Füge eine Handlung in deiner Sprache hinzuSouth African secret agents attempt to save confidential microfilm before it falls into the hands of Communists.South African secret agents attempt to save confidential microfilm before it falls into the hands of Communists.South African secret agents attempt to save confidential microfilm before it falls into the hands of Communists.
- Regie
- Drehbuch
- Hauptbesetzung
Richard Daneel
- Gibbs
- (Nicht genannt)
Dirk de Villiers
- Officer at security briefing
- (Nicht genannt)
Chris du Toit
- Young man in charge office
- (Nicht genannt)
Arthur Hall
- Detective Kerry
- (Nicht genannt)
John Noel Hicks
- CIA Agent
- (Nicht genannt)
Patrick Mynhardt
- Detective Myburgh
- (Nicht genannt)
Gideon Roos
- Head of Security Branch
- (Nicht genannt)
Tromp Terre'blanche
- Police lieutenant
- (Nicht genannt)
Empfohlene Bewertungen
Silly byplay between a few characters. A master pickpocket. A burned out police detective. A bunch of Commies. A piece of film. Some less than memorable acting. James Brolin, running the gamut of emotions from A to B. A confusing, endless story which continues to beg questions all along the way. There are some relationships that are left for us to figure out. The film is just so dull. I think all this cold war stuff has to at least have a little bit of causality. You can't have a suspense (or spy) movie without knowing what, exactly, the bad guys get out of the key piece of evidence. As usual, lots of people go through lots of wasted motion. Jacqueline Bisset is somewhat interesting, but even her role isn't very clealr.
Choppy, poorly directed remake of Pickup on South Street. James Brolin while attractive is bland in the lead never approaching the lowdown grit that Richard Widmark effortlessly gave the character in the original. This was one of Jacqueline Bisset's first roles and her inexperience is evident although at least part of the blame belongs with the director since her next few films, with stronger directors, show a marked improvement over her work here. Unsurprisingly the best performance in the film comes from Claire Trevor as the frowsy Sam but even she doesn't match the peerless performance of Thelma Ritter, considered by many her best work, in the first film. This was Claire's last film for 15 years until she made a delightful return as Sally Field's mother in Kiss Me Goodbye, a much better film than this, and then permanently retired. As for the rest of the film, everybody else gives terrible performances, scenes either just stop or start with a good deal of narrative flow missing and the photography is washed out and overly bright. Not an estimable credit on anybody's resume.
On the plus side, there are interesting shots of Capetown and of Table Mountain. Not that many people know what Capetown looked like in 1967. Not that many people know what country Capetown is IN for that matter, outside of social activists, gold speculators, and surfers. No, it's not near Provincetown. Also there are interesting shots of Jacqueline Bisset at her most -- well, let's use the word "appealing." Her looks are unimpeachable. James Brolin, young and handsome in a mannequin-like way, does pretty good impressions of Clark Gable and Ronald Reagan in other venues.
But you have to ask. Why do they take a peerless piece of cynical and brutal trash like "Pickup on South Street" and do it in color with lesser performers and slipshod direction?
Brolin simply can't SMIRK as well as Richard Widmark. And Bisset just looks too elegant, as opposed to the sluttish and overly made-up Jean Peters in the original. Compare the scenes in which the two actresses utter the same lines -- "You're talking like it was HOT, Joey." Bisset sounds as if she's commenting on the pepper pot soup at Bookbinder's Restaurant. With Peters you know exactly what she means. And Claire Trevor, a decent enough actress in her own right, shouldn't be asked to impersonate Thelma Ritter. Nobody on earth can imitate Thelma Ritter.
Fuller's direction in the original was immediate and claustrophobic. His characters brimmed with verisimilitude. The actors here are going through their paces in settings that aren't nearly seedy enough. I'm leaving the politics aside.
Stick with the original by all means.
But you have to ask. Why do they take a peerless piece of cynical and brutal trash like "Pickup on South Street" and do it in color with lesser performers and slipshod direction?
Brolin simply can't SMIRK as well as Richard Widmark. And Bisset just looks too elegant, as opposed to the sluttish and overly made-up Jean Peters in the original. Compare the scenes in which the two actresses utter the same lines -- "You're talking like it was HOT, Joey." Bisset sounds as if she's commenting on the pepper pot soup at Bookbinder's Restaurant. With Peters you know exactly what she means. And Claire Trevor, a decent enough actress in her own right, shouldn't be asked to impersonate Thelma Ritter. Nobody on earth can imitate Thelma Ritter.
Fuller's direction in the original was immediate and claustrophobic. His characters brimmed with verisimilitude. The actors here are going through their paces in settings that aren't nearly seedy enough. I'm leaving the politics aside.
Stick with the original by all means.
The best part of this film is the opportunity to visit Cape Town, South Africa during the height of Apartheid. As a low-budget, spy thriller, it is shot in as many unmodified local settings as possible. Street shots are right in the heart of the downtown and there are harbor shots and scenes from within the Police Headquarters. The photos on the wall give away the time frame as well.
Claire Trevor is the only actor credited in some Film Compendia and I wonder if both Brolin and Bisset paid not to be listed!
Brolin plays a hard-boiled petty thief and "Jacky" Bisset plays a runner for the spy ring. Claire Trevor plays Sam, the connecting character to the world of petty crime and espionage.
Claire Trevor is the only actor credited in some Film Compendia and I wonder if both Brolin and Bisset paid not to be listed!
Brolin plays a hard-boiled petty thief and "Jacky" Bisset plays a runner for the spy ring. Claire Trevor plays Sam, the connecting character to the world of petty crime and espionage.
I just bought this film for 4 dollars, and let me tell you, it wasn't worth it.
No budget, badly scripted, dull, boring, listless, "Cold War" stinker. Hard to believe that Samuel Fuller was involved in this "movie". There were lines like, "You want to help us fight the commies don't you?"
James Brolin looked handsome here, but the poor guy just wasn't an actor at this stage of his career. All he basically does is look angry and yell and scream the whole movie; gave me a headache. He is living in a run-down shack near a smelly river, with no electric, yet he wears 500 dollar suits. He's a thief who only robs twice the whole movie.
Horrible piece of worthless junk.
No budget, badly scripted, dull, boring, listless, "Cold War" stinker. Hard to believe that Samuel Fuller was involved in this "movie". There were lines like, "You want to help us fight the commies don't you?"
James Brolin looked handsome here, but the poor guy just wasn't an actor at this stage of his career. All he basically does is look angry and yell and scream the whole movie; gave me a headache. He is living in a run-down shack near a smelly river, with no electric, yet he wears 500 dollar suits. He's a thief who only robs twice the whole movie.
Horrible piece of worthless junk.
Wusstest du schon
- WissenswertesThis film is a remake of the 1953 thriller Polizei greift ein (1953).
- VerbindungenRemake of Polizei greift ein (1953)
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