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IMDbPro

Das Teufelsweib von Texas

Originaltitel: The Ballad of Josie
  • 1967
  • 6
  • 1 Std. 42 Min.
IMDb-BEWERTUNG
5,7/10
1182
IHRE BEWERTUNG
Doris Day in Das Teufelsweib von Texas (1967)
KomödieWestern

Eine Witwe hetzt in einer Stadt im Westen die Gemüter auf, indem sie Schafe statt Rinder züchtet und die einheimischen Frauen dazu bringt, für das Frauenwahlrecht zu demonstrieren.Eine Witwe hetzt in einer Stadt im Westen die Gemüter auf, indem sie Schafe statt Rinder züchtet und die einheimischen Frauen dazu bringt, für das Frauenwahlrecht zu demonstrieren.Eine Witwe hetzt in einer Stadt im Westen die Gemüter auf, indem sie Schafe statt Rinder züchtet und die einheimischen Frauen dazu bringt, für das Frauenwahlrecht zu demonstrieren.

  • Regie
    • Andrew V. McLaglen
  • Drehbuch
    • Harold Swanton
  • Hauptbesetzung
    • Doris Day
    • Peter Graves
    • George Kennedy
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,7/10
    1182
    IHRE BEWERTUNG
    • Regie
      • Andrew V. McLaglen
    • Drehbuch
      • Harold Swanton
    • Hauptbesetzung
      • Doris Day
      • Peter Graves
      • George Kennedy
    • 24Benutzerrezensionen
    • 10Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos17

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    Topbesetzung39

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    Doris Day
    Doris Day
    • Josie Minick
    Peter Graves
    Peter Graves
    • Jason Meredith
    George Kennedy
    George Kennedy
    • Arch Ogden
    Andy Devine
    Andy Devine
    • Judge Tatum
    William Talman
    William Talman
    • District Attorney Charlie Lord
    David Hartman
    David Hartman
    • Sheriff Fonse Pruitt
    Guy Raymond
    Guy Raymond
    • Doc
    Audrey Christie
    Audrey Christie
    • Annabelle Pettijohn
    Karen Jensen
    • Deborah Wilkes
    Elisabeth Fraser
    Elisabeth Fraser
    • Widow Renfrew
    Linda Meiklejohn
    • Jenny McCardle
    Shirley O'Hara
    Shirley O'Hara
    • Elizabeth
    Timothy Scott
    Timothy Scott
    • Klugg
    Don Stroud
    Don Stroud
    • Bratsch
    Paul Fix
    Paul Fix
    • Alpheus Minick
    Harry Carey Jr.
    Harry Carey Jr.
    • Mooney
    • (as Harry Carey)
    John Fiedler
    John Fiedler
    • Simpson
    Robert Lowery
    Robert Lowery
    • Whit Minick
    • Regie
      • Andrew V. McLaglen
    • Drehbuch
      • Harold Swanton
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen24

    5,71.1K
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    Empfohlene Bewertungen

    4THEWRITEGUY-1

    Better than I expected

    I can now say I have seen EVERY Doris Day movie she ever made. I was in no rush to see THE BALLAD OF JOSIE because of the generally bad reviews. (And the snide Women's Lib jabs here are very unfair and wrong-headed!) So on a VERY rainy evening when it appeared on cable, I thought I'd give it a go.

    It started off slow with a seemingly endless eulogy of Doris's no-good husband by Andy Devine, but it took off after that.

    Certainly not one of her better films, but absolutely not her worst (CAPRICE and STARLIFT are tied for that "honor"). but she is really very good -- as usual. I rooted for her/Josie every step of the way.

    I recommend it -- especially since the tide has changed in the past 50+ years and viewers will see some fresh topicality in it in 2019.
    daisy74-1

    Give Josie a chance...she's pure gold!

    What's not to love about this film? If you can reserve judgment until the end, you'll discover the humorous and heartwarming tale of a woman who is not afraid to stand her ground! Doris Day as Josie, opposite Peter Graves' Jason, is a tremendous force to be reckoned with. In true Doris-style she takes on "the men" of Wyoming, bucking convention (in a great pair of Levi's) and daring them to deny her her basic human rights. OK, so it only takes 2 glasses of brandy to knock Josie off her feet, but she comes right back swinging all the harder! And when the dust clears, she's there, triumphant to the end. Not only does she beat back an oppressive cattle baron, she also manages to fend for herself and her son, run a sheep-raising operation, endear herself to the women of Wyoming, and win the love and admiration of a pretty swell guy, in my opinion. So who says you can't have your cake and eat it too? I give Josie 10 stars **********
    8Whaley_M

    Good fun movie.

    Josie tackles the west in the time before women had a say. It's a good and fun movie.
    5TheLittleSongbird

    Doris goes west, with her film career going south

    The main reason for seeing 'The Ballad of Josie' in the first place for me was Doris Day, having been of late on a completest quest seeing all the films of hers not yet seen.

    Despite being one of her lowest rated films here (along with 'Where Were You When the Lights Went Out?' and 'Caprice'), being one of her less well critically received films and being disliked by Day herself, 'The Ballad of Josie' isn't that bad. At least from respectful personal opinion, though it does have a good deal wrong with it and it was made during a rather rocky period of Day's film career. Of course it is among the weaker end of her overall films but it is better than 'Where Were You When the Lights Went Out?', 'Lucky Me', 'Starlift', 'The West Point Story' (aka 'Fine and Dandy') and 'Tunnel of Love', all but one of which rated higher.

    As is the case with all her films, even her lesser ones, Day is the reason to see the film in the first place and also the best thing about it. She does a very good job, having a balance of charm and feistiness. 'The Ballad of Josie' is a good-looking film too, not exactly evocative but full of rustic attractive colours and handsomely designed production values shot beautifully.

    Regarding the music, it is pretty excellent. It is cleverly orchestrated and rousing. The title song is a lovely and memorable one, though, despite Don Costa singing it well, there was a missed opportunity regarding Day not singing it. Was mixed on the supporting cast but felt that Elizabeth Fraser beguiled the screen whenever she appeared, Andy Devine clearly has fun and brought some much needed authenticity and John Fiedler is amusing.

    However, not all the supporting cast come off well, suffering from characters that are not particularly interesting or used well. Peter Graves has a bland uninteresting role and plays it just as much, while George Kennedy's character is underwritten and underused (although it is a kind of role that Kennedy is perfect for and he does his best with what he's given). Having Andrew V. McLaglen on board as director promised a lot, being a veteran of the western genre. The simplicity of the direction is to be admired, but too much of the time it was a case of getting the job done but it comes over as workmanlike.

    Sadly the story is often very dull, narratively it is as thin as a thin piece of tissue and in the more less than eventful parts the pace is sluggish. The script is tonally somewhat muddled, with some frequent and too often tiresome attempts at humour that never seems to fit and the more western-oriented parts lack grit. Despite looking good, 'The Ballad of Josie' never looks evocative with a lot of it looking too clean, too nice and too newly fresh.

    Overall, a long way from a disaster but Day did much better in her career and deserved better as well. 5/10 Bethany Cox
    5bkoganbing

    "We're Poor Little Lambs who have lost Doris Day"

    The Ballad of Josie for Doris Day marked the beginning of the end of her film career. Her agent/husband/svengali Martin Melcher forced her into a whole lot of mediocre films because he knew and she would find out that their wealth was something done with mirrors. She had to keep working.

    Not that it's a bad film, just not a terribly good one. It's populated with a whole good cast of veteran players and her leading man in this is Peter Graves. Graves is someone who should have had a good career as a screen lead in his youth. Unfortunately he got to do a lot of bad science fiction movies(and some real classic good ones) which didn't help. He opted for the small screen instead.

    William Talman makes his farewell appearance here. He's a big shot politician who sees his dream of statehood in Wyoming going down the tubes because of the controversy of Doris Day trying to raise sheep in what has been traditionally cattle country.

    Doris's husband Robert Lowery is killed in the first few minutes of the film. She has to raise her son alone now and lots of professions and trades were closed to her as they were to women back in that day. She decides to become a shepherd as she's told it doesn't have the overhead expense of cattle on the 460 acres she's inherited.

    That starts a whole big controversy with a shooting range war about to break out.

    Granted that women were kept barefoot and pregnant in those days, but it's hard to believe that Doris might not have heard SOME discussion about the cattle and sheep problem and why there was this unofficial line of demarcation in Arapahoe County, Wyoming.

    Fans of Doris will want to see her in anything though.

    Handlung

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    • Wissenswertes
      Doris Day wrote in her 1975 autobiography that this was one of the films that she did not want to do, but was forced to do because her husband and manager Martin Melcher had power of attorney, and signed her for it without her knowledge or consent. She called this a "second-rate television western" that required her to get up at 4:30 every morning. However, she did enjoy the camaraderie of her fellow cast members.
    • Patzer
      Josie gets caught on a roll of flypaper, the type of which was not invented until 50 years after the movie was set.
    • Zitate

      Jason Meredith: If I had thought about it, we would have stopped to eat north of the deadline.

      Josie Minick: The what?

      Jason Meredith: The deadline. We passed it about ten minutes back. Sheep to the south, cattle to the north.

      Josie Minick: I don't know anything about a deadline.

      Jason Meredith: Well, there's nothing complicated about it. You see, the cowmen opened up this territory and then the sheepmen tried to move in. Well, we had quite a debate. We burned a lot of powder and a lot of lead and we buried a few. And then finally we drew a line across the southeast section of the state. And the sheep stay on one side and the cattle on the other.

    • Verbindungen
      Featured in Biography: Doris Day: It's Magic (1998)
    • Soundtracks
      The Ballad of Josie
      Lyrics by Floyd Huddleston

      Music by Don Costa

      Sung by Ron Dante (as Ronnie Dante)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 22. Dezember 1967 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Ballad of Josie
    • Drehorte
      • Janss Conejo Ranch, Thousand Oaks, Kalifornien, USA
    • Produktionsfirma
      • Universal Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 1.320.000 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 42 Min.(102 min)
    • Seitenverhältnis
      • 2.35 : 1

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