Füge eine Handlung in deiner Sprache hinzuA young teenage boy is blamed for a Florida neighborhood being terrorized. But the real culprits are a gang of four punks leading a group of local delinquents on a nihilistic lifestyle of de... Alles lesenA young teenage boy is blamed for a Florida neighborhood being terrorized. But the real culprits are a gang of four punks leading a group of local delinquents on a nihilistic lifestyle of destruction and mayhem.A young teenage boy is blamed for a Florida neighborhood being terrorized. But the real culprits are a gang of four punks leading a group of local delinquents on a nihilistic lifestyle of destruction and mayhem.
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Larry E Wiliams
- Cransy
- (as Larry Williams)
Julia Ames
- Teenybopper
- (as Julie Ames)
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Not being a fan of exploitation films, but for years after violent, extreme, provocative films in general, I stumbled upon this little flick from the 1968. I hadn't yet seen any other film from Herschell Gordon Lewis {shame!), so I thought I should give it try.
It's quite strange this is not more popular, because, if this is what Herschell Gordon Lewis films feel like, then I would like to see more. It is probably one of the earliest samples of mindless politically incorrect cinema done pretty sloppy but effectively, a classic exploitation, if you ask me, and even if you regularly don't take it too seriously, it's quite daring for 1968. Some scenes might raise a smile to some, intentionally or not.
So, this quite unknown film is recommended for those after a nice old party film for a night with friends, pizza and beers {the music just feels great with this one), exploitation fans {this is a must) and in general, those who are looking for mindless fun, not shocked by somewhat explicit material.
It's quite strange this is not more popular, because, if this is what Herschell Gordon Lewis films feel like, then I would like to see more. It is probably one of the earliest samples of mindless politically incorrect cinema done pretty sloppy but effectively, a classic exploitation, if you ask me, and even if you regularly don't take it too seriously, it's quite daring for 1968. Some scenes might raise a smile to some, intentionally or not.
So, this quite unknown film is recommended for those after a nice old party film for a night with friends, pizza and beers {the music just feels great with this one), exploitation fans {this is a must) and in general, those who are looking for mindless fun, not shocked by somewhat explicit material.
H.G. Lewis' films are not for everyone. He uses amateur actors that he finds in the cities he films in and the sets are probably houses that the actor's parent's own. But his films are so out there and so bizarre that I can't see how you wouldn't get a kick out of them. "Just for the Hell of it" centers on a large group of white-bred kids who, for no reason whatsoever (hence the title) decide to engage in pranks ranging from fairly harmless (hiding a blind man's cane) to truly evil (raping a girl on a beach and putting her boyfriend in a sinking boat). If you want to know what a stereotypical late '60's drive-in film was like, this would probably be your best bet.
Shot back-to-back with SHE-DEVILS ON WHEELS, JUST FOR THE HELL OF IT is almost as good. Filled with amazing scenes of mass destruction and devilish deeds, HELL may be the ultimate j.d. film. Too bad it came a few (10) years too late!
Destruction Inc. is a leather-jacket, bike-riding teenage gang who, for the duration of the film, cause trouble for law-abiding citizens and the law. That's it. There really is no plot here, just scene after scene of crimes committed by boys AND girls.
HELL is obviously the sister of SHE-DEVILS. The cast, almost all having appeared in SHE-DEVILS, includes Rodney Bedell, Nancy Lee Noble, Ruby Tuesday, Pat Poston, a number of the men from the stud line, two of the biker chicks, and the heroine's mother! Ray Sager, who plays one of the gang leaders, later played Montag in WIZARD OF GORE! Nancy Lee Noble really deserved more roles in these types of movies. She's great in SHE-DEVILS and is good here, too. I have yet to see her in THE GIRL, THE BODY & THE PILL, but she has already become one of my psychotronic favorites. On another note: the music is all from THE GRUESOME TWOSOME, with the exception of the two songs performed by the Florida garage band. I wish a CD would come out of music that Larry Wellington supervised for H.G. Lewis' films. He really aided the 60s feel of movies like this one, GRUESOME TWOSOME and SHE-DEVILS ON WHEELS.
JUST FOR THE HELL OF IT is, like I said, scene after scene after scene of mass destruction. This gets a little repetitive, but never gets dull. The main gang leader (I'm hazy on the name of the actor) seems more apt to play the good-looking hero and I would love to have seen him try that role. Not H.G. Lewis' best, but JUST FOR THE HELL OF IT is full of scenes that only Lewis would film and that 60s Florida feel that makes it indescribably fun to endure.
Destruction Inc. is a leather-jacket, bike-riding teenage gang who, for the duration of the film, cause trouble for law-abiding citizens and the law. That's it. There really is no plot here, just scene after scene of crimes committed by boys AND girls.
HELL is obviously the sister of SHE-DEVILS. The cast, almost all having appeared in SHE-DEVILS, includes Rodney Bedell, Nancy Lee Noble, Ruby Tuesday, Pat Poston, a number of the men from the stud line, two of the biker chicks, and the heroine's mother! Ray Sager, who plays one of the gang leaders, later played Montag in WIZARD OF GORE! Nancy Lee Noble really deserved more roles in these types of movies. She's great in SHE-DEVILS and is good here, too. I have yet to see her in THE GIRL, THE BODY & THE PILL, but she has already become one of my psychotronic favorites. On another note: the music is all from THE GRUESOME TWOSOME, with the exception of the two songs performed by the Florida garage band. I wish a CD would come out of music that Larry Wellington supervised for H.G. Lewis' films. He really aided the 60s feel of movies like this one, GRUESOME TWOSOME and SHE-DEVILS ON WHEELS.
JUST FOR THE HELL OF IT is, like I said, scene after scene after scene of mass destruction. This gets a little repetitive, but never gets dull. The main gang leader (I'm hazy on the name of the actor) seems more apt to play the good-looking hero and I would love to have seen him try that role. Not H.G. Lewis' best, but JUST FOR THE HELL OF IT is full of scenes that only Lewis would film and that 60s Florida feel that makes it indescribably fun to endure.
"Just for the Hell of It" isn't exactly the cinematic masterpiece Herschell Gordon Lewis will be remembered for. Lewis made himself immortal among horror/cult cinema fanatics as "The Godfather of Gore"; a nickname he earned because he was the first one to direct horror movies where blood, guts and gore literally burst from the screen. Movies like "Blood Feast", "Two-Thousand Maniacs", "The Gore Gore Girls" and "The Gruesome Twosome" truly represent HG Lewis' repertoire and lifework, whereas "Just for the Hell of it" is merely just a rapidly produced and nonchalantly elaborated story to cash in on the contemporary popular trend of juvenile delinquency thrillers. There's no actual story and particularly the first full hour of the film feels like a compilation episode of "America's Funniest Home Videos: The Bad Kids Edition". It's basically just a series of amateurishly edited together clips showing a gang of youthful thugs pulling pranks and committing petty crimes in their area. At first their pranks are quite pitiable and laughable (wetting people with a garden hose, smearing pies in a salesgirl's face
) but they gradually turn into harsh crimes and near the end of the film they even turned to gang-rape and murder. The gang members refer to themselves as "Destruction Inc" which is quite the apt name since they surely like to break all kinds of stuff, varying from people's mailboxes, living rooms, snack bars, boats and even baby-carriages. The "plot" only just starts to unfold itself after an hour into the film, when a courageous boy stands up against the vicious gang but then gets falsely accused, threatened and targeted for vengeance. Moral of the story: look the other way when violence is being committed near you! "Just for the Hell of it" is an okay film if you're into cheap and extremely low-budgeted 60's exploitation, but it definitely contains too many overlong sequences of padding and repetitiveness. It's just plain boring to watch a bunch of people demolish all the furniture in one and the same room for five whole minutes. The acting performances are below par, as to be expected from this type of poverty row film production, but it's nevertheless quite funny how these "juvenile" delinquents are depicted by actors and actresses who're all at least in their late twenties. The gangs' last crime on the beach and particularly the denouement form the undeniable highlights of "Just for the Hell of it" because these sequences are shocking and vile, and the use of make-up effects in these scenes finally state clear that you're watching a H.G Lewis' flick! The theme song is also very exhilarating and catchy, so I'll give an extra point for that as well.
"Just For The Hell of It" has to be one of the greatest exploitation flicks I have ever seen. I wanted to see it ever since seeing the trailer a few years ago, which was basically just kids ripping stuff apart. How can you not love that? The film sets the tone quickly as almost immediately the gang destroys a roomful of furniture, even before a single word is muttered on screen. It actually takes seven minutes for any words to come out of anyone's mouth, as after the initial destruction we see a wild late 60's band, complete with guys who seemed like they influenced Angus Young with their head banging on stage.
From there, the movie is virtually non-stop as the gang goes literally from one thing to another, destroying stuff, bothering people, causing all sorts of hell. Some of the things they do are throwing buckets of water at people, hosing down a woman, ripping clothes off a clothes line, ripping up a magazine a woman is reading, and more. These scenes are completely hilarious.
The acts seem to get more violent as the film progresses, as those things progress into beating a blind man with his cane, beating an injured man with his crutches, beating an eatery owner and burning his hand (after destroying his place), and putting a baby in a garbage can while destroying the carriage (where did the mother go?).
The funny thing about all of this is that the gang does it all in broad daylight, in congested places where there are plenty of cars and people around, and of course no one does anything. Even when the gang starts beating on a bunch of little kids playing baseball in the park (in a hilarious scene where you can spot a kid or two laughing as they are being tossed around) one old lady who does see what happened, blames a guy trying to stop the gang for starting a fight with them, and has him arrested.
Then from there, things get much more violent and a little less funny as the gang adds murder and gang-rape to their mayhem.
Much of "Just For The Hell of It" appears to have been shot silent, with sound added later, adding to the cheesiness of the whole thing. It is funny listening to goofy 60's music as the gang commits these crimes, and they also seem to produce hammers and axes wherever they are when they start breaking stuff, despite the fact that you never actually see them carrying any weapons.
The film almost never drags, constantly going from one destructive event to another for almost the entire duration, until the last 15 minutes when things slow down a bit to build up some tension. The guys are all smart alecks and the girls are all pretty. This is a classic JD problem child flick that anyone into very cheesy low-budget stuff will get a huge kick out of. It is H.G. Lewis after all, no one does it quite like him!
From there, the movie is virtually non-stop as the gang goes literally from one thing to another, destroying stuff, bothering people, causing all sorts of hell. Some of the things they do are throwing buckets of water at people, hosing down a woman, ripping clothes off a clothes line, ripping up a magazine a woman is reading, and more. These scenes are completely hilarious.
The acts seem to get more violent as the film progresses, as those things progress into beating a blind man with his cane, beating an injured man with his crutches, beating an eatery owner and burning his hand (after destroying his place), and putting a baby in a garbage can while destroying the carriage (where did the mother go?).
The funny thing about all of this is that the gang does it all in broad daylight, in congested places where there are plenty of cars and people around, and of course no one does anything. Even when the gang starts beating on a bunch of little kids playing baseball in the park (in a hilarious scene where you can spot a kid or two laughing as they are being tossed around) one old lady who does see what happened, blames a guy trying to stop the gang for starting a fight with them, and has him arrested.
Then from there, things get much more violent and a little less funny as the gang adds murder and gang-rape to their mayhem.
Much of "Just For The Hell of It" appears to have been shot silent, with sound added later, adding to the cheesiness of the whole thing. It is funny listening to goofy 60's music as the gang commits these crimes, and they also seem to produce hammers and axes wherever they are when they start breaking stuff, despite the fact that you never actually see them carrying any weapons.
The film almost never drags, constantly going from one destructive event to another for almost the entire duration, until the last 15 minutes when things slow down a bit to build up some tension. The guys are all smart alecks and the girls are all pretty. This is a classic JD problem child flick that anyone into very cheesy low-budget stuff will get a huge kick out of. It is H.G. Lewis after all, no one does it quite like him!
Wusstest du schon
- WissenswertesIncluded in a 1990 VHS series hosted by Joe Bob Briggs (John Bloom) titled "The Sleaziest Movies in the History of the World."
- PatzerThe news story underneath the headline "Five Cars in Lots Burned by Hoods" covers the funeral of seven children from the Richardson family, where a Florida father, James Richardson, was sent to death row for killing all his kids with parathion in 1967. He was set free in 1989 after the babysitter he hired confessed to the crime.
- Crazy CreditsAll the footage under the opening credits is used again later in the film, as a block, frame for frame.
- VerbindungenEdited into Sleazemania! (1985)
- SoundtracksDestruction
Music by Herschell Gordon Lewis (as Sheldon Seymour)
Lyrics by Robert Lewis
Performed by Tary Rebenar (The Faded Blue)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Nacidos para este infierno
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 21 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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