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IMDbPro

Das Tal der Puppen

Originaltitel: Valley of the Dolls
  • 1967
  • 18
  • 2 Std. 3 Min.
IMDb-BEWERTUNG
6,0/10
10.354
IHRE BEWERTUNG
Patty Duke, Susan Hayward, Sharon Tate, and Barbara Parkins in Das Tal der Puppen (1967)
Trailer two
trailer wiedergeben3:22
4 Videos
99+ Fotos
DramaMusikRomanze

Filmversion von Jacqueline Susanns meistverkauftem Roman, der den Aufstieg und Fall von drei jungen Frauen im Showbusiness dokumentiert.Filmversion von Jacqueline Susanns meistverkauftem Roman, der den Aufstieg und Fall von drei jungen Frauen im Showbusiness dokumentiert.Filmversion von Jacqueline Susanns meistverkauftem Roman, der den Aufstieg und Fall von drei jungen Frauen im Showbusiness dokumentiert.

  • Regie
    • Mark Robson
  • Drehbuch
    • Jacqueline Susann
    • Helen Deutsch
    • Dorothy Kingsley
  • Hauptbesetzung
    • Barbara Parkins
    • Patty Duke
    • Paul Burke
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    10.354
    IHRE BEWERTUNG
    • Regie
      • Mark Robson
    • Drehbuch
      • Jacqueline Susann
      • Helen Deutsch
      • Dorothy Kingsley
    • Hauptbesetzung
      • Barbara Parkins
      • Patty Duke
      • Paul Burke
    • 190Benutzerrezensionen
    • 74Kritische Rezensionen
    • 49Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 6 Nominierungen insgesamt

    Videos4

    Valley of the Dolls
    Trailer 3:22
    Valley of the Dolls
    Valley of the Dolls
    Trailer 1:31
    Valley of the Dolls
    Valley of the Dolls
    Trailer 1:31
    Valley of the Dolls
    Valley of the Dolls
    Clip 0:27
    Valley of the Dolls
    Valley of the Dolls
    Clip 0:11
    Valley of the Dolls

    Fotos184

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 178
    Poster ansehen

    Topbesetzung99+

    Ändern
    Barbara Parkins
    Barbara Parkins
    • Anne Welles
    Patty Duke
    Patty Duke
    • Neely O'Hara
    Paul Burke
    Paul Burke
    • Lyon Burke
    Sharon Tate
    Sharon Tate
    • Jennifer North
    Tony Scotti
    Tony Scotti
    • Tony Polar
    Martin Milner
    Martin Milner
    • Mel Anderson
    Charles Drake
    Charles Drake
    • Kevin Gillmore
    Alexander Davion
    Alexander Davion
    • Ted Casablanca
    • (as Alex Davion)
    Lee Grant
    Lee Grant
    • Miriam Polar
    Naomi Stevens
    Naomi Stevens
    • Miss Steinberg
    Robert H. Harris
    Robert H. Harris
    • Henry Bellamy
    Jacqueline Susann
    Jacqueline Susann
    • First Reporter
    Robert Viharo
    Robert Viharo
    • Director
    Joey Bishop
    Joey Bishop
    • MC at Telethon
    George Jessel
    George Jessel
    • MC Grammy Awards
    Susan Hayward
    Susan Hayward
    • Helen Lawson
    Dionne Warwick
    Dionne Warwick
    • Theme Song Singer
    • (Synchronisation)
    Sherry Alberoni
    Sherry Alberoni
    • Neely O'Hara
    • (Synchronisation)
    • (Nicht genannt)
    • Regie
      • Mark Robson
    • Drehbuch
      • Jacqueline Susann
      • Helen Deutsch
      • Dorothy Kingsley
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen190

    6,010.3K
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    Empfohlene Bewertungen

    denis-38

    Trash--with a twist!

    There's nothing I can add to the many hilarious and trenchant comments of other IMDB users--"Valley" will live forever as one of the greatest bad movies ever. But here's something nobody else has picked up on. The scene when Patty/Neely discovers hubby Ted cavorting in the pool with another woman? Well, before Patty/Neely sees them, she hears splashing and giddy, girlish laugh. That splash and laugh are Marilyn Monroe--audio from her famous nude swim scene in "Something's Git To Give," the movie she never finished.

    Somebody at 20th Century Fox--MM's home studio--had a perverse sense of humor!
    Vince-5

    "My beautiful little dolls. Just one...and one more."

    The film adaptation of Valley of the Dolls is stupid, empty, overly melodramatic...and a lot of fun!

    Jacqueline Susann's 1966 novel is my all-time favorite, and her gritty, glossy pulp material was severely diluted for the big screen. That is the main problem. Too many punches are pulled, the characters are sweetened up, and a completely ridiculous happy ending (which Jackie hated) is substituted for the book's bleak, satisfying conclusion. Mark Robson's film has none of the spirit of its basis.

    With that out of the way, the movie is very enjoyable for what it is: An unintentional laugh riot. The dialogue is hilarious and eminently quotable--"Boobies, boobies, boobies! Nothin' but boobies! Who needs 'em? I never had any! Didn't hurt me none!" Most of the supposedly "dramatic" and "touching" scenes are a scream. Patty Duke is priceless as the speech-slurring, tantrum-throwing, self-destructive Neely O'Hara. Watch her flailing around during the "It's Impossible" number; notice the embarrassing position of her beads. Barbara Parkins seems to have taken one Seconal too many before shooting, as she appears to be completely anesthetized. Susan Hayward gets to bellow a lot, fight with Duke, and get her wig thrown into a toilet in the most famous scene. The only one who comes off really well is Sharon Tate, a talent who never got the attention she deserved in life. Hers are the only genuinely affecting moments in the film, especially her final scene.

    The candy-colored photography is good, beautifully capturing the glossy red capsules taken at every turn. The hair and fashions are glamorous--and so is the hairspray can! Dionne Warwick sings the beautiful theme, and the rest of the songs are enjoyably silly. I have the soundtrack LP--TWO copies! In conclusion, the ultimate camp classic! I'm off to take another doll now....
    7drguitar20783

    This movie is worth seeing for one beautiful reason

    This movie truly is badly done and campy. However, there is one good reason to watch it: Sharon Tate. She was truly one of the screen's all time beauties (if you disagree at first, name someone prettier =)

    She is not a bad actress either and did her best with the forced, artificial dialog. Overall the movie has virtually no suspense or drama or tension it just chugs along predictably with one badly written scene after another. Then all of sudden Wham! Sharon appears and you stop caring about the worthless "plot" and watch her. She steals all her scenes and makes the other actresses invisible.

    All in all its a bittersweet vehicle for an extraordinarily lovely woman who met a very violent and tragic end.
    Lechuguilla

    Don't Let This Happen To You

    Viewers who like this film like it mostly because it is such a campy mess. Its main entertainment value lies in the unintended humor that results from cinematic incompetence. The main problem is the screen story.

    For one thing, the character arc of Neely O'Hara (Patty Duke) is totally not credible. She's a singer who can't sing. Yet, she inexplicably goes from rags to riches on her singing ability alone. In the process, her personality morphs from sweet young thing to jaded and embittered has-been who barks and scowls at everything and everyone. Pills or no pills, her transformation does not ring true.

    In addition, the film's poor plotting renders a story that is at times muddled. The plot darts and flits from one girl to the next; it spurts and sputters in a disconnected sort of way, without viable transitions. And some scenes are included evidently just to convey story exposition. A big part of the on screen time for the Jennifer character (Sharon Tate), for example, consists of three separate, and awkward, phone conversations with her mother. Other methods of explaining detail and advancing the plot would have worked better.

    And the film's dialogue is campy, simply because it contains almost no subtext. It's so in-your-face, so lacking in subtlety, that some of it just reeks of junior high school theatrics.

    Aside from the screen story, the overall acting is not very good. Patty Duke, in particular, is just downright awful. She shouts, she screams, she exaggerates her facial expressions in ways that are totally out of sync with the dialogue and the plot.

    And the film's musical numbers are something else, especially when Susan Hayward attempts to lip sync a ghastly song called "I'll Plant My Own Tree", surrounded on stage by brightly colored fake leaves that whirl around her. The sequence is made even more ludicrous because the audience cheers wildly at the awful performance.

    I guess I can't really fault the visuals, since bright colors were so trendy in the 1960s. Still, the visuals do make the film look dated. Those garish costumes and hairdos, that garish makeup, and that garish decor provide just one more reason to sneer at the film.

    The only thing worthwhile here is the appearance of lovely Sharon Tate. And the film's sad theme song is professionally done. Otherwise, apart from its unintended humor, "Valley Of The Dolls" is suitable mainly as a lesson for aspiring filmmakers. In a book on film-making, this film could head the chapter: "Don't Let This Happen To You".
    Boyo-2

    The best of its kind

    This movie is the greatest example of 'camp' that Hollywood ever produced. It is hysterical, stupid and lame, but you cannot take your eyes off the screen for a second. The casting is questionable (Patty Duke cannot sing, Parkins cannot do drama and I cannot badmouth Tate, but...), but the greatest legacy is Susan Hayward as Helen Lawson, the biggest bitch in the world. No one spits out a swear word or an insult like Hayward!

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    Handlung

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    • Wissenswertes
      Director Mark Robson had a very combative relationship with all his actresses, particularly singling out Sharon Tate for his harsh treatment. Patty Duke hated working with him, and years later, after his death, still called him "a mean son of a bitch".
    • Patzer
      When Neely is tap dancing on the table, shown by her shadow on the wall, the shadow does not reflect a pony tail, but when she jumps down, she has a pony tail.
    • Zitate

      Neely O'Hara: Boobies, boobies, boobies. Nothin' but boobies! Who needs 'em? I did great without 'em.

    • Verbindungen
      Edited into Intimate Portrait: Patty Duke (2001)
    • Soundtracks
      Theme from Valley of the Dolls
      Music by André Previn

      Lyrics by Dory Previn

      Sung by Dionne Warwick

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 16. Februar 1968 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • El valle de las muñecas
    • Drehorte
      • Redding Center, Connecticut, USA(Welles' Home in Lawrenceville)
    • Produktionsfirma
      • Red Lion
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    Box Office

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    • Budget
      • 4.690.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 3 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

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