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Bobo ist der Größte

Originaltitel: The Bobo
  • 1967
  • 16
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
5,5/10
1020
IHRE BEWERTUNG
Bobo ist der Größte (1967)
The Bobo Clip
clip wiedergeben2:49
The Bobo Clip ansehen
1 Video
17 Fotos
Romantische KomödieKomödieRomanze

Füge eine Handlung in deiner Sprache hinzuTo get his big break, a singing matador must win over the most beautiful and most elusive woman in all of Barcelona, in only three days.To get his big break, a singing matador must win over the most beautiful and most elusive woman in all of Barcelona, in only three days.To get his big break, a singing matador must win over the most beautiful and most elusive woman in all of Barcelona, in only three days.

  • Regie
    • Robert Parrish
  • Drehbuch
    • David R. Schwartz
    • Burt Cole
  • Hauptbesetzung
    • Peter Sellers
    • Britt Ekland
    • Rossano Brazzi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,5/10
    1020
    IHRE BEWERTUNG
    • Regie
      • Robert Parrish
    • Drehbuch
      • David R. Schwartz
      • Burt Cole
    • Hauptbesetzung
      • Peter Sellers
      • Britt Ekland
      • Rossano Brazzi
    • 25Benutzerrezensionen
    • 14Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    The Bobo Clip
    Clip 2:49
    The Bobo Clip

    Fotos17

    Poster ansehen
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    Topbesetzung15

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    Peter Sellers
    Peter Sellers
    • Juan Bautista
    Britt Ekland
    Britt Ekland
    • Olimpia Segura
    Rossano Brazzi
    Rossano Brazzi
    • Carlos Matabosch
    Adolfo Celi
    Adolfo Celi
    • Francisco Carbonell
    Hattie Jacques
    Hattie Jacques
    • Trinity Martinez
    Ferdy Mayne
    Ferdy Mayne
    • Silvestre Flores
    Kenneth Griffith
    Kenneth Griffith
    • Pepe Gamazo
    Al Lettieri
    Al Lettieri
    • Eugenio Gomez
    • (as Alfredo Lettieri)
    Marne Maitland
    Marne Maitland
    • Luis Castillo
    John Wells
    • Pompadour Major Domo
    Don Lurio
    • Ramon Gonzales
    La Chana
    La Chana
    • Flamenco Dancer
    Los Tarantos
    • Flamenco Company
    Alfredo Chetta
    • Ilya
    • (Nicht genannt)
    Giustino Durano
    • Druggist
    • (Nicht genannt)
    • Regie
      • Robert Parrish
    • Drehbuch
      • David R. Schwartz
      • Burt Cole
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen25

    5,51K
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    Empfohlene Bewertungen

    4SnoopyStyle

    I'd ask for cash

    In Barcelona, Olimpia Segura (Britt Ekland) is a materialistic girl obsessed with a new Maserati. Struggling bullfighter Juan Bautista (Peter Sellers) arrives in town looking to be the greatest singing matador.

    Comedians often construct new characters. That's what Peter Sellers is doing. It's a new construction and it's not funny. Ok! The torn cheque is a little funny. Quite frankly, Olimpia is more compelling. It doesn't mean that I want a whole movie about her manipulating all those men for her car. When the two actually meet, it has some intriguing potential but I don't see Olimpia not asking for cash instead. She wouldn't be fooled like that. She would at least demand some sort of down payment. I do like the dancer. She probably does the most compelling performance in the whole movie. It's really cool. Obviously, the Retreat is meant to be wacky fun but I just couldn't believe that Olimpia wouldn't see through Juan. The premise falls apart. I like the blue although I would want her to do it without the gun. All in all, I don't buy the premise but I do like a few moments.
    6rcraig62

    The all time worst ending to a film

    As a lifelong Peter Sellers fan, I've seen this movie a few times even though I know the letdown is coming at the end. I'm always lured back by Sellers' performance here, proving once again he was one of the greatest actors in all the world. He plays Juan Bautista, a traveling singing matador who attempts to seduce the local flirt/bitch of Barcelona in exchange for a gig at the local theater. It is one of his most charming, touching, beautifully subtle performances ever, as the film takes you along their unusual courtship until he finally melts her heart and wins her over. At the point, the story takes an unexpected turn that is so shocking and so patently unfunny and so vile, I can't imagine what anyone connected with the film was possibly thinking when they made it. I am no sucker for happy Hollywood endings, but the end to this movie is so out-of-step with what we've just seen in the last ninety minutes that it just spoiled the whole thing for me. I still rate it as the worst movie ending of all time. As far the rest of it, Sellers and then-wife Britt Ekland (who never looked better) have some lovely scenes; their first date at a nightclub that features flamenco dancing really stands out. With a different finale, this could have been a rare gem in the Peter Sellers catalogue. As it is, it's just OK. 2 1/2 ** out of 4
    nobita

    Charming

    Although many film critics are very quick to pan this film citing that is not 'classic Sellers', this film is indeed very charming. The story is to do with a young woman called Olympia, played by Peter Seller's wife at the time, Britt Ekland. Set in Barcelona, Olympia is the object of every man's desire and she has been responsible for the ruining of many a man. Enter Peter Sellers as Juan Bautista, the singing matador. His dream is to be the most famous stage performer in Barcelona. But to achieve this, his prospective employer sets him a challenge. If he spends one night in bed with Olympia, the first man to do so, he will make him a stage star. Juan takes the challenge but has only 3 days to do it. The film is reasonably funny in the methods that Juan uses to seduce Olympia. Sellers gives a very confident performance which makes it fun to watch. There is also an excellent scene with non-cliched flamenco dancing, which is actually so exceptional it seems so out of place in the film. This is not a classic film, however it will keep you entertained on a boring day.
    negevoli-44

    Beautifully filmed and charming movie with first-rate cast.

    I think this is one of Peter Sellers' best movies, along with "Dr. Strangelove...", "Only Two Can Play," "Two-Way Stretch," "A Shot in the Dark," "After the Fox," and of course the original Pink Panther...

    Sellers is charmingly funny and Britt Eklund is deliciously stunning, and perfect for her role as a femme fatale who toys with men only to succumb to Sellers' rather pathetic efforts at courtship.

    There are a number of creative and funny scenes but the "Hermitage" restaurant scene during Sellers' and Eklund's first "date" is especially maginative and hilarious...not to be missed.

    Not a shoot-'em-up, but a rather lovely film with a great cast and great production values.
    5RedCupCoffee

    Britt's Blue Man

    If you like Britt Ekland, this is for you, she's the main character in this film. Sellers is a supporting character, he's in and out, almost a supporting character, but his charm is still very much felt. The chemistry between them is palpable and sweet, although this is their last pairing together. There is nothing Sellers can't play, he's a human chameleon, if you're a fan, this is a gem. The story is nutty and the dialog is nuttier but it has heart and soul. It's a fun watch, with not many laughs. It's not a zany story or filled with hijinks, but in these movies, the people are sweet and genuine, and everyone gives it their all. I'm sure the blue paint on Sellers was uncomfortable but that's the tenacity he has, he delivers.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The third and final movie pairing of then husband and wife Peter Sellers and Britt Ekland.
    • Patzer
      Olimpia has locked Pepe Gamazo out of his apartment. In the opening scene, Pepe chases her from the street in an attempt to reenter his apartment. Before he begins running, his long straight hair has a distinct part on the left side that exposes a large portion of his bare forehead. However, Olimpia beats him to the door. When Pepe reaches the apartment door, his hair is now windblown so that the part no longer shows (now resembling Moe of the Three Stooges). Yet when Olimpia looks through the peephole, his hair is neatly parted with a large portion of his forehead again visible. After she opens the door and pushes him into the elevator, he reverts back to the windblown look without parted hair. Later in another scene when Pepe knocks on the door, his hair is windblown with his forehead covered by his hair. Again, the next point of view Olimpia sees through the peephole is him with neatly parted hair and his forehead exposed.
    • Zitate

      Olimpia Segura: Take me home!

      Juan Bautista: Senorita, I can see that you are angry and you are completely justified. You are a lady of quality and you have been inconvenienced. Well, I am not going to allow the Count the satisfaction to arrive here and find you waiting for him. I shall request the bill immediately! Waiter, give this lady the check!

    • Crazy Credits
      Title card: It is said in Barcelona "A bobo is a bobo!".
    • Verbindungen
      Featured in Hollywood: The Gift of Laughter (1982)
    • Soundtracks
      The Blue Matador
      Music by Francis Lai

      Lyrics by Sammy Cahn

    Top-Auswahl

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    FAQ15

    • How long is The Bobo?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 8. März 1968 (Westdeutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Spanisch
      • Französisch
    • Auch bekannt als
      • The Bobo
    • Drehorte
      • Barcelona, Katalonien, Spanien
    • Produktionsfirmen
      • Gina Production
      • Warner Bros.
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    Box Office

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    • Budget
      • 3.000.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 45 Min.(105 min)
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.78 : 1

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