Kugeln tragen keine Unterschrift

I respect the other comment but feel as though this movie had a great story idea about a main character Luke Barrett having amnesia (Antonio Sabato). The first spaghetti western to use amnesia. I believe the camera work was great by well known Aristide Masaccesi. Victor Barrett played by (Klaus Kinski) gives a great performance as Luke's brother of course he's not he is only playing with Luke's amnesia which finally clears as the story unfolds he is actually Dingus half Indian who sets out to destroy the Barrett family. Dingus/v. Barrett plays a land baron stealing poor farmers land and using illegal Mexicans from the border to work the land.

This story could have been great if the script was changed in a few parts to catch the audience more with the unraveling amnesia mystery..

Despite the presence of Klaus Kinski, "Twice a Judas" is a somewhat dull spaghetti western. It does start off well, with the hero waking up in the middle of an expanse of bodies and not knowing who he is or how he got there. For the next half hour or so the movie remains engaging, as the hero tries to figure out who he is and whether he should be cautious about any of the various people he encounters. However, after that first half hour, things soon fall apart. It turns into a pretty dull mystery, with the hero for some reason afraid to ask questions that might have solved his mystery much quicker. There is also very little action, with a lot of dull talk. And Kinski, compared to many of his other movies, seems surprisingly restrained here. Far from the worst spaghetti western I've seen, but there's not much here to make it worth ninety minutes of your time.

Antonio Sabato wakes on a hillside with a gun in his hand, a bullet groove on the side of his dead and no memory. Next to him lies a corpse, also clutching a gun. Last of all, there's a rifle on the ground with the word "Dingus" scratched into the butt. After being helped by a passing old man, the confused Sabato is directed towards town, where things get even more complicated.

Someone recognises him in the bar, and the next thing you know he's finding out he's been hired to kill a guy - his own brother! Played by Klaus Kinski! I'm not sure which of those revelations in more shocking. Kinski's a right arse here, taking land from the locals by force and building himself up quite a few enemies by doing so - including the local bankers who want to buy the land.

Sabato spends a lot of the film looking confused and wondering who all these people are and who the mysterious girl in the locket is (given to him by yet another mysterious girl). Sabato's mum isn't much help as she's gone insane and talks to her husband like he's not lying in a grave, but maybe that huge rifle over the fireplace will clear the air a bit...

There's a nice new angle to this one as our hero is not interested in any gold - he just wants his memory back. Quite a dark film too - the set up shots of the two inert bodies on the hill gets the following going in grim fashion, as does the landowner riding into town dead on his carriage. The only light hearted part is when Sabato's dog gets stuck into the bad guys during a gunfight. Kinski is his usual 'Crazy Frog with Hair' person.

Also starring Cristine Galbo from the House That Screamed and the forthcoming awesome Living Dead At the Manchester Morgue, and a film from the eighties called Suffer, You Prick!

Kinski, who was never one of my favourites (too much of a diva on set) has been further soured by allegations from his daughter in 2013 that he molested her. We'll never know it that's true or not, but it's certainly going to put a dampner on the next 600 Italian films he appears in.

Due volte Giuda (Twice a Judas/Shoot Twice/They Were Called Graveyard) is directed by Nndo Cicero and written by Jaime Jesús Balcázar. It stars Antonio Sabàto, Klaus Kinski, Pepe Calvo and Franco Leo. Music is by Carlo Pes and cinematography by Francisco Marin.

An amnesiac wakes up in parched land next to a dead body, he must now find out what has (is) happening and who the hell he is?!

It has something of a mixed reputation among Spaghetti Western fans, and for sure it's a tricky one to recommend with great confidence, so really you have to roll the dice and take your chance. Personally I'm glad I did.

The amnesia angle is most interesting seen in the spag-western sphere, whilst ensuring as it does that there's a huge mystery element to the narrative. For two thirds of the pic it's slow going, with a story cross stitched in near complex terms so as to ask the viewer to follow closely. Trickily there are some threads that don't really make sense since they serve no evident purpose to the story as a whole, which is frustrating even if it adds to the dreamy feel of the plot.

Once the character dynamics are set up - well sort of - film kicks on a pace, unfurling the flags of double crosses, greed, mistrust and machismo fuelled behaviour. Kinski (splendidly edgy and unsympathetic) Sabàto (likable performance blending cool and confused) leading the way as pic plays its hands. The action is well staged, with barn yard and canyon shoot-outs most appealing, while the addition of an awesome canine and the use of some sort of ball-bearing blunderbuss take the final third up another notch. Pat on the back as well to the stunt men, nifty work on show chaps.

Photography and musical score are safe enough, with the print I viewed on British cable in very good order. It asks for patience and forgiveness for its silly sins, but all told it's a rather good pasta piece worthy of viewing. 7/10

In the great opening scene of this movie, a wounded man (Anthony Sabato) comes to among a pile of dead bodies and feasting vultures. He is suffering from amnesia, so he goes to the nearby town and ends up being hired by some greedy bankers to kill a man, who turns out to be his brother. He instead decides to join forces with his brother, but since the brother is apparently a local bully, willing to terrorize innocent homesteaders to keep them from selling out to the bank--and, more importantly, since he is played by sinister German actor Klaus Kinski--it's not clear he's necessarily the good guy in the conflict. The man then goes back to his family home to find his father and pregnant bride have been murdered, and that his mother has sunken into dementia. His brother's uncaring attitude to all this begins to make him even more suspicious.

This movie is kind of like the more recent art-house hit "Memento" (except that the character here is suffering from long-term amnesia instead of short-term memory loss). All the people he meets act mysterious at best, and at worst, seem to be trying to take advantage of him for their own purposes. And like with "Memento" the viewers are kept just as much in the dark as the protagonist. This is not nearly as good as "Memento", of course, and the final revelations are pretty seriously fumbled. Still it's not a bad movie. Sabato was one of those handsome but bland European actors (he kind of looks like a young Brando here), but he is better in this movie than in some of his other stuff I've seen. Kinski is always pretty good, but he suffers from being rather inappropriately dubbed into English. Women almost never have decent roles in these movies, but it's always nice to see the lovely Spanish actress Cristina Galbo (who headlined two classic Spanish horror movies, "La Residence" and "Let Sleeping Corpses Lie", and one of the classic Italian gialli "What Have you Done to Solange?") even if it is in a throwaway role like this.

This is available on one of those collections of public domain spaghetti westerns. It doesn't look great (like all public domain collections the presentation of the various films is pretty uneven), but it's still worth seeing