San Sebastian

This is one of those films that nearly loses you, but in the end rewards you for sitting through it. It makes for a very good view, despite its leisurely pace at times.

In summary Anthony Quinn stars as a outlaw that is saved by Father John, whom he escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from indians, who pillage their crops and burn their buildings. When Father John is murdered, the outlaw is mistaken as the man of god by the villagers, and assists them in regaining their confidence and defending themselves.

Quinn is superb in his role, complimented by Charles Bronson, who plays the bad guy "half breed" Teclo. Sam Jaffe's Father Joseph character is also very likable.

Whilst the movie is quite slow in places, this only helps to plot out the story. Although casting the indians as the "bad guys", it does explain that the massacre of the villagers is no different than what the white man has done to their own race "in the name of god".

The soundtrack is again provided by Ennio Morricone and, whilst not his best work, does help provide the suitable atmosphere, borrowing heavily from some of his other compositions.

Definitely worth a view.

Over the years I seemed to have missed this great picture with Anthony Quinn, Charles Bronson, Sam Jaffe and Anjanette Comer. At first I was not sure if I was going to like this picture because Sam Jaffe,(Father Joseph),"The Dunwich Horror",'70, gave the impression it was going to be a long boring film about the struggles of a poor priest in the desert. I was soon fooled as Anthony Quinn,(Leon Alastray),"The Shoes of the Fisherman",'68 is befriended by Father Joseph and at one point takes over the church and rings the bell of the church to summon the local people who are hiding in the hills. Leon Alastray meets up with Anajanette Comer,(Kinita),"The Baby",'73, who has very deep romantic feels for Leon and wants to make love, however, Leon is overwhelmed with a strong religious feeling and is unable to cooperate. There is lots of action battles and even a cannon gets into the action along with plenty of arrows flying through the air. It is a very entertaining film and Anthony Quinn had me laughing in quite a few parts of the film.

Anthony Quin plays Leon Alastray, part time revolutionary and full time bandit, on the run from the Spanish authorities in Old Mexico in the 18th Century. Through a series of unlikely but possible events, Quinn is mistaken for a priest whom has come to the small village of San Sebastian. The villagers are being victims by Jaime Fernandez and his band of Yacquis. Charles Bronson plays (badly, worst performance of his career) a half-breed whose loyalties are always suspect. Anjanette Comely, er Comer, plays the sultry love interest. Rather silly story, good cinematography, fairly good special effects, and outstanding music (by the master, Ennio Morricone) makes this a worthwhile view. Turner Classic Movies shows it in letterbox. Otherwise, you are out of luck. It's not available in video.

A spaghetti western surprise with Anthony Quinn as a "priest" and Charles Bronson as a Mestizo malcontent.

The movie has a theme, a developed plot, some actors with charisma and an Ennio Morricone score. That's more than most movies give you, regardless of genre.

I was pleased to find that Spaghettiville isn't a one-horse (Eastwood/Leone) town.

8 out of 10.

Guns for San Sebastian is directed by Henri Verneuil and adapted to screenplay by James R. Webb from the novel "A Wall for San Sebastian" written by William Barby Faherty. It stars Anthony Quinn, Charles Bronson, Anjanette Comer, Sam Jaffe and Silvia Pinal. Music is by Ennio Morricone and cinematography by Armand Thirard.

An outlaw on the run is mistaken for a priest by peasant villagers who are at the mercy of bandits and Yaqui Indians.

Something of a multi euro Western, Guns for San Sebastian latches onto the Spaghetti Western coat tails whilst attempting to put something new in the wardrobe. Undeniably the critics who said it's pedestrian in pace are absolutely right, the first two thirds of the piece asks for a great deal of your patience, whilst simultaneously demanding you buy into the various themes trundling away.

With a surreal sub-plot at play, a jokey romance and some atrocious dubbing, it's not hard to dismiss it as purely fun cannon fodder. Yet there's some strengths in the piece, literary wise and from a thrilling stand point as the last third brings the thunderous siege - cum battle stations. Quinn throws in a good turn, the Durango locale is superbly photographed, and Morricone offers up one of his tonally astute scores.

It's all very Magnificent 7 et al, but nothing wrong with that, that is on proviso you can get through the labours of the first hour or so. 7/10