Gamera gegen Gaos - Frankensteins Kampf der Ungeheuer

This third offering in the "Gamera, the Giant Flying Turtle" franchise is one of the better ones. However, by this point the filmmakers started imitating the tone of recent Godzilla films to make the series more kid-friendly, so from here Gamera starts becoming a nice monster who watches out for the welfare of children. There would usually be a little boy or two in the lead parts from now on, but GAMERA VS. GYAOS still emerges as an enjoyable outing, retaining some strong moments for a movie geared to a juvenile audience. Much of that is owed to the truly mean and overpowering nature of Gyaos himself: he's a giant bat who shoots laser beams from his jaws which can cut objects clear in half! Superhero Gamera truly appears to have met his match this time and it seems nearly impossible for him to overcome the threat of his formidable opponent. **1/2 out of ****

Gaos is my all-time favorite enemy of Gamera. A giant bat from a volcano who can fire lasers from his mouth, this wedge-headed critter can slice through anything but Gamera's carapace. Why do I like Gaos? He's virtually indestructible, mean and he looks great!

Gamera comes spiraling down to earth as a series of devastating volcanic eruptions are occurring. Out in the countryside, near a volcano, a road is being built through a farming village and the farmers are threatening a violent protest. out of the volcano flies Gaos - the biggest, nastiest, laser-firing bat you have ever seen. Almost immediately, Gaos chews up a newspaper reporter (who we didn't like anyway) and abducts a little boy. What is Gamera going to do?

The cinematography and effects are a touch above average for the late 60s, and, as with the classic Destroy All Monsters, the subplots add nicely to the main story. Though this is one of my favorites in the Gamera series, it does drag a bit at times.

Recommended for Kaiju fans. Also recommended for evenings of massive intoxication.

The dubbing for this one is pretty decent, but for some reason everyone pronounces Gamera like Gomorrah. Anyways, it's 1967 and this year "Son of Godzilla" and "Gamera vs. Gyaos" go head to head. Like "Gamera vs. Barugon", the story's focus is on everyday characters in the wake of a crisis. A child does get involved, but not in the overly-campy-pain-in-the-ass way, unlike the next one "Gamera vs. Viras". Now "Son of Godzilla" isn't all bad and I actually enjoy that G-film, but it is one of the more child-friendly ones. This Gamera movie however is for the most part darker than most 60s or 70s Gamera. It's this one where Gamera really becomes the "friend to all children", but he has an awesome opponent: Gyaos. Probably inspired by Rodan, but with a different, sleeker design. Gyaos is a classic kaiju, the only one to reappear in more recent films the 90s and even in the latest movie, "Gamera the Brave".

Gyaos spends a lot of the movie eating innocent people, regenerating lost body parts and blowing up cities, awesome. There's even a scene where he drinks blood. The battles are bloody and quite fun, and the score is nicely done. This is definitely one of the better vintage kaiju movies and one I recommend to fans of classic sci-fi cinema.

Of the two American releases of this film, the AIP print is far superior to the Sandy Frank chop job.

This is the best of the first Gamera series, and it is out-right fun if taken on its own terms, without high expectations.

Yet exactly for that reason, this film reveals the real problem with the original Gamera films - we all expect sloppy SFX from the old Gamera, but that would be excusable if the writing were any better.

It's in the plotting that this film, like all the old Gamera films, really lets us down. The Gamera production team never did figure out how to develop a plot that wove the monsters and the humans together in any interesting way - or any way at all. The back-story - a small village trying to work out a deal with a highway development company - is related to the Gamera-Gaos conflict by pure coincidence; that the road company supervisor would then become a central player in the Japanese Self-Defense Force effort to combat Gaos is ridiculous.

Besides being annoyingly smug, the leading scientist is equally ridiculous - his plans for trapping Gaos include hiring a small army of chemists to come up with a vat of synthetic human blood as bait - even though Gaos has already demonstrated that he us perfectly happy with horse and cow blood; the Japanese government would rather pay chemists hundreds of thousands when they could hire a few decent butchers on daily wage? The chemists lobby works wonders with the Japanese government.

Actually, once the monsters show up, the plot falls apart completely, and by the end of the film we've lost interest in even the little boy who befriends Gamera.

Oh well; at least it's watchable, and, in a dumb way, even entertaining. But if this is the best the early Gamera had to offer, it's hard to see what made it popular in the first place.

See the first "Gammera the Invincible", then see this film, then skip a couple decades to the trilogy starting with "Gamera, Guardian of the Universe" - you'll be doing yourself a favor.

SPOILER: This silly but enjoyable film begins with an airplane being sliced in half by a ray. Then the ray is revealed belonging to a ray firing, flying, man-eating super vampire monster named Gyaos. But when Gyaos tries to eat a boy named Eiieechi, it's Gamera to the rescue. Gamera saves the boy, but almost gets his hand sliced of by Gyaos's ray. Gamera heals his wounds again and arrives when Gyaos attacks Tokyo. He manages to bite off Gyaos foot but is again hurt in the process. So the foot floats ashore and scares people. Then it is discovered that Gyaos can be hurt by sunlight and will die if exposed to the sun. So they decide to make a spinning fountain of drugged blood and Gyaos will get dissy and drugged and not be able to return to his cave and will die in the sun when it reaches dawn. However, a malfuntion in the mechanism causes the plan to fail. This is a good Gamera adventure with a zany plot and good effects.