IMDb-BEWERTUNG
6,1/10
7380
IHRE BEWERTUNG
In Hongkong trifft der nach Amerika zurückkehrende Botschafter die russische Gräfin, einen Flüchtling ohne Pass, der beschließt, sich in seiner Kabine zu verstecken.In Hongkong trifft der nach Amerika zurückkehrende Botschafter die russische Gräfin, einen Flüchtling ohne Pass, der beschließt, sich in seiner Kabine zu verstecken.In Hongkong trifft der nach Amerika zurückkehrende Botschafter die russische Gräfin, einen Flüchtling ohne Pass, der beschließt, sich in seiner Kabine zu verstecken.
- Auszeichnungen
- 1 Nominierung insgesamt
Anthony Chinn
- Hawaiian
- (as Anthony Chin)
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Many people have regarded Charlie Chaplin's final film with some scorn, but I didn't find "A Countess from Hong Kong" so bad. True, this seems fairly lame from the man who brought us "The Great Dictator", but it's passable. Marlon Brando plays an American hoping to be an ambassador, who happens upon ex-countess Sophia Loren in Hong Kong, and she wants to return to the United States with him.
In a way, the cast members seem to be sort of stumbling through their roles. Maybe such a routine plot isn't quite fitting for the people starring in this movie. Still, Brando and Loren do bring a certain charm to the flick: he's the uptight dude, she's the pretty woman looking for someone in life.
Anyway, this may be just a way to pass time, but it's still OK. Also starring Sydney Chaplin, Tippi Hedren and Patrick Cargill.
In a way, the cast members seem to be sort of stumbling through their roles. Maybe such a routine plot isn't quite fitting for the people starring in this movie. Still, Brando and Loren do bring a certain charm to the flick: he's the uptight dude, she's the pretty woman looking for someone in life.
Anyway, this may be just a way to pass time, but it's still OK. Also starring Sydney Chaplin, Tippi Hedren and Patrick Cargill.
It is gratifying to see such understanding reviews! This film was savaged at the time it was released, partly because it was considered old fashioned, but partly also because Chaplin's reputation and entire artistic legacy were under attack from reactionary critics. The negative view of this movie as a "bomb" persisted for decades. I recommend producer Jerry Epstein's book of memoirs, "Remembering Charlie", for an enlightening description of the process of making this film and its aftermath. The book goes on to give a haunting description of Chaplin's unfinished final film, "The Freak." It is a pity he could not make it.
Not as dull as I was lead to believe... Brando is miscast, he seems to have participated as favour to the legendary Chaplin. (Chaplin shouldn´t have asked him. Maybe the stuffy Sydney Chaplin would have been better in the lead...) Sophia is a trouper, jumping out of chairs, pretending to be sick... very kind of her to sink to that level... Again, it must have been the honour of having been chosen by Chaplin...
The story has potential as a romantic comedy but the film is a bit too long and slow with the sometimes funny jokes far between...
Very interesting to see though, with many interesting side characters like the butler Hudson, Tippi Hedren from "The Birds" in a thankless role as the chilly wife, granddaughter Geraldine Chaplin in a bit part and the very underrated Angela Scoular as the society girl who steals the entire movie... The film must have seemed quite dated when it was released in the restless sixties. Worth checking out...
The story has potential as a romantic comedy but the film is a bit too long and slow with the sometimes funny jokes far between...
Very interesting to see though, with many interesting side characters like the butler Hudson, Tippi Hedren from "The Birds" in a thankless role as the chilly wife, granddaughter Geraldine Chaplin in a bit part and the very underrated Angela Scoular as the society girl who steals the entire movie... The film must have seemed quite dated when it was released in the restless sixties. Worth checking out...
Chaplin's last picture is a film with many faults, yet it's not as bad as often claimed. I've seen it many times myself. Here is my opinion of it:
One of the most important flaws is the miscasting of Brando. He seems ill at ease. Thus Loren has to carry the film virtually alone. The whole structure of 'Countess' is not well balanced. There's too much simple visual comedy for a romantic comedy, and vice versa. The plot is thin (It's supposed to be simplistic). Also, the score is at times muddled as previously introduced dramatic themes come and go without any reason (see and hear Hedren's first appearance.) The film is also a bit overlong.
The good things: There are points when the music is up to Chaplin's usually high standards (Cargill's comedy scene, storm theme). Cameo appearances are nice. Direction is more focused and production values are certainly superior to A King in N.Y. Yes, I believe, that what is often described as Chaplin's 'flat' direction due to a lack of skill is an artistic style by choice. Simpleness is not the same as unskilfulness. For instance, during the dance scenes, the camera movement following actors is subtle and economically made. You'll notice it if you watch them in fast-forward.
And if one may feel disappointed at the film on the whole, there's at least a very beautiful, poignant and simple ending that is in my opinion the best of any Chaplin film I've seen. Its every element is in place.
Therefore it's a rather mixed bag of a movie, most suitable for Chaplin fans and very interesting as a curio, at least.
One of the most important flaws is the miscasting of Brando. He seems ill at ease. Thus Loren has to carry the film virtually alone. The whole structure of 'Countess' is not well balanced. There's too much simple visual comedy for a romantic comedy, and vice versa. The plot is thin (It's supposed to be simplistic). Also, the score is at times muddled as previously introduced dramatic themes come and go without any reason (see and hear Hedren's first appearance.) The film is also a bit overlong.
The good things: There are points when the music is up to Chaplin's usually high standards (Cargill's comedy scene, storm theme). Cameo appearances are nice. Direction is more focused and production values are certainly superior to A King in N.Y. Yes, I believe, that what is often described as Chaplin's 'flat' direction due to a lack of skill is an artistic style by choice. Simpleness is not the same as unskilfulness. For instance, during the dance scenes, the camera movement following actors is subtle and economically made. You'll notice it if you watch them in fast-forward.
And if one may feel disappointed at the film on the whole, there's at least a very beautiful, poignant and simple ending that is in my opinion the best of any Chaplin film I've seen. Its every element is in place.
Therefore it's a rather mixed bag of a movie, most suitable for Chaplin fans and very interesting as a curio, at least.
In Hong Kong, the wealthy Ogden Mears (Marlon Brando) is traveling in a transatlantic and is near to be assigned Saudi Arabia Ambassador and is divorcing from his wife Martha (Tippi Hedren). His friend Harvey (Sydney Chaplin) and he are invited by their old friend Clark (Oliver Johnston) to go to a nightclub with three aristocratic Russian refugees on their last night. Ogden drinks too much and spends the night with Countess Natascha (Sophia Loren). On the next morning, while sailing back home, Ogdeb finds Natascha hidden in his cabin wearing a ball gown and with no documents. The stowaway explains that she wants to go to the United States and Ogden is worried with his career. But Harvey convinces him to help Natascha. Ogden falls in love with Natascha and together with Harvey, they plot a fake marriage of Natascha with his valet Hudson (Patrick Cargill). But things get complicated when immigration requests her documents and Martha arrives on board.
"A Countess of Hong Kong" is a naive movie by Charles Chaplin but also very funny and with a great soundtrack. The romance between Ogden and Natascha is unnecessarily hard to believe since Ogden is the son of the richest oil tycoon and Natascha is a prostitute; therefore he would be the target of any gold-digger. Ogden could be a simpler character to give more credibility for his crush on Natascha. But the last movie directed by Charles Chaplin is worthwhile watching and may be considered a classic. My vote is seven.
Title (Brazil): "A Condessa de Hong Kong" ("The Countess of Hong Kong")
"A Countess of Hong Kong" is a naive movie by Charles Chaplin but also very funny and with a great soundtrack. The romance between Ogden and Natascha is unnecessarily hard to believe since Ogden is the son of the richest oil tycoon and Natascha is a prostitute; therefore he would be the target of any gold-digger. Ogden could be a simpler character to give more credibility for his crush on Natascha. But the last movie directed by Charles Chaplin is worthwhile watching and may be considered a classic. My vote is seven.
Title (Brazil): "A Condessa de Hong Kong" ("The Countess of Hong Kong")
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- WissenswertesWhile Marlon Brando had always greatly admired Sir Charles Chaplin's work and looked upon him as "probably the most talented man the [movie] medium has ever produced," the two superstars did not get along during the shooting of this movie. In his autobiography, Brando described Chaplin as "probably the most sadistic man I'd ever met." Chaplin, on his side, said that working with Brando simply was "impossible."
- PatzerDuring "everybody is getting sea-sick" scene Ogden, Natascha and Harvey push an ashtray around the table until Ogden angrily swipes it off the table. Shortly after it's back on the table in front of Natascha's chair and in the next shot it moves over to be in front of Ogden's chair, although nobody is at the table at that time.
- VerbindungenFeatured in Charles Chaplin at Work (1967)
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- Laufzeit2 Stunden
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