IMDb-BEWERTUNG
7,2/10
2305
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuGirls that were punished to sat at a boarding school during Spring Break have no idea the school is haunted by the restless spirit of a former student seeking revenge.Girls that were punished to sat at a boarding school during Spring Break have no idea the school is haunted by the restless spirit of a former student seeking revenge.Girls that were punished to sat at a boarding school during Spring Break have no idea the school is haunted by the restless spirit of a former student seeking revenge.
- Regie
- Drehbuch
- Hauptbesetzung
Sadi Dupeyrón
- Armando
- (as Saidi Dupeyron)
Enrique García Álvarez
- Doctor Oliver
- (as Enrique Garcia)
Empfohlene Bewertungen
While not as prolific as the USA, UK and Italy; Mexico is responsible for many great horror films; with the sixties in particular being something of a goldmine for the horror fan. Carlos Enrique Taboada's Hasta el viento tiene miedo has a great reputation amongst those who have seen it; and after having finally tracked the film down myself, I have to say that its reputation is completely deserved! The title translates into English as 'Even the Wind is Afraid' and as you would expect from a film with such a title; this is a macabre treat! Like the classics The House That Screamed and Suspiria, this film focuses on an all-girl boarding house. After a group of girls sneak into a restricted part of the school and are caught; their punishment (doled out by the head teacher nicknamed 'The Witch') is that they have to stay behind during the summer break! Naturally the girls are not too pleased, and things take a turn for the worse when a long dead student is sighted during the heavy winds, and seems to be after a student named Claudia...
The story is very much of the slow burn variety and while we do get plenty of horror; the film focuses more on building the characters, their relationships and the central situation. The horror is brought forward more through atmosphere and while the locations used are not as Gothic as those seen in similar Italian films; the film does deliver a great air of creepiness and the way that the wind is used provides one of the main highlights. The acting is very good, with adult performers Marga López and Maricruz Olivier delivering the standout performances as the two teachers. The younger performers are all very nice looking and while the acting is sometimes a bit cheesy; it doesn't harm the film too much. The plot does move slowly but it's always interesting and the film builds tension as we get closer to the end, with the film taking a rather unexpected twist half way through. It all boils down to an engaging and original (for the time) climax and overall; Hasta el viento tiene miedo may not be one of the best known horror films ever made, but it will certainly be of interest to horror fans. Recommended!
The story is very much of the slow burn variety and while we do get plenty of horror; the film focuses more on building the characters, their relationships and the central situation. The horror is brought forward more through atmosphere and while the locations used are not as Gothic as those seen in similar Italian films; the film does deliver a great air of creepiness and the way that the wind is used provides one of the main highlights. The acting is very good, with adult performers Marga López and Maricruz Olivier delivering the standout performances as the two teachers. The younger performers are all very nice looking and while the acting is sometimes a bit cheesy; it doesn't harm the film too much. The plot does move slowly but it's always interesting and the film builds tension as we get closer to the end, with the film taking a rather unexpected twist half way through. It all boils down to an engaging and original (for the time) climax and overall; Hasta el viento tiene miedo may not be one of the best known horror films ever made, but it will certainly be of interest to horror fans. Recommended!
Creepy and colourful ghost tale from Mexico and set in a girls school. The girls, in their bright red blazers are administered by a rather officious headmistress and a more sympathetic assistant. Tensions mount and it becomes clear that something terrible happened in the past that is affecting the present. What this film does particularly well is make us feel uneasy about a particular character that we previously saw as perfectly normal. Being Mexican there was always going to be something slightly different here and for me that something is the most extraordinary striptease sequence that comes out of nowhere and is a weird mixture of excitement and embarrassment. An assured ghost story with some great scenes. Recommended. (One amusing aspect of the subtitles on my print is that on several occasions, the rather prim and proper headmistress is ticking off her girls and telling them that this or that is 'nonsense' but this is translated as 'bollocks' which seems a little harsh!)
This movie is a very good one, you have to check out Mr.Taboada´s directing,It´s ageless and even if its mexican oldstyle movie making, you can still feel the scary vibes he was aiming for. The movie centers around a group of girls that because of disobeying some orders stay stranded in their college all summer long, one of them starts having some weird dreams and theres a ghost rounding that college with a dark past. There´s a strip tease scene that can show some lesbian shadows on the girls, you have to see it yourself, spine tingling and horror at it´s best on this 70´s horror story.
"Hasta el viento tiene miedo" is a good offering of Mexican horror. It takes place in a boarding school for girls. Five years ago a girl that studied there committed suicide. At night, when the wind whistles.....
This film is a horror film with touches of comedy and it manages to create a good supernatural atmosphere (night, the wind blowing, the leaves trembling, the tower..). It reminded me somehow of "Werewolf in a Girls' Dormitory" an Italo-Austrian film made in 1961, that also took place in a girls boarding school. But "Hasta el viento tiene miedo" is the better film.
"Hasta el viento.." tells the story in a very straightforward way, no room for ambiguity is left, so it becomes predictable and this takes away some of the film's edge. The girls, though, are very charming and add eye candy to the film.
You can't compare it to the Italian Gothic films ( by Bava, Margheriti, Freda, Caiano..) with their visual grandeur (lighting, decors, camera work ..), and their magnificent soundtracks.
Anyway "Hasta el viento...." is an interesting film - I think that it won't scare the modern viewer, but it offers in return a well-crafted atmosphere, with touches of suspense and comedy. It is charmingly naive and romantic. It was released in Mexico in 30 May 1968. Some months later a hard wind blew and even the wind was afraid.
This film is a horror film with touches of comedy and it manages to create a good supernatural atmosphere (night, the wind blowing, the leaves trembling, the tower..). It reminded me somehow of "Werewolf in a Girls' Dormitory" an Italo-Austrian film made in 1961, that also took place in a girls boarding school. But "Hasta el viento tiene miedo" is the better film.
"Hasta el viento.." tells the story in a very straightforward way, no room for ambiguity is left, so it becomes predictable and this takes away some of the film's edge. The girls, though, are very charming and add eye candy to the film.
You can't compare it to the Italian Gothic films ( by Bava, Margheriti, Freda, Caiano..) with their visual grandeur (lighting, decors, camera work ..), and their magnificent soundtracks.
Anyway "Hasta el viento...." is an interesting film - I think that it won't scare the modern viewer, but it offers in return a well-crafted atmosphere, with touches of suspense and comedy. It is charmingly naive and romantic. It was released in Mexico in 30 May 1968. Some months later a hard wind blew and even the wind was afraid.
A prolific horror writer and filmmaker as well, Taboada left an indelible mark in the Mexican cinema industry. Even without being aware of it, because many of us, as merely spectators -at least me and some other persons I've spoken to-, didn't realize for many years that El libro de piedra (1968) and Más negro que la noche (1975), were part of Taboada's film history.
Though i dig more El libro de piedra to a level as considering it his masterpiece, Hasta el viento tiene miedo (Even the wind's scared) it's such a powerful ghost story, that happens in a boarding school for girls. Since the beginning, the film warns you about what you're going to see because of a creepy start, that involves a sleepwalking girl on the outside in a windy night, attending a call made by another girl from the bell tower of the school's chappel. She starts climbing upstairs and the next thing you see, it's a pair of hanging feet and the sleepwalker awakening in a scream. Even on these days, the memories of the voice chanting like wind "Claudia, Claudia" in a whispering full of anguish, gives me the creeps. The first half of this story is told in such a brilliant way, that can only be surpassed by El libro de piedra in a whole; with good acting by names like Marga López, Norma Lazareno and Maricruz Olivier, Hasta el viento... moves around a girl whose dead, a bunch of brat student girls, and a mean school director. As I said before, the first half is brilliant in many ways. Taboada surely knew the sources of primal fear and took them to cinema extends, making you jump with scenes that has the ability to caught unaware, or leading tension into almost unbearable levels. Hope you can see it some time because it's well worth the feelings of anguish and fear caused by the sense of terror that we're led into while watching. Unfortunately, the second half falls on it's lap as a formulaic chain of events that leads to a cliché ending.
Even so, most of Hasta el viento... it's a live picture of Taboada's art. He knew how to grab you by the neck and never let go. With his movies, you can feel the greatest fear running all over the body and you don't want to stop watching anyway. That was and still is magic; it was great cinema that depended only on the subconscious manipulation of terror. In fact, I owe Taboadas some of the greatest fears from my childhood, like never watching at the curtain's end at night, or to a window when there's a storm.
Though i dig more El libro de piedra to a level as considering it his masterpiece, Hasta el viento tiene miedo (Even the wind's scared) it's such a powerful ghost story, that happens in a boarding school for girls. Since the beginning, the film warns you about what you're going to see because of a creepy start, that involves a sleepwalking girl on the outside in a windy night, attending a call made by another girl from the bell tower of the school's chappel. She starts climbing upstairs and the next thing you see, it's a pair of hanging feet and the sleepwalker awakening in a scream. Even on these days, the memories of the voice chanting like wind "Claudia, Claudia" in a whispering full of anguish, gives me the creeps. The first half of this story is told in such a brilliant way, that can only be surpassed by El libro de piedra in a whole; with good acting by names like Marga López, Norma Lazareno and Maricruz Olivier, Hasta el viento... moves around a girl whose dead, a bunch of brat student girls, and a mean school director. As I said before, the first half is brilliant in many ways. Taboada surely knew the sources of primal fear and took them to cinema extends, making you jump with scenes that has the ability to caught unaware, or leading tension into almost unbearable levels. Hope you can see it some time because it's well worth the feelings of anguish and fear caused by the sense of terror that we're led into while watching. Unfortunately, the second half falls on it's lap as a formulaic chain of events that leads to a cliché ending.
Even so, most of Hasta el viento... it's a live picture of Taboada's art. He knew how to grab you by the neck and never let go. With his movies, you can feel the greatest fear running all over the body and you don't want to stop watching anyway. That was and still is magic; it was great cinema that depended only on the subconscious manipulation of terror. In fact, I owe Taboadas some of the greatest fears from my childhood, like never watching at the curtain's end at night, or to a window when there's a storm.
Wusstest du schon
- VerbindungenFeatured in Cineficción Radio: Horror mexicano (2020)
- SoundtracksBlues Jazz
Written by Armando Manzanero
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Details
- Laufzeit
- 1 Std. 28 Min.(88 min)
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- 1.33 : 1
- 1.66 : 1(original ratio)
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