Das Blutbiest

Ignore the most negative of the comments, "The Blood Beast Terror" is not total garbage. It has the Hammer Studio's feel which it was trying to imitate; with a decent imitation of the Hammer Victorian production design and a performance by Peter Cushing (as Police Inspector Quennell). It is also features one of the few available film appearances of Vanessa Howard, unfortunately she has only a supporting scream queen role as Quennell's daughter Meg. Check out "Girly" if you want to see a lot more of this underutilized actress.

"The Blood Beast Terror's" main weakness is its low budget which resulted in some horribly lame special effects, although the budget cannot be entirely blamed as just a little imagination in this area would have resulted in something far more effective. It also suffers from a condensed story that does not supply enough scientific details to make the basic premise interesting.

So instead of a sci-fi/horror picture, it is more of a detective story with some laughable horror elements. But it is a decent detective story with enough misdirection to produce several surprising revelations. Contrary to several other comments, I had no problem with the ending, finding the idea of a moth (even a giant one) being drawn to a flame quite appropriate, although so poorly staged as to be groan inducing.

There is some great comic relief in the underplayed performance of Glynn Edwards (as Sergeant Allen) and the overplayed performance of Roy Hudd, as the jaded morgue attendant who casually eats his meals off the slabs in the morgue (complete with cadavers). There is unintended comic relief in the casting of 30 year-old Wanda Ventham as the mad scientist's on-the-make "teenage" daughter. Nothing exceptional but a cut above much of the 60's cheap sci-fi and horror.

Then again, what do I know? I'm only a child.

You'll have to agree about one aspect of this movie…these British scriptwriters sure knew how to think up appealing titles! Look at this: blood + beast + terror … Separately, these three words already make every horror lover slaver. Together, they form the title to a seemly indispensable horror film. Sadly, this is a very wrong perception. The Blood Beast Terror is not a vital British horror picture. Especially not compared to so many other titles from that era. Although the plot of this film features a few promising and creative aspects (the still unknown universe of insects!), it develops itself very slow and tediously. The twists near the end don't really offer any surprises or innovative elements. Certainly not if you're familiar with the more famous Hammer monster movies like `The Reptile'. Peter Cushing stars as a cop investigating murders that are seemly committed by a giant death's head moth. Dr. Mallinger (Robert Flamyng) and the stunningly beautiful female resident in his mansion are behaving suspiciously, so Cushing goes undercover in rural Britain. His cute daughter and a bug-worshiping nerd accompany him. There's absolutely no tension to detect in this film. Maybe that's partially due to the far-fetched plot, but I rather blame the tame directing-skills of Vernon Sewell and the truly limited depth of this film. The characters in `Blood Beast Terror' are weak and uninteresting, while the make-up effects are downright ludicrous. The transformation-sequences that turn wench into moth are really, really cheap! And yes, I do keep in mind that the film is over 35 years old now. Even then, the special effects look stupid, mind you! In the same year of 1968, the production company (Tigon Productions) released `The Witchfinder General' starring Vincent Price. That film is at least a dozen times better and one of the most atmospheric movies I ever saw. A proof that the Hammer studios weren't the only ones who were able to create timeless, compelling horror. My advice: skip this one and continue your search for the more essential golden Brit-horrorfilms.

A Hammer imitation from Tony Tensor's Tigon films, only made on a lower budget and with noticeably less enthusiasm, THE BLOOD BEAST TERROR is actually a lot more entertaining than it really ought to be. The film is obviously made on a lower budget than Hammer had to play around with at the time and this occasionally shows through, particularly in the creature's costume. However, once again a fine British cast are assembled for the job, veteran director Vernon Sewell puts in a solid if unremarkable job, the script is literate, the locations good and the movie well-filmed. THE BLOOD BEAST TERROR manages to be atmospheric in places, especially in the woods at night, and its colourful and enjoyable to look at throughout with adequate production values.

The saving grace of the film is Peter Cushing, who actually considered this his worst movie, but then perhaps he didn't remember NO SECRETS. Cushing is typically cast as the detective who investigates the series of (surprisingly bloody for the time) crimes but unfortunately he doesn't take much of a role in the action. Cushing fans will always remember his strenuous battles with Christopher Lee's Dracula and his surprising agility and strength in the physical scenes in his films, but there's none of that here. Still, Cushing is excellent as usual in his part, investing Quennell with mannerisms and typical quirkiness to make him an appealing character.

The film is rather episodic in nature, with lots of mini-climaxes before the ending, but thankfully its also rather short and doesn't outstay its welcome. There's a definite lull in the action about halfway through involving some amateur dramatics which seem to be out of place in this horror yarn, but otherwise its pretty solid. The scientific explanation behind the monster's creation is very hazy and disguised with lots of paraphernalia and props to make it seem believable and it just about works. As for the creature, it appears laughable rather than scary, with red ping pong ball eyes and a skin-tight costume with wings, but this adds to the unintentional humour rather than detracting too much from the flow of the movie.

Robert Flemyng (best known for his turn as the sleazy necrophiliac in Italy's THE TERRIBLE DR HICHCOCK) is very good in his part as the disturbed doctor who eventually turns his back on his experiments and proves to be an adequate foil for Cushing's hero. The female cast members take more prominent parts than usual, particularly Wanda Ventham as the young temptress. Vanessa Howard (GIRLY) is nice and sweet playing Cushing's daughter, but is a bit underused and isn't menaced enough, whilst Roy Hudd gets some great macabre humour as a morgue assistant who has his lunch at the feet of a corpse (although I was distracted by the "corpse's" feet, which kept twitching). Altogether, the positive points of this film outweigh the bad and fans of British horror may find it quaint and enjoyable, although it definitely could have been spiced up a bit with more action and excitement.

So do you think that moths are scary? I know someone who does but I doubt even they would find much fright in this anemic slice of British horror hokum. Peter Cushing lends his usual good performance and the period detail is well executed but the blood-sucking moth creature is too silly for words. Fans of creature features may think that the moth beast looks a lot like the bee monster in Roger Corman's THE WASP WOMAN. The destruction of the vampire beast moth creature at the climax is particularly pathetic.

I really had high hopes for 'The Blood Beast Terror'. An above average cast led by Hammer legend Peter Cushing, Robert Flemyng ('The Terrible Dr. Hitchcock') and Wanda Ventham (of cult TV series 'UFO'), and produced by the same company that made the excellent 'Witchfinder General' and one of the best non-Hammer movies Cushing was ever involved with, 'The Creeping Flesh'. Surely this was going to be an overlooked gem? Sadly no. While it isn't an absolute waste of time, it's nowhere near as good as 'The Creeping Flesh' or any Hammer movie from the same period. It reminded me in many ways of 'The Reptile' but it was nowhere near as good. Cushing and Flemyng give it their best shot, but despite a few effective sequences, it never really takes off, and the disappointing climax really lets the movie down. For rabid Peter Cushing fans only. Otherwise stick with his Hammer work, 'The Creeping Flesh' and 'Horror Express'.