Die tollen Abenteuer der schönen Pauline
Originaltitel: The Perils of Pauline
IMDb-BEWERTUNG
5,6/10
338
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuPauline becomes involved in a series of adventures around the world and is aided by her ever present friend George. The adventures are unrelated as the film was made up from television episo... Alles lesenPauline becomes involved in a series of adventures around the world and is aided by her ever present friend George. The adventures are unrelated as the film was made up from television episodes.Pauline becomes involved in a series of adventures around the world and is aided by her ever present friend George. The adventures are unrelated as the film was made up from television episodes.
- Regie
- Drehbuch
- Hauptbesetzung
Billy Barty
- Pygmy Leader
- (Nicht genannt)
William Christopher
- Doctor
- (Nicht genannt)
June Foray
- Prince Benji
- (Synchronisation)
- (Nicht genannt)
Jeanne Gerson
- Pauline's Foster Mother
- (Nicht genannt)
Joe Higgins
- Pauline's Foster Father
- (Nicht genannt)
Larry D. Mann
- Prince Benji's Father
- (Nicht genannt)
James Millhollin
- Stafford
- (Nicht genannt)
Empfohlene Bewertungen
I LOVED this movie as a child and it's wonderful! AS mentioned before, You NEVER see it on TV, not even TCM! I do wish Someone would either release this or TCM show it sometime. I'm 44 and ONCE in 44 years! Come on! This is a great movie for the whole family, it's got everything, romance, comedy, mystery, drama, etc. Terry Thomas is great as he usually was in practically anything he starred in during his career. And Pat Boone when he sang his song about Pauline, I felt it was SO heartwarming and touching! It's a shame that when a good family movie can not get released to the public OR did somebody buy the rights to this movie and for some reason do not want to distribute it?
While not exactly offensive, the 1967 version of "The Perils of Pauline" is certainly moronic. The title might lead you to expect a tribute to Pearl White (the original Pauline in the 1914 silent 20 episode serial) but for that you would be better served by the 1947 version starring Betty Hutton. This 1967 version is like a mix of "Casino Royale" and the weakest of the Elvis movies. Worst of all it is not a blend of these but more like someone scotch-taped together segments from each so that the thing skips back and forth between the two styles.
What unity there is in the production comes from the pairing of Pamela Austin (Pauline) and Pat Boone (George Steadman), a good match because both lack even the most basic of acting skills (imagine Mandy Moore playing opposite Dan Quayle).
Austin would later play opposite John Aston in "Evil Roy Slade", with the talent disparity between them actually painful to watch. In the mid-60's she was the "Dodge Rebellion" girl, as such she was featured in a similar series of perilous situations-imagine Sandra Dee in a dark blue jumpsuit. When the automaker's ad agency replaced her with the "Dodge Fever" girl someone got the bright idea to showcase her in a feature film.
What story there is here begins with Pauline growing up in the Baskerville Foundling Home run by the actress who played Mrs. Chatsworth Osborne Sr. on "Dobie Gillis". George falls in love with her (Pauline-not Mrs Osborne) and sabotages several opportunities she has to be adopted. George leaves to seek his fortune and 19 year old Pauline gets a job tutoring a young oil rich Middle Eastern prince. When he tries to add the attractive blonde to his harem she runs away and goes from peril to peril. These include African pygmies, a 99½ year-old millionaire who wants to freeze her until his one year-old grandson is old enough for marriage, the movie industry, and the Russian space program.
All this is intended to be silly and charming but manages only the silly part. There is some effort to incorporate a silent film look to the action sequences by simulating the under- cranking of a camera (which speeds up the action). Unfortunately everything else (film stock, production design, editing) is depressingly 1960's. Nothing here even approaches the images of Pearl White strapped to a log moving toward a buzz-saw or tied to railway track waiting for the approaching train.
Then again, what do I know? I'm only a child.
What unity there is in the production comes from the pairing of Pamela Austin (Pauline) and Pat Boone (George Steadman), a good match because both lack even the most basic of acting skills (imagine Mandy Moore playing opposite Dan Quayle).
Austin would later play opposite John Aston in "Evil Roy Slade", with the talent disparity between them actually painful to watch. In the mid-60's she was the "Dodge Rebellion" girl, as such she was featured in a similar series of perilous situations-imagine Sandra Dee in a dark blue jumpsuit. When the automaker's ad agency replaced her with the "Dodge Fever" girl someone got the bright idea to showcase her in a feature film.
What story there is here begins with Pauline growing up in the Baskerville Foundling Home run by the actress who played Mrs. Chatsworth Osborne Sr. on "Dobie Gillis". George falls in love with her (Pauline-not Mrs Osborne) and sabotages several opportunities she has to be adopted. George leaves to seek his fortune and 19 year old Pauline gets a job tutoring a young oil rich Middle Eastern prince. When he tries to add the attractive blonde to his harem she runs away and goes from peril to peril. These include African pygmies, a 99½ year-old millionaire who wants to freeze her until his one year-old grandson is old enough for marriage, the movie industry, and the Russian space program.
All this is intended to be silly and charming but manages only the silly part. There is some effort to incorporate a silent film look to the action sequences by simulating the under- cranking of a camera (which speeds up the action). Unfortunately everything else (film stock, production design, editing) is depressingly 1960's. Nothing here even approaches the images of Pearl White strapped to a log moving toward a buzz-saw or tied to railway track waiting for the approaching train.
Then again, what do I know? I'm only a child.
i haven't seen this movie since i was a child, my mother told me it was good, and she was right. the only problem, they never ever show it. i would like any info on how to purchase a copy, if any exist. or if there's going to be an airing on a channel sometime in "my" near future. i can still hear my mom, singing with pat Boone! ". where oh' where is my pretty Pauline". i really hope they air it again, my children would love it as well. another scene i can visualize from the movie was , Pat Boone, rowing, a block of ice with Pamela frozen in it. singing something i'm sure. I had purchased the 1947 version of this movie, but, it did little to remind me of the 1967 version.
10thornnnn
I was a military dependent in Rota Spain during most of the 60's, There were few if any televisions. I myself did not see a TV for 6 years. Imagine a kids life with no television. The movie theater was truly magic. I last saw this movie in 1967, and have been searching for it for the last 20+ years. Countless searches for this on the internet has only turned up others searching for it, but never anyone finding it. Well, Its finally here, on ELOVE channel encore love channel 23 mar 1020 am and 28 march 820 am. I'm looking forward to seeing some of this magic from the past. I don't know about the critics but this former 7-8 year old kid has had this film on his mind for the last 39 years.. THANK YOU ENCORE CHANNEL!! Some other movies i'd like to see again from that era include: John Goldfarb please come home, Lt Robinson Crusoe USN, The Haleluja Trail, and i think The Jungle Book played that tour too. It seems as time goes on, we're losing a few gems from the past.. it's getting really hard to find showings for some of these movies! (robinson Crusoe, perils of Pauline) From 39 year old memory of some young kid i give this one a 10! I'm gonna sit my kids down to watch this one, except they're a few years older than I was!
Pauline, first seen as a baby girl abandoned at the steps of the Baskerville Foundling Home, is taken in by a young George Steadman, who declares he'll always take care of her. As they grow up, he sabotages Baskerville's efforts to find a home for her. He loves her, and when they are young adults, he leaves Baskerville to make his fortune, promising to return and wed Pauline when the time is right.
Before George can fulfill his promise, the foundling home is shut down and teenaged Pauline goes to work in Africa(?) as a tutor for sex-crazed 12-year-old Prince Benji (whose voice is dubbed by June Foray to sound like Rocket J. Squirrel). She rebuffs his advances ("It's very bad manners to threaten your teacher with a simitar"), and during her escape from Benji's palace is sold to Bombo, "white pygmy chief of the Congo." Her rescuer, a white hunter and "member of the Royal blues," Willy Sten-Martin (Terry-Thomas), falls in love with her and chases her through the rest of the movie. Likewise, George follows her, too, looking for true love, accompanied by his male secretary.
THE PERILS OF PAULINE ka-chunks along on a preponderance of incident as George, Sten-Martin and Pauline criss-cross the globe. Pauline is cryogenically frozen (so is George)... George is brainwashed... Pauline appears in a film by "far-out" Italian filmmaker Frederico Frandisi... has to seduce a gorilla... becomes a Russian cosmonaut... climbs over the Berlin Wall... etc.
So goes THE PERILS OF PAULINE, originally a pilot episode for an unsold TV series, expanded for theatrical release. Influenced by mid-60s comedy series like GET SMART and THE MONKEES -- and co-directed by GET SMART alumnus Joshua Shelley -- THE PERILS OF PAULINE is far too long at 93 minutes and aimed at ten-year-old mentalities.
The basis for this movie, a 1914 serial with "cliffhanger endings" between chapters, was remade in 1934. The best-known version of the story was released in 1947 as a vehicle for actress Betty Hutton. This 1967 version is inspired by the silent version -- the visual humor is a series of ancient slapstick routines, filmed in fast-motion and featuring runaway cars and people falling off ladders. A few of these moments are funny, but the strained verbal humor is below the level of even THE MONKEES.
Of the acting, the less said the better about Pat Boone (George) and Pamela Austin (Pauline), especially when compared to an old pro like Terry-Thomas, who bravely battles the inanities to turn in a good comic performance.
Before George can fulfill his promise, the foundling home is shut down and teenaged Pauline goes to work in Africa(?) as a tutor for sex-crazed 12-year-old Prince Benji (whose voice is dubbed by June Foray to sound like Rocket J. Squirrel). She rebuffs his advances ("It's very bad manners to threaten your teacher with a simitar"), and during her escape from Benji's palace is sold to Bombo, "white pygmy chief of the Congo." Her rescuer, a white hunter and "member of the Royal blues," Willy Sten-Martin (Terry-Thomas), falls in love with her and chases her through the rest of the movie. Likewise, George follows her, too, looking for true love, accompanied by his male secretary.
THE PERILS OF PAULINE ka-chunks along on a preponderance of incident as George, Sten-Martin and Pauline criss-cross the globe. Pauline is cryogenically frozen (so is George)... George is brainwashed... Pauline appears in a film by "far-out" Italian filmmaker Frederico Frandisi... has to seduce a gorilla... becomes a Russian cosmonaut... climbs over the Berlin Wall... etc.
So goes THE PERILS OF PAULINE, originally a pilot episode for an unsold TV series, expanded for theatrical release. Influenced by mid-60s comedy series like GET SMART and THE MONKEES -- and co-directed by GET SMART alumnus Joshua Shelley -- THE PERILS OF PAULINE is far too long at 93 minutes and aimed at ten-year-old mentalities.
The basis for this movie, a 1914 serial with "cliffhanger endings" between chapters, was remade in 1934. The best-known version of the story was released in 1947 as a vehicle for actress Betty Hutton. This 1967 version is inspired by the silent version -- the visual humor is a series of ancient slapstick routines, filmed in fast-motion and featuring runaway cars and people falling off ladders. A few of these moments are funny, but the strained verbal humor is below the level of even THE MONKEES.
Of the acting, the less said the better about Pat Boone (George) and Pamela Austin (Pauline), especially when compared to an old pro like Terry-Thomas, who bravely battles the inanities to turn in a good comic performance.
Wusstest du schon
- WissenswertesThe 1967 movie version of "Pauline" was originally developed to be released as a TV series and is in fact, the compilation of the pilot and subsequent 2nd and 3rd episodes. Unfortunately the first few episodes were considered a complete flop and were unable to garner any interest from any sponsor or network of the day. In order to salvage what they could, the first three episodes were combined by Universal Pictures into a theatrical film release.
- VerbindungenReferenced in Biography: Ian Fleming (2006)
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- 1 Std. 47 Min.(107 min)
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- 1.37 : 1
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