Die liebestollen Hexen

If Russ Meyer had made "Common Law Cabin" early in his career it might be excused as a learning experience. But by 1967 he had advanced far beyond anything that he puts into this weak movie. Rather than work hard on something interesting, Meyer took a year off creatively and let his writer/collaborator Jack Moran get some screen-time.

The one amazing thing about about "Common Law Cabin" is that its running time is only 69 minutes. If you get a chance to see the movie I can promise you it will be the longest 69 minutes you have ever spent.

Basically it has the standard Meyer elements: Three buxom actress-one of whom (Adele Rein) is spokes-model gorgeous. Lots of Raymond Chandler stylized dialogue and wry humor. A blend of 1960's California culture and the dark and pessimistic undercurrents found in Film Noir features.

Moran stars with Ken Swofford. Swofford is best known for his later quest appearances on the "Rockford Files" including his priceless Carl Wronko portrayal in the classic "The Queen of Peru". He is younger here but the acting style was already there.

The story itself is original, if only because no one else ever bothered turning a screenplay this weak into a feature, but it is not at all engaging or interesting.

The scene where the two youngest cast members pair off and head for the lake to play to a self-parodying sixties pop score is very nicely done, so good that it seems utterly out of place in this production.

Watch if your goal is to see everything that Meyer worked on, but making "Common Law Cabin" wasn't much of a learning experience for Meyer and watching won't be much of a learning experience for film buffs.

Common Law Cabin is one of the more obscure directorial efforts from exploitation legend Russ Meyer. This was one of the ones which came from his 'soap opera' period from the late 60's, in which he made a few over-the-top melodramas. This one is set at a dilapidated tourist trap up the Colorado River run by a depressed middle-aged man, his ex-stripper helper and his sexy daughter. An alcoholic boatman rounds up three suckers to pay money to holiday in this dump, an uptight doctor, his sexually aggressive wife and an ominous stranger. Needless to say, it doesn't take long before things start to get out of hand.

This one is a bit rougher round the edges than most Meyer movies, with less impressive photography and editing that we are used to seeing from him. Despite this, its unmistakably one of his movies and contains several elements common to many of his other films, such as married couples at war with one-and-other, violence, buxom women, hints of incest and all of it ultimately being played for laughs in a deadpan manner. The story is pretty lacking here it has to be said and it essentially boils down to a series of events. Like all Meyer movies, much of the success comes down to the women and in this case we have three, Babette Bardot, Adele Rein and Alaina Capri. They are all good value with Capri being the standout, although she was even better in Good Morning... and Goodbye! Which Meyer also released in the same year. It's probably worth pointing out that there isn't any actual nudity in this one, with the edits always cutting away before anything can be seen – so from an erotic standpoint this one is more about acres of cleavage and heaving bosoms. So, it's a relatively restrained affair I guess. It's certainly not in the upper bracket of the Meyer cannon but it's still an enjoyable enough romp nevertheless.

If you're bothering to read this review, you're either a Russ Meyer fan or curious about his films.

Common Law Cabin, although a bit of an obscurity when compared to Faster Pussycat Kill Kill or Beyond the Valley of the Dolls, is pretty typical, so if you're a fan, you won't be disappointed, & if you want to find out what Russ Meyer is all about, this has it all.

Oversexed chicks with big knockers, greedy white trash criminals, a simplistic B-grade story with dialogue to match, & narration that sounds like it was written for an historical epic, not a sleazy exploitation flick. Plus the obligatory misogyny, violence & disturbing hints at incestuous desires. Bad taste triumphing over, well, everything.

All in all, jolly good fun.

By the time he made Common Law Cabin, Russ Meyer had already found his feet with the likes of Lorna, Mudhoney and the fantastic Faster Pussycat! Kill! Kill! but hadn't yet found the popularity that he would find with his hit film Vixen! a year later. This was one of Meyer's first films in colour and could be described as a sort of practise run for later films such as Up and Supervixens as it features all the playful sleaze and buxom babes of Meyer's later work but it's a shorter and more concise film. The plot is a decent enough springboard for a sex flick and focuses on a criminal who has stolen a fortune in jewellery. He stumbles on a ranch in Arizona but when his attempts to buy the ranch from its owner are knocked back, he decides instead to seduce the ladies. The film features three of Meyer's chesty vixens; Alaina Capri, Babette Bardot and Adele Rain, and all are nice to look at as you would expect from a Russ Meyer flick. As usual with Meyer; it's not deep or particularly intelligent, although I'm sure that Meyer fans will enjoy it nonetheless. I do prefer most of Meyer's later stuff to this one; but Common Law Cabin is still worth a look.

While not a classic like some of his other films, this is still a fine Russ Meyer movie with all the things you would expect: great characters, wild dialogue and women that make you lick your lips. If you are a fan you won't be disappointed.