IMDb-BEWERTUNG
4,4/10
142
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn archaeologist is in danger because of his discoveries.An archaeologist is in danger because of his discoveries.An archaeologist is in danger because of his discoveries.
Empfohlene Bewertungen
I picked up this baby because I was hoping for a spooky expedition story set in Egypt. Robert Taylor plays a millionaire going to Egypt to locate a buried tomb that holds the priceless Glass Sphinx. His assistant in an expert in such matters, played by Angel del Pozo. Also accompanying him are his niece and an exotic beauty he has just met, played by Anita Ekberg. Adding a little suspense is a mystery man (Giacomo Rossi-Stuart) who is following the expedition.
This all sounds good to me. Unfortunately the creative team key on the romantic subplots of the film. Taylor is mad for Ekberg and the niece is falling for the mystery man. Alas the most memorable scene is not the unearthing of a vengeful mummy, but a clumsy romantic scene between Taylor and Ekberg. They are both having a morning shower, side by side, in outdoor shower stalls. Ekberg drops her soap and Taylor leans under the stall and hands it back to her. Then they have an intimate moment as the both hold on (far too long) to the soap and each others hand. This might seem romantic to two teenagers, but for two, ahem... mature stars, it plays out quite silly.
This all sounds good to me. Unfortunately the creative team key on the romantic subplots of the film. Taylor is mad for Ekberg and the niece is falling for the mystery man. Alas the most memorable scene is not the unearthing of a vengeful mummy, but a clumsy romantic scene between Taylor and Ekberg. They are both having a morning shower, side by side, in outdoor shower stalls. Ekberg drops her soap and Taylor leans under the stall and hands it back to her. Then they have an intimate moment as the both hold on (far too long) to the soap and each others hand. This might seem romantic to two teenagers, but for two, ahem... mature stars, it plays out quite silly.
I am on a campaign to watch every Robert Taylor movie that is available. Overall, this movie is beyond subpar. It is a cheaply made Italian film that is very disjointed. I am not sure there was a professional film editor used. My favorite star of all time, the marvelous Robert Taylor, should have passed on this poor quality opportunity. The man made very, very good films for more than thirty years., so, I can only assume that he just wanted to keep busy. This film was made not long before his death in 1969. He was still very handsome, even, as an older man (around 56 years old) and he still had his wonderful voice; but the romance aspect was not needed in this film. In fact, the movie could have made without any stars as by the later part of the 60s, having a classic Hollywood actor was probably not the way to get an audience. I will further add that seeing a classic Hollywood star out of their historical tine frame of popularity is very jarring. If you are a Taylor fan, I would skip this film. If you decide to watch it, be prepared to feel sad that his time had passed.
Long, tedious, and not really worth a look, The Glass Sphinx tells the story of a group of explorers out to find a great treasure buried with a "glass sphinx" in the desert. There's crosses and double crosses and a good many people die. Buts its not all that interesting, and may very well induce a slumber equal to that of the pharaohs.
There are only two things that are of interest in the movie. The first are some plot twists toward the end that seem mostly unexpected, then again I might have nodded off and missed something. The other good thing is the setting which is Egypt itself where the movie was filmed. So long as the film is out of the desert things are interesting simply because its locations that haven't been used over and over again.
I really can't suggest you see it, but if elephants break into your house, tie you up and make you watch it, you won't have too bad a time.
There are only two things that are of interest in the movie. The first are some plot twists toward the end that seem mostly unexpected, then again I might have nodded off and missed something. The other good thing is the setting which is Egypt itself where the movie was filmed. So long as the film is out of the desert things are interesting simply because its locations that haven't been used over and over again.
I really can't suggest you see it, but if elephants break into your house, tie you up and make you watch it, you won't have too bad a time.
A spectacular aventure and romance movie shot in Egypt with two big name actors , Robert Taylor and Anita Ekberg . So-so but breathtaking at times, dealing with old Egypt , ancient discoveries , mysterious tombs , Pharaons and anything else . As an expert archeologist called Prof. Karl Nichols : Robert Taylor , is searching for old tomb of Pharaoh Aposis when he hires gorgeous Paulette : Anita Ekberg , as they have to find clues that provide solid evidences of a fabulous legend : The Glass Sphinx , while his theory is rightfully ridiculed by the Egyptians. The film opens with an attempt on Karl's life by people we later find out are working with Alex : Ángel del Pozo , though he does seem a little upset when Karl and Paulette began making goo-goo eyes at each other. Karl is a millionaire who search for the tomb of a pharaoh who was rumored to have a secret elixir of life inspires violence and betrayal. The archeologist would like to prove that this legend is , in fact, true . All of them embark on a risked travel a encounter the valuable treasure.
A Italy/Spain co-production filmed on location in Egypt, as the natural backdrop is riveting and look mighty hot and to add refreshing touches of action to those parched desert sands . This is the standard bare bones pyramid potboiler with plenty of thrills , treason , attacks , double-crosses , and killings . The plot is simply a variation of ¨Valley of Kings¨ (1954) director: Robert Pirosh starred by Robert Taylor himself and Eleanor Parker, adding fantastic elements and cheaper European facilities. It's plotted to maximize confusion, a messy script that takes every opportunity to work in an action sequence , mostly fistfights shot with some shaky camerawork and with a peculiar plot starred by an archeologist called Karl who is after the Glass Sphinx which he believes contains the Elixir of Life which would have allowed the pharaohs to live hundreds of years . It almost feels like one of those James Bond ripoffs or imitations from Italy that were so common at the time, only minus the attractiveness . It turns out to be a workmanlike and sometimes thrilling flick that just lacks the surges of real excitement that might have turned into an adventure classy . An amazing , timely and thrilling story very well set in Egypt about an archaeologist is in danger because of his discoveries. On the whole this Crystal Sphinx results to be an average movie , but enteratining enough . It contains a twisted intrigue about an adventurer archeologist and a mysterious , suspicious woman to find the tomb of a Pharaoh , both of them undertake a dangerous journey through pyramids , deserts , the busy Cairo , and underground vaults plenty of tombs. Two top-boxoffice players , Robert Taylor and Anita Ekberg, the latter proves to be a cool beauty. They are finely accompanied by a nice plethora of secondary actors , as Spanish : Angel del Pozo , José Truchado, as Italian ones : Giacomo Rossi Stuart as Jack Stuart , Gianna Serra and usual master of arms : Remo de Angelis .
Rousing and evocative musical musical score by Roberto Pregadio who scores it all with a repetitive soundtrack that makes every scene feel the same. That's why composer Les Baxter was sent in 1967 to Rome by American International Pictures to score again for the American premiere . It contains a colorful and evocative cinematography in Eastmancolor by Félix Mirón, along with marvelous production design . Shot in Egypt and showing real monuments and pyramids , including wide sightseeing . Other locations include Great pyramids Giza , Keops , Kefren , Mizerinos and pyramid of Zoser , Cairo , Luxor , Canal Suez Egypt . The motion picture was regularly but professionally directed by Luigi Scattini , though it has some flaws , failures and gaps .Scattini was a cftsman who wrote and directed a few films , such as : War Italian style (1965) , Duello nel mondo (1966) , Blue Nude (1978), Solo quando deseo (1977) and Il Corpo(1974).
A Italy/Spain co-production filmed on location in Egypt, as the natural backdrop is riveting and look mighty hot and to add refreshing touches of action to those parched desert sands . This is the standard bare bones pyramid potboiler with plenty of thrills , treason , attacks , double-crosses , and killings . The plot is simply a variation of ¨Valley of Kings¨ (1954) director: Robert Pirosh starred by Robert Taylor himself and Eleanor Parker, adding fantastic elements and cheaper European facilities. It's plotted to maximize confusion, a messy script that takes every opportunity to work in an action sequence , mostly fistfights shot with some shaky camerawork and with a peculiar plot starred by an archeologist called Karl who is after the Glass Sphinx which he believes contains the Elixir of Life which would have allowed the pharaohs to live hundreds of years . It almost feels like one of those James Bond ripoffs or imitations from Italy that were so common at the time, only minus the attractiveness . It turns out to be a workmanlike and sometimes thrilling flick that just lacks the surges of real excitement that might have turned into an adventure classy . An amazing , timely and thrilling story very well set in Egypt about an archaeologist is in danger because of his discoveries. On the whole this Crystal Sphinx results to be an average movie , but enteratining enough . It contains a twisted intrigue about an adventurer archeologist and a mysterious , suspicious woman to find the tomb of a Pharaoh , both of them undertake a dangerous journey through pyramids , deserts , the busy Cairo , and underground vaults plenty of tombs. Two top-boxoffice players , Robert Taylor and Anita Ekberg, the latter proves to be a cool beauty. They are finely accompanied by a nice plethora of secondary actors , as Spanish : Angel del Pozo , José Truchado, as Italian ones : Giacomo Rossi Stuart as Jack Stuart , Gianna Serra and usual master of arms : Remo de Angelis .
Rousing and evocative musical musical score by Roberto Pregadio who scores it all with a repetitive soundtrack that makes every scene feel the same. That's why composer Les Baxter was sent in 1967 to Rome by American International Pictures to score again for the American premiere . It contains a colorful and evocative cinematography in Eastmancolor by Félix Mirón, along with marvelous production design . Shot in Egypt and showing real monuments and pyramids , including wide sightseeing . Other locations include Great pyramids Giza , Keops , Kefren , Mizerinos and pyramid of Zoser , Cairo , Luxor , Canal Suez Egypt . The motion picture was regularly but professionally directed by Luigi Scattini , though it has some flaws , failures and gaps .Scattini was a cftsman who wrote and directed a few films , such as : War Italian style (1965) , Duello nel mondo (1966) , Blue Nude (1978), Solo quando deseo (1977) and Il Corpo(1974).
Back when Robert Taylor was with MGM he did another Egypt story with Valley Of The Kings. That one will never be ranked as one of his best films, but it was a well made action/adventure story with Taylor an archaeologist who could have been Indiana Jones's grandfather. But in his last years Taylor did a lot of mediocre stuff for the big screen and his career hit rock bottom with The Glass Sphinx, also set in Egypt and also where he is an archaeologist.
This time Taylor has Gianna Serra as a niece to help him out and he's on a mission to find the tomb of a Pharaoh who is supposed to have lived for 200 years. King Naposis supposedly took the secret which was a magic elixir of life in his tomb, undiscovered like Tutankhamen's. It's encased in a Glass Sphinx that was buried with the Pharaoh.
But others working for Taylor like Anita Ekberg and Angel Del Pozo have a whole different agenda going. Therein lies the tale.
The DVD I saw of The Glass Sphinx shows it's in need of restoration as the color was pretty washed out. But I'm betting the Taylor children aren't thrilled with this film and ain't likely to get behind anything that would show their father in a bad light.
And I have to say Taylor pretty much walked through this one. He got a trip to Egypt and a pay day and that's about it. The rest of the cast pretty much did the same thing.
Some nice aerial shots of Egypt in the Nile valley and the Suez Canal which probably looked good in color when the film first came out is all I can really recommend with The Glass Sphinx.
This time Taylor has Gianna Serra as a niece to help him out and he's on a mission to find the tomb of a Pharaoh who is supposed to have lived for 200 years. King Naposis supposedly took the secret which was a magic elixir of life in his tomb, undiscovered like Tutankhamen's. It's encased in a Glass Sphinx that was buried with the Pharaoh.
But others working for Taylor like Anita Ekberg and Angel Del Pozo have a whole different agenda going. Therein lies the tale.
The DVD I saw of The Glass Sphinx shows it's in need of restoration as the color was pretty washed out. But I'm betting the Taylor children aren't thrilled with this film and ain't likely to get behind anything that would show their father in a bad light.
And I have to say Taylor pretty much walked through this one. He got a trip to Egypt and a pay day and that's about it. The rest of the cast pretty much did the same thing.
Some nice aerial shots of Egypt in the Nile valley and the Suez Canal which probably looked good in color when the film first came out is all I can really recommend with The Glass Sphinx.
Wusstest du schon
- WissenswertesAmerican International Pictures would frequently make use of frozen dollars and cheaper European facilities by sending composers Les Baxter and Ronald Stein to record their scores in London, Munich and Rome. Baxter recounted in a 1981 interview for Soundtrack! that he was sent to Rome in 1967 to score The Glass Sphinx, but was not allowed to conduct the orchestra because of rulings by the Italian music unions. Fortunately, legendary film conductor Franco Ferrara was persuaded to come out of retirement.
- SoundtracksIt's a Dream Away
(main title) (international version)
Music by Les Baxter
Lyrics by Guy Hemric and Jerry Styner
Sung by Mike Clifford
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen