Texas-Desperados

This movie shows how efficient Hunter was at westerns :you should try and watch "these burning hills" and mainly the brilliant "gunman's walk " ,probably the best role in his career;here he effortlessly outstrips the johnny-one-note Montgomery .As for De Carlo ,she's too made up ,too glamour ,dressed up as though she were going to a ball : how could you believe she's a prisoner en route to jail ?

The Montgomery /Hunter rivalry is predictable but not too much cardboard ;the latter is sexually attracted to her but he feels she has been mistreated by her brutal husband as he was by his wicked stingy uncle ; the supporting characters are colorful : Leo Gordon is a convincing bad guy named "Pleasant" (sic) ; RC Crawford is an opportunist politician and Pedro Gonzalès provides the movie with its welcome comic relief:"I want to go to jail to lean cooking to be able to work in town afterwards"

Not a great western,which actually belongs to the precedent decade ,but never dull.

In 1967's "Hostile Guns" George Montgomery plays a Texas sheriff who hires young troublemaker (Tab Hunter) to help him transport a handful of prisoners to the state penitentiary in another town. The captives include a burley tough guy (Leo Gordon), an embezzling railroad big shot (Robert Emhardt), an amiable Mexican (Pedro Gonzalez-Gonzalez) and a woman who was forced to kill her no-good man (Yvonne DeCarlo). Gordon's character has relatives & friends who seek to break him free on the trip.

This is basically a C-Grade version of "Stagecoach," but with a paddy wagon full of presumed ne'er-do-wells rather than just the Ringo Kid. Montgomery is an excellent masculine protagonist and the rest of the cast is solid, but the movie's letdown by the low-budget and melodramatic script. Like I said in my title blurb, the movie plays like a mediocre TV Western, which can be observed by the studio-bound sets and location shooting at Vasquez Rocks, where a lot of TV shows were shooting at the time (and to this day). This shouldn't come as a surprise since the director has a long history in TV productions.

While the film is worth watching if you like the cast, its ineptness is sometimes glaring. Like the stuntman they use to replace Hunter in the longshots of a fistfight at the beginning where it's painfully obvious that the guy's not Hunter, to put it nicely. Speaking of this fight, the young punk takes on his out-of-shape uncle who appears to be at least 65 years old and the old guy holds his own and even appears to be winning. Why sure!

The film runs 91 minutes.

GRADE: C-

What a cast! What a so-bad-it's-good movie! George Montgomery plays U.S. Marshall Gid McCool (dig that name!), who's in charge of transporting a wagon train of convicted felons to a state prison in Texas. Tab Hunter, playing his umpteenth juvenile role while in his mid-thirties, is his upstart of a deputy. (He's also got the most obvious stunt double you've ever seen!) Yvonne De Carlo, sporting the longest false eyelashes and giving the worst performance ever by an actress in a western, is one of the prisoners. Not a stereotype left unplayed!

Not a great deal to write home about here, Hostile Guns is every inch a late 1960s Oater clinging on to the fading embers of a genre that was at the time moving in another direction. It's directed by R.G. Springsteen and co-written by Steve Fisher, Sloan Nibley and James Edward Grant. It stars George Montgomery, Yvonne De Carlo, Tab Hunter, Brian Donlevy, John Russell and Leo Gordon. Music is by Jimmie Haskell and the Techniscope/Technicolor photography is by Lothrop Worth.

Plot has Montgomery as Sheriff Gid McCool, who is tasked with escorting a wagon of prisoners through the plains. Tricky since one of the prisoners has cohorts desperate to break him free, while another one is an old flame!

Tab Hunter is in the cast to bring down the average age of the cast, many of whom are going through the motions and are clearly in it to pick up a late in their career pay cheque. It's very much indicative of an A.C. Lyles production, the mixture of airy location shooting and crude rear projection work is most disconcerting. Brian Donlevy is front page billed but is in the film for two minutes, while the stunt doubles are ridiculously evident - which via the splicing are actually insulting. On the plus side there's a nice print available which showcases the good use of colour, and Gordon provides some good grumpy villainy, but it all trundles towards the inevitable climax, which all things considered isn't worth the wait. 5/10

The first half of this Western isn't bad at all. The dialogue is crisp, the situations believable, and it efficiently establishes all the central conflicts and relationships. But around the halfway point, things go terribly wrong. It's as if the filmmakers let their sons and daughters take over and complete the picture. Action scenes are poorly staged, characterizations become muddled and repetitious, plots and subplots get unsatisfyingly resolved in a strangely rushed, banal fashion. And the previously sharp dialogue gives way to howlers like "Mike, this could be your last chance to grow up!"

Interesting mish-mash of a cast however. I had often wondered who George Montgomery was, having seen his name listed for so many films, and while this was evidently made towards the end of his career, he's certainly a classicly square-jawed, masculine lead in the Clark Gable mold. Tab Hunter is okay as the rowdy young hotshot deputized by Sheriff Montgomery for a dangerous prisoner transport, and there are faint (very faint) echoes of the Wayne/Clift relationship in "Red River". Yvonne DeCarlo, though aging, is still believably fetching as the woman prisoner who drives a wedge between the two men.

I guess I should have known there was something fishy about this movie early on, judging by the God-awful stunt doubling done for Tab Hunter in his first fight scenes. The double, quite clearly and amusingly, doesn't look a thing like him.