Füge eine Handlung in deiner Sprache hinzuA famous conductor gives an interview to a rather young journalist.A famous conductor gives an interview to a rather young journalist.A famous conductor gives an interview to a rather young journalist.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 1 Gewinn & 1 Nominierung insgesamt
Gino Melvazzi
- Mario
- (as Gino Mulvazzi)
Steve Plytas
- Frederico
- (as Stephan Plytas)
Empfohlene Bewertungen
I, too, saw the movie on a first date - have looked for it for years -I must have checked eBay at wrong times - it's odd how my sympathies were with the girlfriend when younger- now I identify with the wife - hope this makes it into video - it's too good to lose-
This is a gem of a movie! Beautifully scored by Georges Delerue, very well cast, I saw this back in the early 70's ... Since then, I've been looking high and low for it. Oskar Werner gives a memorable performance (in my estimation, his best), and Virginia Maskell is lovely as his dignified, understanding wife. I only wish this would be re-released, as trying to find a copy anymore seems impossible... It is timeless, lush, gorgeous.
I saw this movie 35 years ago for a total of 5 times and I bought the vinyl LP for the beautiful classical music.
Years later, I watched it again on TV but didn't have a chance to tape it. It's a lovely movie and it's so sad that a treasure-forever DVD is not available.
Please, please, some company out there (Criterion perhaps!), please consider do a remaster on this movie and give us fans of the 'Interlude' something that we can treasure for the rest of our lives.
Years later, I watched it again on TV but didn't have a chance to tape it. It's a lovely movie and it's so sad that a treasure-forever DVD is not available.
Please, please, some company out there (Criterion perhaps!), please consider do a remaster on this movie and give us fans of the 'Interlude' something that we can treasure for the rest of our lives.
Globally respected as among the top actors in cinema history (but sadly split in audience between his German language and English language films), there are too few available in English to us who want them all! The Austrian Werner, I understand was among his own worst enemies due to his drinking and fights with producers and directors, and died a sad shell of himself rehearsing for a low budget live appearance on the continent.
But what he gave us! This film is not only NOT an exception, but maybe his finest performance in a film where he was the top star and in the most scenes [unlike his other great English language roles, Spy, and Ship, and F451 (where Julie has the big part)]. Certain critics found him wooden and "method-y" in this--what a crock. I am very much in the market for a copy of this--it NEVER plays in California, even on late night TV. The sound track, and the orchestral scenes are matchless. Your heart will stop a few times--can't spoil that for you! I hope I live long enough to have a copy! Notice the agreement among all these (above) IMDB comments??? It's because all is true. If I were to continue, the superlatives would be boring (and endless). & John Cleese as an unknown, presaging exactly what MPFC was about to bring the world--he basically ad libs his (bit) go-fer role, saying he and his mates have an idea for comedy satire movies!!! But Oskar Werner. I'll stop now.
But what he gave us! This film is not only NOT an exception, but maybe his finest performance in a film where he was the top star and in the most scenes [unlike his other great English language roles, Spy, and Ship, and F451 (where Julie has the big part)]. Certain critics found him wooden and "method-y" in this--what a crock. I am very much in the market for a copy of this--it NEVER plays in California, even on late night TV. The sound track, and the orchestral scenes are matchless. Your heart will stop a few times--can't spoil that for you! I hope I live long enough to have a copy! Notice the agreement among all these (above) IMDB comments??? It's because all is true. If I were to continue, the superlatives would be boring (and endless). & John Cleese as an unknown, presaging exactly what MPFC was about to bring the world--he basically ad libs his (bit) go-fer role, saying he and his mates have an idea for comedy satire movies!!! But Oskar Werner. I'll stop now.
I first saw this movie in 1968 when I was 19 years old. It struck me then (as it still does) as a very poignant story. Interestingly, it somewhat paralleled events in my own life at the time. As a consequence I found myself taking on the movie as my own. I even went and bought the soundtrack which is just beautiful. The mix of excerpts of classical pieces along with Georges Delerue's score transports me every time I hear it. I also have a copy of the movie I made from a television presentation some years ago. Interestingly, it still holds up very well today. The contrasts in both character and personality among the three main players makes for some wonderful emotional moments that highlight this age-old situation.
Wusstest du schon
- WissenswertesDebut theatrical movie of John Cleese.
- VerbindungenRemake of When Tomorrow Comes (1939)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Interlude
- Drehorte
- The Mermaid Inn, Mermaid Street, Rye, East Sussex, England, Vereinigtes Königreich(Hotel where the couple stay)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Seitenverhältnis
- 1.85 : 1
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