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I've seen this movie several times over the years. There are a lot of good, dependable familiar-face comic actors in this. I never heard of the lead, Reni Santori, before or after, but he was quite OK. Shelley Winters plays his mother. Mr. Santori wants to become a Great Actor and attends a joke of an acting school headed by Jose Ferrer and his not-quite-young daughter, Elaine May, and they provide the funniest parts. Poor Former Great Actor Jose Ferrer is a cynical, washed up, bitter drunken individual who, faced with his paying client, looks on aghast while he auditions (under the name of 'Don Coleman'). And he sips from a straw from a pocket flask and mutters, 'AND THEY WONDER WHY I DRINK!'. Supposedly set in the 30's (in no way that I can detect) because it is based on Carl Reiner's memoirs from that time. The opening night performance is equally hilarious. Otherwise, the in-between parts, the mundane romance bits, kind of drag on, but when it's funny, it is FUNNY. Well worth a look.

"Hello......you."

Enter Laughing is based upon a book written by Carl Reiner on his own experiences breaking into show business. You would think that this would be hysterical, a worthy rival to the producers. But, this film declines to go in that direction. Instead, it is an delicately balanced blend of slapstick, satire, and pathos that suffers a bit from being a bit too gentle with its lead character.

A huge problem is the miscasting of Reni Santoni as Carl Reiner. Rob Reiner was in the film in a minor role. It remains a mystery to me why Rob was not given the lead; he is much more suited to it than the gentle Santoni.

Nevertheless, the supporting cast is terrific, most especially Elaine May, Jose Ferrer, Janet Margolin, Jack Gilford, Don Rickles, Nancy Kovack, David Opatoshu, and Shelley Winters. And, it will make you smile and titter, but not guffaw.

A terrific movie whose human and humorous story is enlivened by an ensemble company of great character actors at the top of their form: Shelley Winters as the archetypal manipulative mom, Jack Gilford as the tough but sympathetic boss, Ferrer and May, Richard Deacon as the long-suffering stage manager, Michael G. Pollard as the best friend, and Don Rickles as the put-upon Harry Hamburger.

But Ferrer gets two of my favorite lines in all of cinema. Walking by as Rickles and Santoni exchange pants -- don't ask -- he says, "We don't GO for that sort of thing." And, forced to complement Santoni after a disastrous performance, he mutters to himself, "Thank God I'm an alcoholic!"

"Enter Laughing" is a delightful film based on Carl Reiner's book about his own early show business experiences.

The 1967 film stars Shelley Winters, Elaine May, Jose Ferrer, Jack Gilford, Don Rickles, David Opatashu, Janet Margolin, and introduces the attractive Reni Santoni as "Don Coleman," aka David Kolowitz.

The film I believe is supposed to take place in the late 1930s - the first frame is a 1938 Photoplay cover of Tyrone Power - but in all honesty, the clothing and atmosphere only suggest that era.

David is a young man living at home, and his parents want him to be a pharmacist. He's not thinking about much of anything except getting laid.

He works for a more than tolerant boss (Gifford), flirts with a beautiful secretary in the building (Nancy Kovack, who became Nancy Mehta) and sneaks time on the phone with his girlfriend (Margolin) and imitating Ronald Coleman to her.

David decides to try acting and goes to a drama school audition. The school is actually a playhouse run by the seen better days Harrison Marlowe (Jose Ferrer) and his too old to be an ingenue but she's one anyway daughter Angela (Elaine May) starring in a play currently running.

At the moment, they're short a leading man. Looking over the prospects - "Clark Baxter," "Spencer Reynolds" and "Don Coleman," she wants Coleman. Unfortunately, David (as Coleman) auditions by reading the stage direction "Enter laughing" as a line.

The hilarity then begins, with David trying to learn an entire script in two days, never having acted before, trying to find his way on stage and being literally thrown on by the stage manager and practicing love scenes with Angela.

The cast is a riot, and if Santoni is a bit wrong for the role, so be it. He has a sweetness and a guilelessness that come across very well. He went on to enjoy a prolific television career and today, at 69, he's still working.

The acting is great, with Elaine May hilarious as Angela, Shelley Winters and David Opatoshu wonderful as his long-suffering parents and Gifford as his boss. Ferrer as the insufferable Marlowe is perfect.

The comedy remains fresh after 40 years. Recommended.

The first few minutes of this movie were nearly perfection. And while the level of humor couldn't be sustained all the way through, since there had to be more dramatic and romantic moments in the middle, there is some truly great material here. The play within a play was the funniest I had seen since "Noises Off"--David may have entered, but we were the ones laughing.

All of the leading performers did such a good job it's hard to single anyone out. One exception is the actors in the play, but then they were supposed to be bad, which means they were good. The first actor to speak in in the play, however, did an excellent job.

Because of my familiarity with these people, I felt Don Rickles and Jack Gilford stood out. I actually did not know Jack Gilford for years except as the man in the Cracker Jack commercials, but I think he did a fine job here. Don Rickles only had two scenes, but his performance in one of them was one of the best of the movie. Hilarious. And he and David set up one of the best quotes.

Jose Ferrer also made an impact. Yes, he had good reason to yell half the time.He did it very well. Overall, his may have been the standout performance.

I didn't recognize Rob Reiner, son of director Carl, and forgot to look for him until I saw the closing credits. Fortunately, this was on my TiVo. He was one of those auditioning for the role David got. Only a couple of lines, but he was pretty good. No sign he would become great, but looking at him a second time, he could have done more.

This movie had lots of great music, like so many of the era. People just don't know everything Quincy Jones was capable of.

This was a real winner.