Wie ich den Krieg gewann

No, this not a "lost gem", as some reviewers excitedly proclaim. Far from it.

"How I Won the War? I Bored Them to Death". Main deficiency: a very boring movie. Another deficiency: the gags are practically all unfunny. It's a typical 60s British comedy; good cast, but an atrocious script. Well filmed, though; visually it's pretty decent. However, good for only one or two chuckles. And it was more like a hopeful chuckle, sort of like "I hope this is a sign that something genuinely funny is coming up soon". "How I Can Bore You" would be a more appropriate title. Very disappointing.

A little word about John Lennon, for all you left-wing Lennon fans. (The music is great, hence that's not the issue here.) Lennon was a working-class kid with very little education and even less natural intelligence. His pathetic attempts at "spiritual contentment" - or whatever he used to call it - with that charlatan of an Indian guru sect-leader, plus his marriage to the even bigger charlatan, the totally talent-free Yoko Ono, prove this without an iota of a doubt. He was a very gullible person, what Americans would call "a sucker". But if that isn't enough, his meddling in international politics proved that he had also completely lost his mind by the time he left "The Beatles" and the 70s arrived. Drugs? Too much fame going to his head?

He was also a stark-raving hypocrite, as most "do-gooders" are. All that the world's do-gooders care about is their fame and their image; after all, they have huge EGOS to feed. An example... Michael Caine, in his autobiography "What's It All About?", relates the following episode from the mid-60s when he met Lennon. They were in a luxurious French hotel, desperately looking for a bathroom. All the bathrooms were taken. So John went to a room and urinated from a window. Caine saw him and said angrily that John had stained the curtains. And what was John's reply to this?

"They're rich. F*** 'em."

Of course, the fact that he himself was rich at that point (not to mention later) was of no consequence. Because if someone had decided to stain HIS curtains, in HIS home with urine or excrement, I guess he would have blown his top, screaming injustice. And he'd probably have called the police. The "pigs". Yes, he was so anti-authority, except of course when he needed them to serve HIS little purposes. Just another "do-gooder" hypocrite...

"All we are say-ing, is give peace a chance". If peace is responsible for "heroes" like Lennon, then I'm all for war.

For my review of "Imagine", go to: http://rateyourmusic.com/collection/Fedor8/

To make this IMDb's most unpopular comment ever, please click "No" below.

Wow, it is not everyday that one comes across a right-wing essay on the IMDB as one of the posters did in regards t this film. First of all, I am delighted to have finally seen this. Aside from "The Royal Flash" and "Cuba," I believe I have seen most of Richard Lester's films which are of significance. I think too look at this film from a mere political pov is a mistake. It is a good statement first of all about how utterly ridicilous the war process is. Sure, there are awful people like Hitler and Mullah Omar, out there who threaten the world at large but by and large, the war process rarely leads to any resounding political solutions and long-term peace and understanding. I think even people who generally support their government's wars would agree to this sentiment. Lester does a brilliant job of poiting this out through the course of this film, and he is helped by some great acting- including a surprisingly brilliant John Lenon to achieve this great satire. Lester, who was actually born in Philadelphia, has a great sense of man's moral faults and he reflects that in this film, as well as in "Petulia"- which is considered to be his best film. I think Lester's genius can even be seen in his two most blatant commerical ventures, "Suprman II" and "Butch and Sundance: The Early Years" as well as the Beatles movies. He deserves more respect, and I think one day he just might get it.

I seem to recall liking this upon its original theatrical release and certainly looked forward to seeing it again. My interest had been rekindled by a recent visit to Ameria, in Spain where the cast and crew retired to each day after filming in the nearby desert location, popularly known as 'mini Hollywood'. Unfortunately, although very well intentioned and in some ways hard hitting, for me the encouraged silliness of Crawford and others, now makes it a difficult watch. Undeniably famous for introducing the 'working class' spectacles to John Lennon and for being the time and place where he would compose 'Strawberry Fields Forever', there are at least lasting elements to a brave but flawed venture.

I just saw this film for the first time last Friday night at an American Cinematheque screening in L.A. I had pretty low expectations for it but was curious to see John Lennon in an acting role. You could see this film as a pre-cursor to M*A*S*H, but I think that's giving it too much credit.

In short, the film succeeded in meeting my low expectations. I've seen my share of British cinema and particularly a lot of Monty Python, which this film vaguely recalls, and this was a challenging film for me to watch in terms of understanding the humor, the language, and the slang being used by the characters. The bits of slapstick are good, but there aren't enough of them to save the film. Michael Crawford is really the star of the film, and I discovered that a little of him goes a long way. Ninety minutes of him is too much. As for Lennon, he's mostly a small supporting character, although he's given virtually equal billing with Crawford. If you saw Help! or A Hard Day's Night, you know a little about John's personality, and it shines through in the same way here.

I'd recommend watching this at home on video, where you can stop it and return to it if it gets tiresome, which it probably will. I understand that it's due for a DVD release sometime soon.

Incompetent Lieutenant Goodbody leads a group of recruits who grow to hate their commander. They train in a mock up of WWI trench warfare. They land on North Africa to battle the Nazis. The biggest draw is John Lennon playing a supporting character. It's a surreal anti-war dark comedy. Director Richard Lester uses various methods including breaking the 4th wall and doing a faux documentary. I am often reluctant to rate foreign comedies when half of it is lost in translation. In this one, the thick British accents and unknowable foreignness make much of it incomprehensible. Mostly, it's not that funny. The bigger war footage is recycled while there are some smaller action. There is an anti-war message but it's a muddle of outlandish surrealism. On its most basic element, it's hard to follow and not that funny.