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Das Schießen

Originaltitel: The Shooting
  • 1966
  • 16
  • 1 Std. 22 Min.
IMDb-BEWERTUNG
6,4/10
7025
IHRE BEWERTUNG
Jack Nicholson and Millie Perkins in Das Schießen (1966)
Theatrical Trailer from Continental Distributing
trailer wiedergeben2:49
1 Video
99+ Fotos
Eine TragödieDramaWestern

Füge eine Handlung in deiner Sprache hinzuA mysterious woman persuades two cowboys to help her in a revenge scheme.A mysterious woman persuades two cowboys to help her in a revenge scheme.A mysterious woman persuades two cowboys to help her in a revenge scheme.

  • Regie
    • Monte Hellman
  • Drehbuch
    • Carole Eastman
  • Hauptbesetzung
    • Millie Perkins
    • Jack Nicholson
    • Will Hutchins
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    7025
    IHRE BEWERTUNG
    • Regie
      • Monte Hellman
    • Drehbuch
      • Carole Eastman
    • Hauptbesetzung
      • Millie Perkins
      • Jack Nicholson
      • Will Hutchins
    • 83Benutzerrezensionen
    • 62Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    The Shooting
    Trailer 2:49
    The Shooting

    Fotos157

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    Topbesetzung11

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    Millie Perkins
    Millie Perkins
    • Woman
    Jack Nicholson
    Jack Nicholson
    • Billy Spear
    Will Hutchins
    Will Hutchins
    • Coley
    Warren Oates
    Warren Oates
    • Willett Gashade
    Charles Eastman
    • Bearded Man
    Guy El Tsosie
    • Indian
    Brandon Carroll
    • Sheriff
    B.J. Merholz
    • Leland Drum
    Wally K. Berns
    • Deputy
    • (as Wally Moon)
    William Mackleprang
    • Cross Tree Townsman
    James Campbell
    James Campbell
    • Cross Tree Townsman
    • Regie
      • Monte Hellman
    • Drehbuch
      • Carole Eastman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen83

    6,47K
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    chaos-rampant

    A primeval western experience

    As far as westerns go, the 60's were all about Italy and the spaghetti western. By 1967 the ripples Leone's movies are about to make in the American film-making business are around the corner, which leaves The Shooting hanging in a peculiar time and place. Too out there to be appreciated by the traditional western crowd of the 50's and not as cynic and hard-boiled as the spaghetti western-influenced works of the early 70's.

    But it succeeds exactly because of that. Monte Hellman crafts a mesmeric, primeval, ultimately existential western that exists in a parallel western universe. A mythic world of some other order. That it refuses to sit down and explain what is going on with the plot is a testament to the film's strength. Not everything needs to be explained. It's all about the impression images make. Impressionistic in that aspect but also surreal. Very. Who is the woman? Who is Billy and the bearded man? As Warren Oates, Jack Nicholson (in an early role here but showing the potential he would fulfill later on in his career) travel through the barren desert, in search of something or someone, The Shooting slowly but gradually peels back the layers of conventional film-making to reveal an off-beat, gritty and fascinating movie. Some of the editing used by Hellman (day to night and vice versa) only serves to disorient the viewer more.

    Not only is this a rare, one of a kind western but in all its psychotronic, b-movie glory, it's one of the best of its kind America has to offer. Kudos to Hellman for not refusing to take chances.
    6gavin6942

    Corman Takes On the Western Genre

    Willet Gashade (Warren Oates), a former bounty hunter, returns to his small mining camp after a lengthy absence and finds his slow-witted friend Coley (Will Hutchins) in a state of fear. Coley explains to Gashade that their partner, Leland Drum (B. J. Merholz), had been shot to death two days before by an unseen assassin. Also starring a young Jack Nicholson.

    In 1964, Monte Hellman and Jack Nicholson had made two films together, "Back Door to Hell" and "Flight to Fury", which were produced by Roger Corman and filmed back-to-back in the Philippines. This film was very much in the same vein, this time shot back-to-back with "Ride in the Whirlwind". Nicholson's history with Corman is well-known, but Hellman's career also came from Corman. His first directing gig was "Beast from Haunted Cave" (1959), a Corman film, which was followed up with an uncredited stint on "The Terror" (with Nicholson). In fact, Hellman did not really blossom outside Corman's domain until "Two-Lane Blacktop" (1971).

    The film was written by first-time screenwriter Carole Eastman, who would soon write "Five Easy Pieces", another Jack Nicholson vehicle (and much later the Nicholson film "Man Trouble"). As with many involved, she was a Corman veteran, having been responsible for the music in Corman's "Creature from the Haunted Sea" (1961).

    It was not until 1968 that the U.S. distribution rights were purchased by the Walter Reade Organization, the same company that distributed "Night of the Living Dead" (1968). No other domestic distributor had expressed any interest in the films. Walter Reade decided to bypass a theatrical release, and the two titles were sold directly to television. In retrospect, it seems bizarre that this film fell into obscurity, but who could have predicted Nicholson's rise to stardom?
    6jonathan-577

    Perkins has got to go

    One of Hellman's 'existential' genre flicks from the 60s-70s cusp. Warren Oates and his skittish cohort Will Hutchins are hired by Millie Perkins (the star of "The Diary of Anne Frank") to help her navigate the desert to the next urban centre, or so she says. Soon she is joined by sharpshooter Jack Nicholson, who keeps the boys in line until the surprise ending. There are a lot of neat twists on western convention here - the woman is urbane and sickly, Hutchins is completely incompetent, and as they battle each other everyone is battling the desert as it grinds em down. Unfortunately, several rock solid performances are arrayed around the stilted and extremely irritating Perkins, who is so unappealing that you don't know what everybody sees in her. It's quite majestic for such a tiny-scaled movie, with some truly memorable images, but I also found it more portentous than the content justified, ultimately. The ending is pretty abrupt. Admittedly the sound on my VHS is atrocious which didn't help. Still pretty far out for a low budget western, and enough rewards to at least mitigate the drags.
    cineman2

    Uncompromising Indie Western

    The Shooting is an indie western that reflects Americans' feelings of dread and uncertainty following the assasinations of JFK, Bobby, Malcolm, and Martin. Man overwhelmed by his environment. This West is a lonely,cruel world primarily populated by poor, uneducated men struggling to survive. The style is minimalist in that we are given information, through images and words, with great restraint and economy. An intense experience that calls for sustained attention. Comments below:"no idea what it's about", "dialogue incomprehensible",wish "storyline could be followed easily"-indicate some may benefit from a proper sinopsis, which I have not found. Others should view film before reading further. Willet returns to his camp and finds dimwit Coley quite agitated.Coley states that Willet's brother Coin and partner Leland arrived drunk from Winslow. Coin had run over a man and a child and needed to flee.Leland stays behind and gets shot by an unknown assailant. Willet and Coley are approached by a woman(we had seen her shoot her horse for no obvious reason) who offers $1000 to be escorted to Kingsley but refuses to reveal her name.They travel toward Crosstree where Leland learns Coin bought a horse 2 days ago. They proceed through the desert. The woman shoots at random, Willet believes she is sending signals to someone following. Gunslinger Billy emerges from hiding and joins them. His relation to the woman is unclear.They encounter day-old horse tracks as Billy and Coley threaten each other. The woman's horse pulls lame. Billy threatens to shoot Coley if he doesn't stay behind, demands Willet's gun and reveals he killed Leland. Willet:"I have my reason for staying.There ain't gonna be no killing". They encounter a bearded man with a broken leg and his horse.We see Coley following on foot. He takes the bearded man's horse. Billy spots Coley approaching and goes after him. Coley aims at Billy who shoots Coley in the face. Willet buries him. Woman to Willet:"I know that feeling.I've carried the burden of it longer than you". The elements continue to take its toll on people and animals.The woman rides while the men follow on foot.Willet charges at Billy, tosses his gun away,beats him and crushes his hand with a rock. Willet follows the woman, now on foot, into a canyon. She spots Coin, who looks identical to Coley, and shoots. Coin returns fire as Willet comes behind the woman. All three are hit.Billy wanders aimlessly waiting to die. The film leaves plenty of questions open to interpretation. Why wouldn't the woman attempt to kill Willet if Coin looks just like him? Did her son(and husband?) survive being run over? Why is Billy involved? An existentialist view of man and his predicament permeates this uncompromising western. 9/10
    Infofreak

    Absolutely fascinating viewing. A difficult movie but an unforgettable one!

    Monte Hellman has my vote for the most underrated and overlooked American director of all time. Like so many excellent film makers he got his first big break from legendary b-grade producer/director Roger Corman, and he co-directed (uncredited) Corman's 'The Terror' and edited his biker classic 'The Wild Angels'. Jack Nicholson starred in 'The Terror' and he an Hellman soon bonded together personally and professionally. Their greatest collaborations were the two 1960s westerns 'Ride In The Whirlwind' and 'The Shooting', filmed simultaneously, but released separately. Both are great movies but 'The Shooting' is the more interesting of the two, and along with Hellman's classic road movie 'Two-Lane Blacktop' his finest achievement. Both movies are close to being masterpieces, but rarely get mentioned except by other film makers, like Quentin Tarantino, who is a major fan, and enlisted Hellman's help in getting his debut 'Reservoir Dogs' to the big screen. 'The Shooting' is difficult viewing for most people. It requires you to pay close attention and fill in the blanks yourself. It isn't exactly a puzzle movie, but not everything is blatantly spelled out. The viewer has to work a little, but it's really worth it! The four main actors are all excellent. Not just Nicholson, and the legendary Warren Oates, but also Will Hutchins (of 50s TV western 'Sugarfoot'), and the beautiful Millie Perkins, who also appeared with Nicholson in 'Ride In The Whirlwind', though her role here is much more substantial and impressive. 'The Shooting' is one of the most original westerns I've ever seen, and easily one of the most underrated movies of the 1960s. I highly recommend it!

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    Handlung

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    • Wissenswertes
      $10,000 of the $75,000 budget was spent on the salaries for the horse wranglers, who along with the cast, were the only union elements in the movie.
    • Patzer
      During the fight between Willett Gashade and Billy Spear Billy's hat on the ground behind them alternates between being upside down originally and then right side up later. The canteen between the fighters and the hat also disappears in the final shots when the fight ends.
    • Zitate

      Coley Boyard: I don't give a curly hair, yellow bear, double dog damn if ya did!

    • Verbindungen
      Featured in Warren Oates - Der Grenzgänger (1993)

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    FAQ16

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    Details

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    • Erscheinungsdatum
      • 12. Juni 1968 (Frankreich)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Watch on Pave TV
    • Sprache
      • Englisch
    • Auch bekannt als
      • Das Schiessen - Nur der Stärkste überlebt
    • Drehorte
      • Kanab, Utah, USA
    • Produktionsfirmen
      • Santa Clara Productions
      • Proteus Films
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    Box Office

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    • Budget
      • 75.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 22 Min.(82 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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