Aber, aber, meine Herren...

I simply can't understand how a moviegoer like me missed this gem when it was first shown here - and won the Palme d'Or at the Cannes Festival. Especially being already convinced that Pietro Germi was one of the most talented directors of the Italian after war films. He made a screen adaptation of one of the greatest literary hits of the sixties, Carlo Emilio Gadda's QUER PASTICCIACCIO BRUTTO DI VIA MERULANA, a perfect combination of Italian language and Roman dialect. Concerning SIGNORE E SIGNORI, the cast is not all-stars, but extremely equal in its aspects, none is tops but none is dull either. Special rewards for the well known Franco Fabrizi, for exquisite Beba Loncar and the almost introducing Virna Lisi, who became famous for a long time. The atmosphere of this little Italian town was splendidly illustrated. I used to stay in Treviso when traveling to Venice, the City of the Doges being too expensive for me and Treviso, also nicely cut by its canaletti, was only at a half hour by train from the famous but hardly available Lagoon City. A huge Bravo! also for the remasterization, absolutely perfect. Warmly recommended to everybody who wants to have a big laugh and in the same time measure how mean some people were just half a century ago. Harry Carasso, Paris, France

It might take an Italian background to appreciate this film. As a non-Italian viewer I found the humour (high farce) rather dull.

The film had almost no characterization, a rather muddy plot line and absolutely no emotional interest. I tuned out constantly, and was glad for distractions.

The third line of the anthology, about the sexual interest of a group of men in a young girl was particularly uncomfortable, with its pedophile themes, which Germi unpleasantly treated as though only humorous, not at all troubling.

The overall perspective was purely male — the women in the film were simply either objects of desire or impediments to desire's fulfillment.

I wouldn't bother watching this film again.

First of all, thumbs up to the restoration of this movie, which happened in 1997/98. Secondly, though, shame on the media who didn't flag this operation as it usually does when a masterpiece movie is finally restored. And this is a masterpiece.

Then, there is no real "Rezega", the small town in which this movie is set. This movie was shot in Treviso, the place were I was born and lived for 20 years, and my father can recall the shooting taking place in his youth. This because, like in every other small town in the world, nothing ever happens in Rezega/Treviso, and whatever may happen can't be made public, but should be spread by word of mouth.

All sort of things happen: marriage, betrayal, births and deaths, the fabric of every town's life. But decency is more important, and so "si fa ma non si dice" (everybody does it, nobody tells about it) is the law. Great performances from Gastone Moschin, Virna Lisi and Alberto Lionello, very good scriptwriting and magnificent direction by a true master like Pietro Germi make this a pleasure to watch, whether you want to understand provincial Italy or not. Oh, and if you do want to, this movie contains all you need to know about the dynamics that regulate the life of 80% of Italy's population, all those who live in towns of that size: I went to a movie screening a few years ago, and my acquaintances in the cinema were all related by stories similar to those in the movie (mind you, they are just in their 20s!).

Go see it, ask for it, let the world know about this great little movie!

According to the veteran Italian film director Ettore Scola,Italian people have the intrinsic knack of ridiculing themselves long before someone else can dare to point a figure at them.For them there is hardly any human sentiment which cannot be mocked.By doing so they have remained the champions of auto derision in this world.This is one fundamental quality which distinguishes them from the other nationalities of Europe.As far as a discussion on this film goes,its English title "The birds,The bees and The Italians" does perfect justice to the spirit of the film. The entire film is a laugh riot and the best thing about the screenplay is that although the depicted situations might appear common place but they never leave any room for any kind of guess work or speculation.So the end result is an intelligent film which entertains until the maximum possible extent of human enjoyment. Even the black and white photography is advantageous as it alludes to a time when there was too little advancement of technology. Recommended for those people who would like to have a nice laugh but would not dare to copy under any circumstances the actions portrayed in the film.

"Ma'am, you forgot your hat...", the excellent reply of the peasant who runs to give the bra to the "distinguished" lady who had to pay something extra besides the 5 million Italian lire, to shut his mouth and convince him to withdraw his complaint about his minor daughter. It's in episode 3 of the movie which is the best. The second best is the one with Gastone Moschin's extramarital affair with the beautiful Virna Lisi. The first episode is neither great nor bad. A bunch of exceptional actors, apart from the two already named: Franco Fabrizi, Alberto Lionello, Gigi Ballista, Beba Loncar, Nora Ricci, Patrizia Valturri. Pietro Germi, great master!