Geheimauftrag K

Long time since I saw this but remember liking it.

I don't think it is out on dvd.

Certainly it is never on tv anymore.

I try not to be nostalgic but in the 1970s and 1980s broadcast tv in the UK showed lots of films and I sat and watched them.

There is a British cable channel that shows old films,and I love it but it hows mostly British films,where are the old Hollywood films?

Anyway I am a spy/war/crime film fan so dvd companies get this one out there.

A surprisingly stylish spy flick, based in Munich and London.

It has a few twists (some of them predictable) but the aspect that intrigued me most was the information exchange.

It's all done with tremendous subtlety, and you could easily watch the entire film and miss most of the exchanges.

I had a similar experience with "Funeral in Berlin".

That's what I like about a spy film, when you can watch it superficially and miss what is really going on. So the film becomes a shill for real life spying, where the public see relative normality, but the spies, though present in the normal life of the public around them, are functioning on a completely different level.

I would have to watch this film several times to pick out and understand all of the communications.

The film was made in 1968, and is very much of that era (which I like).

The main problem with this slow-moving spy film is that it can't make up its mind whether to aim for the world of James Bond or Michael Caine's Harry Palmer movies. Stephen Boyd's spy, a relaxed genial man-about-town figure in the style of Roger Moore and his immediate associate, a rather shabby civil servant operating from an empty office, played by Michael Redgrave, seem to belong in two separate films. And 'Q' would certainly look down his nose at the home-made bomb his counterpart, played by Geoffrey Bayldon, comes up with here.

The usually reliable Val Guest has to take most of the blame, both for the uneven direction and contribution to a script that has pretensions to being taken seriously at times, but is nowhere strong enough to be. As he had just been worked into the ground shaping, with some success, the chaos that was CASINO ROYALE, he was probably a little jaded with the genre. He also wastes excellent character actors Jeremy Kemp and Leo McKern, though the latter does make an impression against the odds. The revelations at the finale lack any impact. In fact a much bleaker ending had been filmed, with Camilla Sparv's Toni being thrown into the river and drowned, her stunt-double being none other than the future star of saucy seventies' comedies, Sue Longhurst.

I quite enjoyed the 1960's ambiance, including the relationship between Boyd and the alluring Sparv, set against the glamorous background of Kitzbuhel ski resort. Much of it is quite engaging, but ultimately neither exciting nor memorable.

Stephen Boyd made several films during the mid-to late 60's, which all seem to have "slick" plots in which he portrays a wealthy, sophisticated, cosmopolitan character sporting perfectly coiffed hair. Neither the hairstyle nor the roles seemed to suit him well, and I'll bet he was vastly relieved to switch to westerns like Shalako and The Man Called Noon in the '70's. Assignment K, however, is probably the best of the "smooth hair" movies. He's a international spy in this one and a lot of the action takes place in a ski resort so the scenery is beautiful and wintry. He and Camilla Sparv play well together and, best of all for Stephen Boyd fans like me, he is on-screen throughout the entire film, no cameos here - a major plus for this movie. Leo McKern, another wonderful character actor, turns up once again as the bad guy. (Remember him as the irascible, but lovable Captain Brandt in Lisa?) Assignment K is fairly fast-paced and somewhat exciting, especially if you enjoy a little romance with your espionage. And the ending will surprise you!

You expect a spy film to start with a bang,this starts with a whimper. Nothing happens for half an hour, when someone is killed. However both before and after the film concentrates interminable on the romance between Boyd and Sparv. Boyd is amiable enough but he is no Connery. This is one of the poorer attempts to ride on the coattails of the Bond films.