The Snow Woman

Actually, no. I wouldn't call this a horror movie, but a good drama movie with a paranormal twist in it. Why?

The story is about a Snow woman, a ghost who falls in love with a living man, and this movie is the story about her and the man who are a sculpture-maker.

The story itself is a catching one, i myself ain't intro drama movies but the acting and dialogs, building of the story keeps me interested in what is happening in the movie.

It's good filmed, special effects are also very good and its in its whole a very good movie. But like said, i wouldn't call this a horror movie but a drama movie as first genre, then perhaps some horror elements but i wouldn't place this one under horror.

On the Mino Mountains, the master sculptor Shigetomo (Tatsuo Hananuno) and his apprentice Yosaku (Akira Ishihama) find the ideal tree to carve the sculpture of the goddess Kannon for the temple of their village. There is a snow storm and they seek shelter in an abandoned cabin. During the night, the evil Snow Woman freezes Shigetomo and tells to Yosaku that she would not kill him since he is young and handsome. However, she makes him promise that he will keep absolute secret about her, never disclosing to anyone the events of that night. Yosaku was raised by Shigetomo and his wife Soyo (Sachiko Murase) and he is assigned by the village leader to carve the sculpture of Kannon. One rainy day, Yosaku and Soyo meet the gorgeous Yuki (Shiho Fujimura) and she stays with them. When the vile Intendant badly hits Soyo for protecting the local kids, she makes Yuki promise to marry Yosaku before she dies. Five years later, Yosaku and Yuki are happily married with the boy Tarô. However, the couple is harassed by the Intendant and his samurais until one day Yosaku discloses his secret to Yuki and the Snow Woman appears.

"Kaidan yukijorô", a.k.a. "The Snow Woman", is a sad and touching Japanese film based on the horror folklore of an evil female spirit. The film is beautifully shot, with magnificent cinematography and make-up. The special effects are also excellent for a 1968 movie. Shiho Fujimura is extremely beautiful and perfect in the role of a spirit that falls in love with a mortal and learns the meaning of love and compassion. "The Snow Woman" is a must-see heartbreaking film only released in Brazil this year on DVD. My vote is eight.

Title (Brazil): "A Mulher da Neve" ("The Snow Woman")

Three years after an adaptation in 1965's KWAIDAN, the classic Japanese ghost story of the yuki-onna (snow woman) gets a feature-length telling. While Tokuzo Tanaka's film might feel a little redundant after the wonderful adaptation of the story in KWAIDAN, KAIDAN YUKI JOROU is still well worth a look for fans of Japanese folk horror.

Extending the tale to eighty minutes doesn't feel like stretching it too thin; the feature-length story gets to focus more time on character development and crafting emotional connections, which helps the climax reach surprisingly emotive heights. You almost forget it's a horror flick in the middle, with the vibe lying somewhere between fantasy and family drama, but these portions don't drag like they could have.

The film is beautifully shot and has some wonderfully memorable visual moments, especially near the end. These '60s Japanese horrors do such a wonderful job creating a spooky atmosphere, which is amplified by the setting and time period. It's like you're seven years old, telling ghost stories around the fire, except you're in rural Japan and wearing a kimono for some reason.

It is rather predictable and features a lot of the missteps of Japanese cinema from this time period (overacting, a tendency towards ham-fisted asides and monologues, etc.), but if you enjoyed the likes of KWAIDAN and ONIBABA, this should tickle your fancy.

A wonderful story told so well in this adaptation. It is so much more than a horror story. It is a story of love and compassion but with great sadness. It captures the imagination in a way that the Japanese are true masters at.

I want more of these kind of movies!

After taking refuge from a deadly blizzard, a sculptor (Akira Ishihama) encounters a beautiful yuki-onna (a demonic 'Snow Woman') who spares his life if he promises never to tell anyone about the encounter. Soon after, Yuki, a lovely young woman (Shiho Fujimura), travelling alone and with no family, appears in his village. The sculptor is captivated by the mysterious women and soon marries her, but not before she catches the lecherous eye of a cruel, dishonorable samurai. This is one of several film versions of the frosty fable, others being 'The Woman of the Snow', one story in Masaki Kobayashi's excellent supernatural anthology 'Kwaidan' (1964), another being 'Snow/Woman' (2000) an awful, bargain-basement 'pinkie', worth watching solely for the cute, and occasionally naked, white-witch. Tokuzo Tanaka's 1968 version is creepily surreal at times, especially the scenes where the otherworldly woman with the golden eyes seems to glide over the snow. Shiho Fujimura makes for an enchanting yokai, the story is engaging, the music good (the film was scored by Akira Ifukube, the composer behind many of Toho's great kaiju themes) and the special effects (the witch's demonic eyes and the preternatural 'freezing') are nicely done. Slow moving and subtle by modern horror-film standards but still an excellent candidate for a midnight viewing with a fine bottle of sake or Japanese whisky to keep you warm when the spectral snow starts to fall.