Der knallharte Miami-Polizist Tony Rome wird von einem Millionär angeheuert, um Schmuck zu finden, der seiner Tochter gestohlen wurde. Bei der Suche hat er mehrere Begegnungen mit lokalen Ga... Alles lesenDer knallharte Miami-Polizist Tony Rome wird von einem Millionär angeheuert, um Schmuck zu finden, der seiner Tochter gestohlen wurde. Bei der Suche hat er mehrere Begegnungen mit lokalen Ganoven sowie mit der Polizei von Miami.Der knallharte Miami-Polizist Tony Rome wird von einem Millionär angeheuert, um Schmuck zu finden, der seiner Tochter gestohlen wurde. Bei der Suche hat er mehrere Begegnungen mit lokalen Ganoven sowie mit der Polizei von Miami.
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- Hauptbesetzung
- Irma
- (as Elizabeth Fraser)
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This is not a great movie by today's standards, but as a child of the 60's and 70's myself, I can say that this movie does take you back to a time when America had a completely different environment, and mindset. The character portrayed by Sinatra, and the dialogue in general, presents a good example of what the typical American Male thought of as "cool" in the early 60's.
True, it's not what we find entertaining today, but that's not why I like to watch old movies. I watch old films because they have an extraordinary ability to take you to a time when the world, and people in general, had a very different view of things and also what was fashionable at that time.
Tony Rome is an ex-cop, current private dick who is hired by a family to find there missing jewels. Rather unique things happen, the movie is over, and you are either a bigger Sinatra fan, or at the same level.
My advice is to imagine you are sitting in a 1967 Olds 442 at the drive in, and the rest will take care of itself.
The film begins with Tony doing what seems like a very mundane and not at all dangerous task--bringing home a drunk young lady to her rich daddy (Simon Oakland). Oddly, however, this good deed ended up leading to an apparently minor task--to find the young lady's missing earring. And, this task led to murder...in fact, a LOT of murders and mayhem. By late 60s standards, this film is awfully violent and Tony isn't exactly always the macho hero. Although he generally gets the best of it, he, too, gets the crap knocked out of him a few times in this rough and tumble film.
As I said, I preferred Sinatra's "The Detective", but not by much. "Tony Rome" is a very good private eye film--a bit like a grittier version of "The Rockford Files"...minus most of the laughs. It's also odd that Tony is NOT the perfect manly sort of hero--especially since he repeatedly shows a stronger desire to wrap up the case than unwrap the very alluring Jill St. John--who spends much of the movie pursuing Tony. A very good film--especially since the mystery turns out to be a very interesting one. Worth your time.
By the way, a couple interesting parts in the film are a cameo by the ex-champ Rocky Graziano as well as a VERY unusual sort of role for the comic Shecky Greene. Also, I just loved Tony's line "This is not a family. Just a bunch of people living at the same address." Priceless and indicative of the sort of smart-allecky stuff he tosses about during the film.
Wusstest du schon
- WissenswertesThe character Tony Rome appeared in three novels by Marvin H. Albert in the early 1960s: "Miami Mayhem" (filmed as this movie), Die Lady in Zement (1968) (filmed under the same name), and "My Kind of Game."
- PatzerHollywood always vastly overestimates the speed with which chloroform is effective. It takes at least five minutes of constant application to induce loss of consciousness and then must be applied continuously to maintain unconsciousness. Also, the chin must be supported to prevent the tongue from obstructing the airway. There is also a high risk of possibly-fatal cardiac arrhythmia with it's use, which was one of the major factors in its being discontinued as a surgical anesthetic.
- Zitate
Mrs. Schuyler: [to a sleeping Rome on the sofa] Mr Rome. Are we alone?
Tony: [Rome awakes and looks around] Yeah. Why, what did you have in mind?
Mrs. Schuyler: I'm Mrs. Schuyler. I want to hire you.
Tony: Well, I'm afraid not. You see I'm tied up on a case this week. Maybe next week.
Mrs. Schuyler: Well that will be too late. My pussycat will be dead by then.
Tony: [with a bewildered look] Your pussycat?
Mrs. Schuyler: Someone's trying to poison her.
Tony: Oh. Well, how do you know?
Mrs. Schuyler: From her attitude. She's nervous, she's terrified.
Tony: Well, you can't bank too much on the attitude of a pussycat.
Mrs. Schuyler: Well my pussy used to be so sunny and full of fun, with the sweetest smile.
Tony: You got a pussy that smiles?
Mrs. Schuyler: No, that's just the point. She's frowning now. She knows. I tell you she knows.
Tony: Well, I'm afraid I can't help you, Mrs. Schuyler.
Mrs. Schuyler: But, you could at least meet my pussy.
Tony: No, no, no. It's not possible. I can't meet your pussy. No. Why don't you try the Burns Agency - they specialize in pussy that won't smile.
Mrs. Schuyler: Oh. Oh, well, thank you, Mr Rome. Thank you.
[Mrs. Schuyler walks out the door]
- VerbindungenFeatured in Arena: Frank Sinatra: The Voice of the Century (1998)
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Details
Box Office
- Budget
- 3.480.000 $ (geschätzt)
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1