Venedig sehen - und erben

This is a very good film adaptation of a story that has had a number of permutations. The original source of the story dates to British poet and playwright Ben Jonson's (1572-1637) satirical play, "Volpone." Thomas Sterling's "Evil of the Day" was a 1955 novel, and playwright Frederick Knott then adapted that source into the play, "Mr. Fox of Venice."

The theme of the original work is carried through all the renditions of the story. It's a biting satire on greed, with a complex staged practical joke as the main plot. The comedy isn't of the rollicking laughter type, but in the exaggerations with the drama and the characters themselves. Most of the characters of the Ben Jonson play are carried through all renditions, except that in the 20th century story the three characters of avarice are women instead of men.

Director Joseph Mankiewicz does a masterly job of adapting and then directing the story, with an introduction and closing comments in voice over by the main character, Cecil Fox. He uses this technique very subtly for one other character toward the end. Another reviewer delighted in what he called the "Maltese Falcon" ending. It is fantastic in itself.

The film was made mostly in Rome, with some canal scenes shot in Venice. The producers assembled a first-rate cast to play the diverse roles. All give performances worthy of academy award nominations. Rex Harrison is superb as Cecil Fox, and Susan Hayward dominates her scenes as Mrs. Sheridan - Fox's "Lone Star" mistress from the past. Cliff Robertson adds enough mystery to his dutiful and slyly charming role as William McFly. A nearly 40 Capucine still radiates the sophisticated beauty for which she was known, here playing Princess Dominique. And Maggie Smith shows for the first time on film her deftness for deadpan humor. Her nurse Sarah Watkins is both demure, suspicious and slightly sly.

Adolfo Celi is very good as Inspector Rizzi, who plays some scenarios superbly for comedy. The scenes in his home are hilarious where his family members are glued to the TV watching a Perry Mason mystery show. The Italian voice-over for Raymond Burr's Mason is hilarious - a high-pitched male voice coming out of the tube when Perry speaks.

But the star who provides most of the laughter in "The Honey Pot" is Edie Adams. She plays Merle McGill, an otherwise attractive movie star who, underneath, is little more than a ditzy blonde and opportunist. She was someone Fox picked up off the street years before and turned into a movie icon.

Here are some favorite lines form this film.

Inspector Rizzi, "Miss McGill, I understand the necessity of you to arrive in Venice incognito." Merle McGill, "I wouldn't go anywhere (sic) uninvited." Inspector Rizzi, "I must have used the wrong word. My English is uh...." Merle McGill, "It must be hard for you to imagine, inspector - a man like Cecil Fox and I." Inspector Rizzi, "Not hard at all." McGill, "How can I say it, inspector? He was my first... man. Somehow, you just never forget your first man." Rizzi, "I remember mine, vividly. He also got away."

Merle McGill, "OK, shamus, so what's on your mind? Or, to be exact, on both your minds?" Inspector Rizzi, "Shamus? You use too many American idioms I do not know."

Merle McGill, "When you do talk to Princess Dominique, you know what she's gonna tell ya?" Inspector Rizzi, "If I had such capability, I would never get out of bed." McGill, "She's gonna say that she and I were here, in my room, all night, playing gin rummy together. That'll be a lie. For one thing, she can't even play gin rummy." Rizzi, "Fascinating! Now why would she choose a game she could not play?" McGill, with a "caught" look on her face, "Yeah, that was stupid of her, but the name of the game isn't important."

Princess Dominique, "I have no need for Mr. Fox's money." Inspector Rizzi, "That is what truly baffles me. This incredible wealth which nobody needs and everybody wants."

In Venice, the millionaire benefactor Cecil Fox (Rex Harrison) watches the Seventeenth Century play Volpone and plots a practical joke to his three former greedy mistresses. He hires the unemployed actor William McFly (Cliff Robertson) to act as his butler and stage manager and sends letters telling that he is terminal to the decadent Hollywood star Merle McGill (Edie Adams); to the broken Princess Dominique (Capucine); and to the sick Lone Star Crockett (Susan Hayward), who was married with him and arrives in his palace bringing the nurse Sarah Watkins (Maggie Smith) as her companion. The prime intention of Rex is to see the reaction of the women after the reading of his will declaring McFly as the only heir of his fortune and then laugh up them. However, when Mrs. Sheridan is found dead in her room, the snoop Sarah decides to investigate and realizes that the prank is indeed an intricate scheme to get the fortune of Rex.

"The Money Pot" is a delightfully witty film of the great director Joseph L. Mankiewicz. The sophisticated and theatrical screenplay has wonderful lines and many plot points that surprises many times and a mystery that recalls the novels of Agatha Christie. The direction and the performances are superb, highlighting Rex Harrison, Cliff Robertson, Maggie Smith and Adolfo Celi, the Venetian inspector that watches Perry Mason at home. My vote is nine.

Title (Brazil): "Charada em Veneza" ("Charade in Venice")

The "Fox" (rex harrison, a couple years after My Fair Lady) invites his ex girlfriends to visit. and this will require the assistance of an assistant, who can be relied upon, and is willing to tell some lies in the process. he hires McFly (Cliff Robertson) to help him play a huge trick on the ladies: her highness (capucine), Bunny McGill (edie adams), and the feisty Mrs. Sheridan (susan hayward). They are all lured there with the idea that someone is dying, and will leave a huge fortune to one of them. Mrs. Sheridan has a nurse, or assistant, or something... played by the awesome Maggie Smith. so the ladies all spend the next couple days arguing over who has the most right to the fortune. lots of talking. and some shenanigans. mayhem. some twists and turns. a couple gay references. directed by joe mankeiwicz. story by Thomas Sterling. his only novel. which itself, was based on the 1606 play Volpone (Fox!) by Benjamin Jonson, according to wikipedia dot com. it's quite good. the actors mostly yell and snarl at each other. Maggie Smith was great as usual, and the story is fun to watch as it unfolds.

What a charming surprise to find this overlooked gem of a movie, a modern day update of Ben Jonson's Volpone. It was the cast that attracted my attention. Rex Harrison, Maggie Smith, Susan Hayward, Cliff Robertson, Edie Adams - how can you go wrong? They all acquit themselves well in this elegant whodunit - and whydidhedoit - romp. Adolfo Celi (Lago in Thunderball) is particularly good as the police inspector. The plot has enough false leads, misdirection and twists to make your head spin. The Venetian (or faux Venetian) interiors are splendidly luxuriant, and the exteriors are lovely. This is a lightheartedly elegant dark comedy that most entertainingly fills an hour or two. Highly recommended.

A very rich man sets up a scheme to convince 3 old lovers that he is dying and they - individually - are potentially his heir. Good performances by Harrison, Robertson and Maggie Smith. An end worthy of Agatha Christie - with all the players brought together and the details brought out.