Casino Royale

Occasional fun for the 60's lover, but completely incoherent as entertainment. I should confess that as a young kid I did love the film, just as I loved _What's new Pussycat_, and when I got a little older I became a guilty admirer of _The Blues Brothers_ and _1941_. So I am sucker for the comedy epic/ celebrity ensemble.

However, _Casino_ is simply over the top at being over the top. It seems impossible to create a successful film with 5 directors and 10 writers (not including Ian Fleming, but including Ben Hecht, Joseph Heller, Terry Southern and Billy Wilder !!). The story lacks even a real protagonist; Niven and Sellers trade places in that role. When they run out of story, pie fights emerge, or fusillades of bullets, or tremendous explosions.

The film is certainly not without its merits. Like _What's New Pussycat_ they did manage to corral some of the most beautiful women of the time together in the same film. When Andress is not speaking, as in the "Look of Love" sequence or in Seller's "shampoo" dream she's truly breathtaking. Allen is always funny, and Welles does a pretty good turn as le Chiffre. The Bacharach score and Herb Alpert open and closing sequences are memorable.

As a DVD extra, the American dramatic version of _Casino Royale_ (1954) is included on the DVD, which predated Connery by 8 years!!

"Casino Royale" is the black sheep of the Bond films....You might say it's the older brother that no one ever talks about. The makers got the rights to the Ian Fleming novel "Casino Royale," and feeling it was unwise to compete with Sean Connery, they chose to make it a comedy instead of a serious action flick.

Not that that makes much of a difference. James Bond spy films have always bordered self-parody anyway, so granted, this film can't be taken too seriously, but then again, neither can ANY Bond film. And that's what makes them so great. I also have a hard time labeling this film as a spy spoof, since it has an appretiation for the stuff it is mocking, and the plot line in itself, if you were to take the funny elements out, would have stood as a pretty good serious film. Therefore, I'll label it a "spy comedy," and not a spoof.

Unfortunately, it's really not very good. Despite a huge budget and a terrific cast, the movie has a hard time finding its focus. Many unrelated scenes are catapulted on top of each other, and while it features many good parts-- both in action and in comedy (the car-chase scene is a highlight, as well as the showdown with Dr. Noah)-- and though it follows the Bond formula pretty close, all in all, it falls short. It's not the worst of the Bond films, though, even as an unofficial one. ("A View to a Kill" was probably the most painful of the whole franchise).

The plotline follows the adventures of an elder Sir James Bond (played straightly by David Niven) stepping out of retirement after M is murdered. He must stop SMERSH, one of his arch organizations, with the help of Monneypenny's daughter, his own daughter, and lots of different spies. And he has the perfect plan to confuse his enemy: he codenames them all "James Bond 007," so SMERSH will be so confused that they won't know what's going on. So we have a typical action-filled Bond plot interweved with uneven comedy and some dialogue that is at times great...and at other times, weak.

Actually, Niven as James Bond is the film's saving grace. He was Ian Fleming's original choice to play Bond, and he does a good job as the retired agent. He is the straight man in all of the shinnanigans, and he manages to be suave and dashing as Bond, even as an elder man. But that's just proof Niven's great acting skills. He's probably the third best actor to play Bond (behind Sean Connery and Pierce Bronson, and in front of, in this order: Timothy Dalton, Roger Moore and George Lazenby).

So, check it out if you're a Bond fan or if your a comedy fan. It's not great, but it's not an absolute disaster. Summing it up, it's "Stirred....not shaken."

**1/2 out of ****

To watch this movie, one must understand something that many appeared to have missed. Chiefly, the mish-mashed, ridiculous, over-blown insanity of it is the entire point. It is this that it aims for, and this that it achieves. It is not really a story, so much as every conceivable joke that could be thought of, thrown into an editing studio and spat out the other end as gold. This movie will challenge many who cannot break-out of the mold of needing a firm plot and some commonsense, but in this regard it is much like a comedic version of a David Lynch film, and I enjoyed Twin Peaks: The Movie even if I still don't get it.

So watch this for the crackling one-liners, ridiculously pretty women, lurid sets and the most completely unself-conscious approach to making a comedy that I have ever seen. It goes beyond funny, and becomes a matter of being shocked into admiration for the sheer silliness of it all. And the fun of trying to explain it to someone afterwards is immeasurable.

"So then the flying-saucer kidnaps Mata Hari and James Bond's love-child, and then James Bond who's David Niven and James Bond who's Woody Allen face-off, and meanwhile James Bond is being tortured with insane hallucinations and someone has snuck into his delusions with a machine-gun bagpipe and through all this Deborah Kerr was a French Scotswoman!"

Much less a true story than very funny surrealist art. Like Salvidor Dali meets The Pythons, but odder. And lots of great satire and stuff, too. See it. Now. If only to broaden your horizons.

With the baccarat winnings of Le Chiffre giving them access to a new funding stream, SMERSH is on the rise and only one man can stop them – James Bond. But not THAT James Bond, he is only a mere playboy with gadgets, the real Bond retired years ago but now finds himself approached to come out of retirement to counter the new threat. With his pure lifestyle and impeccable reputation, SMERSH send an array of lovely ladies after him to sully his image or, if that fails, kill him. Things get more confusing as many other agents (also called James Bond) get involved!

With only the number of uncredited writers outweighing the number of directors, this film screams 'mishmash' and indeed, it transpires, that that's exactly what it is – a silly mess which amazingly manages to be less than the sum of its parts. To waste any time here discussing the plot would be to give the film credit that it simply doesn't deserve – the makers owned the rights to the actual novel and could have made a 'real' film but instead the outcome is a film that is more like a load of poorly conceived individual scenes. Some of these have funny moments but generally they are silly beyond being funny and are just daft for the sake of it. The design, 'humour', directing and script is all very 1960's and I do not mean this as a compliment in this case.

The cast list makes this film even more annoying – some of the funniest men alive are in this film but yet they are given nothing to work with whatsoever. Niven is amusing at times but he does no more than play his usual personae. Sellers is a comic legend but this film has him doing a bad Bond spoof and he struggles even when allowed to ad lib. Allen is an unusual find here and in fairness he is actually funny because he brings his stand up routine to the role and seems to just be having a laugh as he goes.

Even to waste these three actors is a crime, but when you consider that the film also has Orson Welles, Ursula Andrews, Deborah Kerr, William Holden, John Huston, George Raft, Jacqueline Bisset, Derek Nimmo, Ronnie Corbett, Bernard Cribbins, Peter O'Toole, Stirling Moss, David Prowse, Burt Kwouk, John Le Mesurier and a few others then you have to wonder how so many people were fooled into appearing in this. I can only imagine how good it seemed at the development stage ('Bond but with laughs') but I doubt if any of those involved are actually proud to have this on their cv.

Overall this is a pretty awful film but I suppose you may get a few laughs out of it if you can buy into the silly tone but I'm afraid I wasn't even able to get close to the mind state needed to enjoy this. The laughs come occasionally but they are too rare and the plot and actual script are not big and not clever. The end product – a silly, self-indulgent mess of a film that is actually very hard to work though and not worth the handful of laughs that you might actually have.

During the first 30-45 minutes, you might be worried by the incomprehensible plot consisting of not very amusing scenes. If you endure this, it's getting better - not plot-wise, but there is a nice handful of insanely funny ideas. All loosely put together; I suppose having five directors hasn't helped much - still, it can be quite amusing, especially if you are slightly intoxicated.

Yes, this is a film for drunken people. Made by drunken people as well, one could think. The good actors are wasted. Towards the end the putting-together of random things gets that utterly licentious that it nearly reaches a Monty-Pythonesque quality, which I like, so I rate the movie still 6 out of 10 for this state of brash freedom in its second half.