Füge eine Handlung in deiner Sprache hinzuDuffy is a cunning aristocrat of criminals hired by young playboy Stefane to hijack a boat carrying several million dollars of his father's riches. He succeeds, with help from Stefane's girl... Alles lesenDuffy is a cunning aristocrat of criminals hired by young playboy Stefane to hijack a boat carrying several million dollars of his father's riches. He succeeds, with help from Stefane's girlfriend, but there's an unexpected turn of events.Duffy is a cunning aristocrat of criminals hired by young playboy Stefane to hijack a boat carrying several million dollars of his father's riches. He succeeds, with help from Stefane's girlfriend, but there's an unexpected turn of events.
André Maranne
- Inspector Garain
- (as Andre Maranne)
Manuel Hernández Asensio
- Waiter
- (Nicht genannt)
Keith Barron
- Photographer
- (Nicht genannt)
Patrick Lichfield
- Photographer
- (Nicht genannt)
Steve Plytas
- Moroccan
- (Nicht genannt)
Peter van Dissel
- Radio Operator
- (Nicht genannt)
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10Monk-17
This film features gorgeous photography on the Mediterranean and a plot that I never found predictable. It's very stylish and has cool music, including a great tune by soul singer Lou Rawls. James Coburn, James Fox and James Mason are all very good in it, as is the beautiful Susannah York. The plot involves the theft of money from a ship on the Mediterranean Sea. It's James Mason's sons that steal his money, and it's what follows that gives the film it's intrigue. Definitely worth watching.
This is another flashy caper comedy starring James Coburn which, surprisingly, emerged to be much better than the last one I’d watched only a few days previously i.e. DEAD HEAT ON A MERRY-GO-ROUND (1966). Interestingly, all three male lead actors here are called James (Coburn, Mason and Fox) – recalling the three Roberts (Young, Mitchum and Ryan) of CROSSFIRE (1947)!; for the record, Coburn and Mason would appear together again in THE LAST OF SHEILA (1973) and CROSS OF IRON (1977).
Coburn plays the titular Irish “hipster” (read: rogue/adventurer) engaged by wealthy but ne’er-do-well layabout half-brothers Fox and John Alderton (bearing dopey look and obnoxious laugh) to rob their unloving father (Mason)’s fortune, while it’s being transported by ship. Our hero lives modestly if not exactly inconspicuously – given the artistic bric-a'-brac that clutters his house – in Tangiers, and he even seems very much into the Swinging scene (with resulting slangy dialogue, not to mention a reference to The Beatles’ “Lucy In The Sky With Diamonds”!). Similarly, the Susannah York character – the only significant female to figure in the narrative – is liberated and carries on simultaneous affairs with both Fox and Coburn (at one point, she and Duffy debate whether such a woman is technically a “slut” or not!).
The film, therefore, promised to be a convoluted and pretentious bore (even more than the afore-mentioned DEAD HEAT in fact) but proved quite an engaging and enjoyable trifle – the belated robbery sequence itself is decently staged, with its trio of robbers donning ugly Halloween-type masks, and there’s an amusing supporting character in the porn-obsessed bank manager in Tangiers! The script (as always in similar outings from this cynical era, the denouement is twist-laden and heavily ironic) was co-written by the ill-fated Donald Cammell – who later that same year would re-team with Fox for the extraordinary PERFORMANCE which, however, didn’t go on general release until 1970; the whole, then, is slickly photographed by the distinguished Otto Heller and has a groovy soundtrack to match.
Robert Parrish – who started out as an actor, then changed track to editor, and finally graduated to director in Hollywood – was probably assigned to this following his stint on the notorious James Bond spoof CASINO ROYALE (1967); DUFFY is as yet unavailable on DVD – but I recently obtained a decent Widescreen DivX copy of it (probably sourced from VHS), which will do just fine.
Coburn plays the titular Irish “hipster” (read: rogue/adventurer) engaged by wealthy but ne’er-do-well layabout half-brothers Fox and John Alderton (bearing dopey look and obnoxious laugh) to rob their unloving father (Mason)’s fortune, while it’s being transported by ship. Our hero lives modestly if not exactly inconspicuously – given the artistic bric-a'-brac that clutters his house – in Tangiers, and he even seems very much into the Swinging scene (with resulting slangy dialogue, not to mention a reference to The Beatles’ “Lucy In The Sky With Diamonds”!). Similarly, the Susannah York character – the only significant female to figure in the narrative – is liberated and carries on simultaneous affairs with both Fox and Coburn (at one point, she and Duffy debate whether such a woman is technically a “slut” or not!).
The film, therefore, promised to be a convoluted and pretentious bore (even more than the afore-mentioned DEAD HEAT in fact) but proved quite an engaging and enjoyable trifle – the belated robbery sequence itself is decently staged, with its trio of robbers donning ugly Halloween-type masks, and there’s an amusing supporting character in the porn-obsessed bank manager in Tangiers! The script (as always in similar outings from this cynical era, the denouement is twist-laden and heavily ironic) was co-written by the ill-fated Donald Cammell – who later that same year would re-team with Fox for the extraordinary PERFORMANCE which, however, didn’t go on general release until 1970; the whole, then, is slickly photographed by the distinguished Otto Heller and has a groovy soundtrack to match.
Robert Parrish – who started out as an actor, then changed track to editor, and finally graduated to director in Hollywood – was probably assigned to this following his stint on the notorious James Bond spoof CASINO ROYALE (1967); DUFFY is as yet unavailable on DVD – but I recently obtained a decent Widescreen DivX copy of it (probably sourced from VHS), which will do just fine.
This is a "feel good" movie. It has a fun plot, the actors all put in a good performance, and it was filmed in gorgeous Mediterranean locations. If you like vacationing in the Mediterranean area, this movie whets your appetite for another visit. Most of the movie was filmed in and around the city of Almeria, located on the south coast of Spain. This area has been used frequently for "spaghetti westerns" because of desert-like scenery. The scenes of "Tangiers" were filmed right in the city of Almeria. I visited here in 1984, and the city still had many winding alleys and whitewashed houses that looked like they could have been Tangiers. The lighthouse and rocky beach scenes were filmed at nearby Cabo de Gato. I revisited Almeria in 1999, and it was unrecognizable - all ugly hi-rise buildings. The Cabo de Gato area is still gorgeous, though. There are many beach houses near the lighthouse, but it is now a protected natural reserve area. I've never been able to find the beach club in the movie, although the scenery is very much like the area around the nearby town of San Jose.
Having lived on 4 dollars a day and not known what the next day would bring me this film is ultra-cool for people who know how to float through places of hip outside U.S. shores. I loved it then and love it now. Plus Lou Rawls!! James Coburn and Steve McQueen, Charles Bronson, Paul Newman, Bruce Lee, Robert Redford, Tony Curtis and many more are the people to watch. Some reviews say it is fluff but this shows the ultra cool Coburn at his best. The cast is excellent and now with the world economy crashing a taste of Duffy and Bullitt and Enter The Dragon and The Hustler in theaters might be a welcome relief from terminator 20 and all the other junk out there corporations push on the public. These guys and gal are actually acting.
Universal bring back PJ with George Peppard and Gayle Hunnicut too. We need these 60's folks on the screen again. Release Duffy on DVD!
Universal bring back PJ with George Peppard and Gayle Hunnicut too. We need these 60's folks on the screen again. Release Duffy on DVD!
When "Duffy" was released, I was working in one of my father's theatres as the projectionist. As a projectionist I saw a lot of movies...over and over again. I can tell you that when you screen the same movie six to eight times a day for two, three, four weeks or more, most films soon lose their lustre. Not so with "Duffy". Of course I was just a kid then, and the sixties "counter-culture" was my adolescent fantasy. James Coburn, already extremely cool from "The Magnificent Seven" and "The Great Escape" was riding a wave of popularity from the campy "Flint" movies, but "Duffy" was a very cool and fun movie that I never tired of watching. It never took off as a hit and I've often wondered why. It was just as effective as other caper movies of the era, such as "Topkapi" or "Gambit". I think the reason it never took off was because 1968 was an eventful, tumultuous year, and "straight" America was frowning hard upon hippies and counter-culture. Too bad. I think the owner of this film would be surprised and well rewarded by releasing it to DVD.
Wusstest du schon
- WissenswertesDuffy is based upon the real-life character Albee Baker. The story actually happened in the mid-'50s and was recounted by Albee to the writer, 'Pierre de la Salle', who came to know Baker in 1956 whilst living in New York.
- PatzerAfter Duffy takes the kids to his place, he strolls out onto his balcony taking a hit on a joint. However, there is no smoke and it's clearly unlit.
- VerbindungenFeatured in Donald Cammell: The Ultimate Performance (1998)
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- Laufzeit1 Stunde 41 Minuten
- Seitenverhältnis
- 1.66 : 1
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By what name was Der Fuchs von Tanger (1968) officially released in India in English?
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