Die letzte Rechnung zahlst Du selbst

3 rogues steal a mining company's payroll from Antonio Sabato's Czechoslovakian mining engineer at the beginning of this rather routine Spaghetti Western. They then spar with the black-clad villain Burton. The story of the transformation of Lee Van Cleef's Cutlip from criminal to marshal is interesting and could have made a really good film, but it is poorly executed with unimaginative direction and music. However, a few of the scenes, particularly those with the hostages, are effective. If you like SW, then you will find something in this film to enjoy. I did. But if you do not, then avoid. I saw a rather poor quality pan and scan VHS. The film would really benefit from widescreen.

Lee Van Cleef's performance is good, but as usual with SW there are some priceless dubbed lines like, "I never saw nor heard so many b*****ds in all my life. All you men got families that came from all over the world, right? The kid just got here and gets and little bad luck and you treat him like a dog. Who the hell do you think you are? You act like you all got hit in the head with a horse!"

Top spaghetti western list http://imdb.com/mymovies/list?l=21849907

Average SWs http://imdb.com/mymovies/list?l=21849889

For completists only (bottom of the barrel) http://imdb.com/mymovies/list?l=21849890

Contrary to popular belief, the American west wasn't some lawless prairie/desert where only the strong like John Wayne's Rooster Cogburn and Clint Eastwood's man with no name could survive. While the likes of Jesse James and Butch Cassidy made the headlines, the average day in the life of an American westerner was pretty dull. The majority of people who lived west of the Mississippi lived in urban areas, not out in the boonies. Gun violence was actually less common in the western territories than back east and the majority of those who went out west were first generation immigrants, not idealistic white folk provoked by called for manifest destiny. Beyond the Law (1967) is a movie that may not dispel the myths of the wild, wild west, but like many Spaghetti Westerns it does put a new spin on things.

Lee Van Cleef stars as Billy Joe Cudlip, a craven thief who steals the payroll of a mining community from a naïve Czechoslovakian payroll clerk named Ben (Antonio Sabato). He is of course helped by his gang of thieves and conmen, Preacher (Lionel Stander), who dresses like his name to get rubes to trust him and James (Bud Spencer) a black man with a friendly face. Things go according to plan until Billy befriends Ben and is shoved into helping the locals recover the money. Preacher and James see this as an opportunity to steal more loot but things get further complicated when a rival gang of thieves led by Burton (Gordon Mitchell) comes into town.

Now Beyond the Law is far from a perfect movie. The acting ranges of the supporting characters range from okay to terrible and the cinematography is simplistic. Directed by Italian director Giorgio Stegani, Beyond the Law or The Good Die First brings to mind less severe Spaghetti Westerns. Rather than go the path of A Fistful of Dollars (1964), Stegani and his international crew made a movie closer to My Name is Nobody (1973) and My Name is Trinity (1970). It has the tendency to be funny and even unintentionally goofy at some points with Lee Van Cleef showing he can make the best out of a paycheck that bills him with non-English speakers.

If you're a western buff who's easy to please then Beyond the Law may be a perfect little surprise for you. It's a movie that is comfortable in its own banality. The story itself is strong, partially written by prolific Italians writers Mino Roli and Fernando Di Leo and the feel of the film is small but unique. The film was made only a year after Van Cleef's appearance in The Good the Bad and the Ugly (1966) and helped make Bud Spencer a star in his own right. It should at the very least be considered a decent B-movie.

If you're interested, try finding the 105 minute version through Diamond Entertainment and look to avoid imitators with bad digital transfers. There is a colorless butchered version that you can likely find at a bargain bin somewhere and there's a decent letterbox version you can find online. Go check it out before the ghost of Red Ryder comes back to re-mystify the west.

http://www.theyservepopcorninhell.blogspot.com

A different kind of Spag Western that tries to mix in a bit of light-hearted drama that draws the film out a lot longer than it should, but is ultimately saved by the charisma of the actors involved. Actually, it plays out more like one of those Western Westerns that are made in the West, with John Wayne in them!

Lee Van Cleef is a stinking, thieving homeless bastard with a heart, drifting through America with his equally smelly but much more wonky eyed sidekicks Lionel Stander and the other guy. Between them, they steal a bunch of miner's wages from under the nose of Czech immigrant Antonio Sabato, which gets him into stick with the mine's owner, Bud Spencer without a beard!

Thing is, Lee's ended up striking up a huge Bromance with the naïve but resourceful Sabato and feels kind of guilty for robbing him, but not enough to try and rob him again. Somehow he ends up fending off some much more violent would be robbers, and ends up sheriff of the town (and mine) (!). This doesn't bode well with his mates, who are in two minds, and four different eye directions, about whether to steal all that lovely silver that's being dug out of the mine.

Throw in big-faced evil bad guy Gordon Mitchell (with sidekick Romano Puppo) who also want the silver and are willing to kill kids and women for it, and also throw in the romance with the girl who makes Van Cleef take a bath and put some decent clothes on. He's so scummy he doesn't know how to dunk a rich tea biscuit in some tea!

That's a lot of plot up there, and that doesn't leave time for gun fights and what not. There's a fairly big one at the end, but we're talking at the end of a nearly two hour long film. Luckily Van Cleef's conflicted personality carries the film whenever he's around, as he's torn between a life of being poor and free or being settled with a roof over his head. I guess the ending is kind of sad when I think about it.

Nice looking film too, I guess if you're looking for more character development this film might be for you. If you want endless shoot outs, you might want to try something else.

I'm a huge Lee Van Cleef fan and he is awesome as always in this one. This film has a decent story line which is very easy to follow (unlike plenty of other Westerns). There's a few good plot twists along the way and also has a little comedy in some parts, which I found myself chuckling at so hats off the people who made this film. It doesn't have the real seriousness that the Man With No Name trilogy and many other Westerns have, but some times you just want to watch a Western that's a little bit more laid back. A real fun watch with plenty of action and I found the ending to be really nice. The copy I watched didn't have the greatest picture quality but the film is old now so I can deal with that. I'd be interested in trying to find a better copy some where to give this another watch and enjoy even more.

(1968) Beyond The Law/ Al di là della legge DUBBED SPAGHETTI WESTERN

I was somewhat involved with the movie for for the most part until the ending which really sucked. Lee Van Cleef as Billy Joe Cudlip he is one of a trio of thieving bandits who succeeded into stealing a small bag of money from a locked stagecoach compartment. The group also includes a pretentious preacher (George Sanders) and an African man (Al Hoosmann). Unsatisfied, the trio want to score a much bigger jackpot except that Billy is starting to build a rapport with a European dude named Ben who's general responsibility was to make sure money would be traveled safely to it's rightful owners. And things really become complicated as soon as Billy accepts a role as deputy of the small town with the only obstacle are another outlaw bandit named Burton (Gordon Mitchell) commanding a gang of outlaws who're also basically seeking for the same thing as the thieving trio which is undeserving amounts of riches. After seeing many Spaghetti westerns, there seems to be a trend where the general story lines demands spontaneous 'unpredictability' even if it doesn't make any lick of sense, and this is another example of another one of those movies where it doesn't feel the need to make any sense when it ends badly.