Die Reifeprüfung

If there is one movie from the 1960's that my family loves to rave about, it's this film, the Graduate. I can see why my family loves this film. It's a coming-of-age film set in the time period my parents grew up. A childhood classic, my father would say. As for myself, a generation or two later, I found this to be mostly a great film. If I had a complaint, I would say the film is very outdated and it grew old…..fast. But the themes of post-college troubles are very much prevalent in today's world. I liked this film not only because of resonating themes, it's the movie that introduced us to the careers of a legendary director in Mike Nichols and a fantastic actor in Dustin Hoffman. I also liked the soundtrack created by the folk-rock duo, Simon and Garfunkel. Their songs are very catchy and easy to hum along to. Of course, now we all know where the song, "Mrs. Robinson" comes from.

Mike Nichol's film is about a young man named Ben who has just graduated from college. His parents expect great things out of him. At a homecoming party, he drives the wife of his father's business partner home and he begins an affair with Mrs. Robinson. But things get complicated when he falls for a girl named Elaine. But Elaine happens to be the daughter of Mrs. Robinson!

The film is very well-acted. Anne Bancroft does a wonderful job as the sexy, manipulative Mrs. Robinson. Dustin Hoffman shows everyone why he is a great actor. He kills every scene he is in. I think Katherine Ross did a solid job as Elaine, although we don't meet her until late in the film. For those who are fans of the 90's TV Show "Boy Meets World," you may recognize Mr. Feeney himself, William Daniels as Ben's father.

Overall, The Graduate may be a bit old and weary, but it tells such a wise story with great acting and fantastic music, that it's hard to not see pass those rusty pipes. As I said before, this film has themes that are easily prevalent nearly fifty years after the film's release. It's one of those coming-of-age stories that shall stand the test of time, even if only because of the themes. This is a very memorable film to say the least.

My Grade: B+

I saw this film for the first time in September 1968, after working for just one year as a professional cinematographer. I rapidly saw it five more times, in order to observe technical details of the photography of the film, but every time I completely forgot to look at those details, since I became so absorbed by the film every time. Now, after more than 35 years as a cinematographer and film teacher, I still marvel at Mike Nichols' and Robert Surtees' work every time I see the film. Almost everything you can do with a camera can be seen in this film, and everything is perfectly right for the story. The Graduate is groundbreaking in more areas than the photography. The casting, writing, acting, picture and sound editing are all exceptionally good, and have influenced film-making ever since. I was very happy when I saw that The Graduate reached the 7th position in the American Film Institute's voting of the best American films in history.

What would you do, after coming back from college, a transition is required, to expand and fill your knowledge, you're not sure just what you want, with this new world, in which you haunt, and you feel a touch distressed - as Mrs. R. slips off her dress. You make a run and disappear, uncomfortable, abashed, there's fear, but days later you have courage, which you find is not discouraged, rendezvous are orchestrated, passions sated, unabated - there is mutual satisfaction, until the train loses some traction. The ladies daughter is a spanner, and you become somewhat enamoured, but you just will not be warned, the dangers of a cougar scorned, as her claws unsheathed like daggers, scythe you from, immortal swagger, and all your futures take a turn (again), as your fingers feel the burn.

Benjamin Braddock is snared by the older Mrs. Robinson as he struggles and juggles with his transition into a post college world that only emerges gradually, and then never really reveals itself in total, although everyone else seems to know what's good for him and the paths that he should take. A timeless classic, as relevant today as it was back when it was made, and sometime before, albeit the older lady scenario not one most young men would encounter, no matter how much they would like it to.

Here's to you Mrs. Robinson. Was it the song by Simon and Garfunkel made popular by the film, or did the film entrench the song into popular culture? Who's to say either way? It's a matter of opinion, and it's irrelevant really. The fact is, it's a great song and a great movie and the two compliment each other like peanut butter and jelly, ham and swiss or May and December.

This movie is for anyone who's ever wondered what they are going to do with their future, anyone who's been in love with someone their parents didn't approve of, or anyone who's had an affair with one of their parent's friends. Granted, not many will fall in the latter category, but it throws an interesting spin on the film.

The film perfectly encapsulates and portrays the feelings of self-doubt, alienation, disenchantment and unwanted pressures and expectations for a twenty-something just out of college. Dustin Hoffman is the only person we can possibly imagine in the role of Benjamin as his imprint and superb acting makes this film a great one. As reflected on in an interview with Dustin Hoffman on the DVD, "The Graduate at 25", his life changed after this film, propelling him into something of a superstar status as his incredible talent found wide recognition. When I saw "Rushmore" I had a similar feeling about young Jason Schwartzman in the lead role. For him, time will tell. Although "Rushmore" isn't the time tested success that "The Graduate" is, anyone who enjoyed "Rushmore" would likely enjoy "The Graduate" if they haven't already seen it. They are, however, distinctly different films.

This comedy is something of a benchmark in many ways. Not many films of a comedic nature are so socially relevant and of such high quality that they make the A.F.I.'s top ten of all time. The film by many standards is more than just a contemporary comedy. It is quite possibly the best one ever made, given its widespread appeal.

It is well shot with interesting sequences and hilarious segments that hold up against the test of time. It has been a long-time favourite of mine, and I can scarcely imagine growing tired of it.

I'm not sure why evil, decadent Mrs. Robinson sets her sights on dazed and shy college grad Benjamin Braddock, son of the middle-aged couple she and her husband socialize with; it's never really explained, and neither is Benjamin's sexual past (it's hinted that he's a virgin when they end up in a hotel room together). It's also not explained why Mrs. Robinson definitely does not want Benjamin to get to know her daughter (she's angrily adamant about it, even willing to expose her own affair to prevent the two kids from going out for a drive!). Despite the gaps in the narrative and the lapses in logic (and taste, some might say), "The Graduate" is still a landmark film, crystallizing the helplessness of the '60s. Surprisingly, the ultimate theme of the movie is love--an impulsive, rebellious kind of love, but still the rather old-fashioned notion of love conquering all. And yet this brings up another question: is Benjamin really in love with sweet college girl Elaine or is she just a conquest? Or maybe the best thorn he can stick in Mrs. Robinson's side? Benjmain is told he cannot see her, he cannot have her, and that surely fuels his desire to marry her. The film presents love as the answer, but then (with an amusing, sobering final shot) second-guesses itself. "The Graduate" doesn't dig too deeply, it's lightweight (even with Dustin Hoffman's outburst in the church--the only time the movie gets some fury going), but it does take chances; it wasn't ahead of its time, it just came along at the right time and is still a relevant, glossy modern comedy. ***1/2 from ****