky Schroder of his day or the MacAuley Culkin of his day (I'll bet he wishes he could have made the kind of money they did!). Mark Lester is now a doctor in England and I wrote him a couple e-mails and he talked about Oliver and what a fine experience it was making the film. Shani Wallace was a fine English actress who never got the credit she deserved. She was so good as the sweet, loving Nancy who took a shine to little Oliver and gave her life saving him (her murder scene still makes me shiver, even Charles Dickens said that bothered him when he wrote it!). Doctor Lester wrote me that Shani Wallace was like a big sister to him and it shows on the screen. Ron Moody is delightfully hammy as Fagin. He sort of reminds me of Charles Laughton the way he carries the part to its ludicrous extreme but you savor it along with him. Charles Dickens was so good at portraying the poverty and horrible living conditions of his time and this film shows that especially in the workhouse. Children really lived under those conditions and it is horrifying. The scene that got me is where they are being served horrible gruel and are walking by the dining room where Mister Bumble and his henchmen are dining like kings! That really made me angry. Anyhow, Oliver is a wonderful film that would stand up to any film today and is a good viewing experience for the whole family. It will leave you with a happy heart and a lump in your throat and what more could you ask for?

Charles Dickens famous novel of an orphan boy, Oliver Twist, who escapes from his poor life to seek his fame and fortune in London, is adapted as a glossy musical.

Who would have thought that a story from the brilliant Dickens could be so sweet and endearing? So it be with Carol Reed's (Best Director Winner) unforgettable 1968 Best Picture Winner. Yes it's some way away from the essence of the source, those in need of that should be seeking out David Lean's fabulous 1948 version, but with an array of wonderful tunes and choreography, this Oliver is a treat for all the family. The cast are uniformly strong, notably Ron Moody (Fagin), Oliver Reed (who as Bill Sykes is probably playing himself!), Mark Lester (Oliver) and the fabulous Jack Wild (The Artful Dodger). While Lionel Bart's songs are as timeless as they are engaging.

The 60s was a tough decade for cinematic musicals, with many of them turning out to be bloated exercises in tedium. But Oliver! is one of the shining lights in the genre, a true uplifter guaranteed to have the feet a tapping and the smile firmly implanted on ones face. So if you have yet to see and be charmed by it? Come on in, join our number and consider yourself one of us. 8/10

I was lucky to see "Oliver!" in 1968 on a big cinema screen in Boston when I was a young teenager. Later, during the summer of 1969, I was pleased to see this film was still playing at a prominent cinema in Leicester Square, London, after it had won the Academy Award for Best Picture of the previous year.

Th success of "Oliver!" on both the stage and screen reminded me that not all talent begins on Broadway and ends in Hollywood. This legendary story by Charles Dickens, which is part of the literary heritage of all English-speaking people, was admirably brought to the London stage by Lionel Bart of Great Britain. His charming musical then became a hit in New York and throughout the world. The film adaptation was made in England during the summer of 1967 and then released in 1968. The sets and musical numbers are mind boggling. The song "Who Will Buy?" required hundreds of actors and the British film director truly deserved his Oscar for putting it all together in a seamless manner. Some Canadian and American talent is also part of this wonderful production, but mostly it is a tribute to the fine craftsmanship of the British film studios, such as Shepperton. Good show! Other film studios at Elstree, Boreham Wood, Bray, Denham, and Ealing have also given the world many films to treasure over the years.