Scheidung auf amerikanisch

I'm 71 years old. I'll start there. That is either a disclaimer or, possibly a source of insight concerning the subject of the movie. I don't know which. Anyway, there are some moderately funny moments in the film. The best of them is probably when some families meet-up to gather and sorting through their many children for parental visitation. Most of the film is a satirical look at marriage, and divorce in suburban America. Of course it is a satirical look at suburban marriage and divorce as it was 50+ years ago, not so much today. That may be why I liked the movie when I saw it 20 years ago more than I did when I saw it yesterday. Although some of that might be just a matter of my taste in comedy has changed through the years.

Dick VanDyke is the husband. He does a surprising good job in the part. Debbie Reynolds is the wife. She too, is good. The film's producers went right to the cream of the crop in terms of secondary casting with Jason Robards Jr., Jean Simmons and Van Johnson all chipping in.

Finally, Divorce, American Style makes me want to throw in my opinion concerning marriage. I will spare anyone who happens to read this review the pain of that. I will say that the urge to give that opinion might actually say something positive about the movie. Or, maybe it says something negative. Once again, I don't know which.

The strains of an almost 20 year marriage are starting to show in the marriage between Dick Van Dyke and Debbie Reynolds. So they've decided to get a divorce and just call it quits. And do it Divorce American Style.

With a script by among others Norman Lear Divorce American Style is a look at the institution of marriage and the troubles of going through a divorce. They certainly can leave a man and even now, let alone 1967 broken right down to the burlap. A wiser head Jason Robards, Jr. has his own agenda as far as the Van Dyke/Reynolds divorce is concerned.

Robards divorce from Jean Simmons is costing him plenty to. Simmons if she got married again would be someone else's financial burden. So get her to go out with Van Dyke. As for Reynolds, Robards and Simmons have an old friend in mind in used car king Van Johnson.

What was fascinating here is that in 1967 the idea of the working woman had not taken hold yet. Neither Reynolds or Simmons or various others of the female gender is working. In fact the only working woman I see is a hypnotist who has a lounge act where the climax of the film occurs.

There's a wonderful scene where divorce lawyers Dick Gauthier and Shelley Berman are making plans for golf outing in between Van Dyke and Reynolds. Lawyers too have lives away from their profession. There's also a nice scene with Lee Grant as an upscale prostitute.

We were just free of the code, but having leads like Van Dyke and Reynolds guarantees this film will be slightly naughty, but no more lest they offend the family audiences these cultivated in their careers.

The American suburbs are filled with bickering married couples. Richard (Dick Van Dyke) and Barbara Harmon (Debbie Reynolds) are exactly one of those couples. They descend into an acrimonious divorce. Richard is left with $87.30 a week. Nelson Downes (Jason Robards) is a fellow divorced husband who takes a close interest in him with ex-wife Nancy Downes (Jean Simmons). They come up with a scheme to fix everybody.

This is a black comedy with a bitterness that may be too bitter for some viewers. The movie is tainted by a depressing feel which suppresses it comedic side. Nevertheless, there is some dark fun to be had and Norman Lear has sharpened his pencil to deliver a few deadly swipes at the modern marriage and the divorce legal system. I didn't actually laugh much but the subject jabs are still appreciated.

Divorce-American Style, a surprisingly intelligent effort from writers Kaufman and Lear and TV power-house director Bud Yorkin, was first in series of witty, satirical releases that included "Bob & Carol & Ted & Alice" and "Lovers and Other Strangers". This way-paving comedy featured the delightfully flustered pairing of Dick Van Dyke and Debbie Reynolds as a successful 'Married With Children' duo who, after years of supporting each another, simply tire. despite it's (minor) shortcomings, the sharp dialogue certainly justifies the screenplay oscar nod. Nice work. ***1/2 out of ****

It's amazing how preconceptions can affect a movie's popularity. Multiple reviewers seem to feel Divorce American Style should be "funnier," because they've apparently decided it's a comedy. (And one of a particular type, presumably.) Unfortunately, this isn't a film that fits into any such predefined mold. It's a dark satire, dealing with the insane approach to divorce current at the time of its making (especially in California). And it succeeds splendidly on that level.

No, we're not expected to guffaw as we watch Dick Van Dyke being first railroaded into divorce, then reduced to poverty by punitive alimony payments. We're expected to shake our heads and smile wryly at the folly of the times. And to walk out just a little more determined to push for true equality of the sexes, and a truly rational legal framework for their relations.

We're not there yet, but things have moved forward so unimaginably far that today's viewers may not understand the attitudes in this film. To put it in context, compare it to The Dick Van Dyke Show. Divorce was utterly unthinkable in the cozy world of Rob and Laura Petrie. Yet here, just a few years later, we see Van Dyke and Reynolds playing essentially the same Rob and Laura roles, and not only admitting the possibility of divorce, but tackling some of its uglier ramifications. It was a huge leap forward, for Van Dyke, for Hollywood, and for society as a whole.

Of course, on a dramatic level, Divorce American Style still has a lot of that old-time Dick Van Dyke Show sensibility. But it's sharper than many similar films of the time (courtesy of Norman Lear, no doubt), and benefits from some great performances (especially by Dick Van Dyke, Debbie Reynolds and Jason Robards). The conditions it dissects may no longer exist, but that doesn't have to spoil our enjoyment.