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Barfuß im Park

Originaltitel: Barefoot in the Park
  • 1967
  • 12
  • 1 Std. 46 Min.
IMDb-BEWERTUNG
7,0/10
21.435
IHRE BEWERTUNG
Jane Fonda and Robert Redford in Barfuß im Park (1967)
Pre, "Coming from..."
trailer wiedergeben3:14
2 Videos
64 Fotos
Romantische KomödieKomödieRomanze

Paul, ein konservativer junger Anwalt, heiratet die lebhafte Corie. Ihre höchst leidenschaftliche Beziehung gerät in einer fünfstöckigen, begehbaren Wohnung in New York City in komische Zwie... Alles lesenPaul, ein konservativer junger Anwalt, heiratet die lebhafte Corie. Ihre höchst leidenschaftliche Beziehung gerät in einer fünfstöckigen, begehbaren Wohnung in New York City in komische Zwietracht.Paul, ein konservativer junger Anwalt, heiratet die lebhafte Corie. Ihre höchst leidenschaftliche Beziehung gerät in einer fünfstöckigen, begehbaren Wohnung in New York City in komische Zwietracht.

  • Regie
    • Gene Saks
  • Drehbuch
    • Neil Simon
  • Hauptbesetzung
    • Robert Redford
    • Jane Fonda
    • Charles Boyer
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    21.435
    IHRE BEWERTUNG
    • Regie
      • Gene Saks
    • Drehbuch
      • Neil Simon
    • Hauptbesetzung
      • Robert Redford
      • Jane Fonda
      • Charles Boyer
    • 130Benutzerrezensionen
    • 42Kritische Rezensionen
    • 55Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 8 Nominierungen insgesamt

    Videos2

    Barefoot in the Park
    Trailer 3:14
    Barefoot in the Park
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona

    Fotos64

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    + 56
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    Topbesetzung14

    Ändern
    Robert Redford
    Robert Redford
    • Paul Bratter
    Jane Fonda
    Jane Fonda
    • Corie Bratter
    Charles Boyer
    Charles Boyer
    • Victor Velasco
    Mildred Natwick
    Mildred Natwick
    • Ethel Banks
    Herb Edelman
    Herb Edelman
    • Harry Pepper
    • (as Herbert Edelman)
    Mabel Albertson
    Mabel Albertson
    • Harriet
    Fritz Feld
    Fritz Feld
    • Restaurant Proprietor
    James Stone
    • Delivery Man
    • (as James F. Stone)
    Ted Hartley
    Ted Hartley
    • Frank
    Billie Bird
    Billie Bird
    • Drunken Neighbor
    • (Nicht genannt)
    Paul E. Burns
    Paul E. Burns
    • Bum in Park
    • (Nicht genannt)
    Bill Derringer
    • Store Clerk
    • (Nicht genannt)
    John Indrisano
    John Indrisano
    • Policeman with Drunk
    • (Nicht genannt)
    Doris Roberts
    Doris Roberts
    • Hotel Maid
    • (Nicht genannt)
    • Regie
      • Gene Saks
    • Drehbuch
      • Neil Simon
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen130

    7,021.4K
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    Empfohlene Bewertungen

    7Boyo-2

    Agreeable entertainment

    You won't roll on the floor laughing but you won't be sorry you spent 90 minutes with the characters on-screen. Very light and easy to take, brought to a nice level of fun by some very talented actors. Mildred Natwick earned her Oscar nomination; I wonder why Charles Boyer didn't get one, too. Fonda & Redford are both so young its hard to remember they were ever that age.

    I lived in a walk-up apartment in Manhattan (fifth floor!)and had to quit smoking so I wouldn't have to have an oxygen tank installed on each floor in order to just make it home every night. I enjoyed reading the 'trivia' section about this movie and find it very interesting that the French version had to change the running joke to the 9th floor; since they are also infamous for smoking, one wonders why elevators were not more popular.
    dougdoepke

    Hippie Marries Wall Street

    Redford and Fonda should get a kissy-face Oscar for the most lingering lip-smackers on movie record.

    The comedy's premise reminds me of one of those WWII madcaps, where wartime conditions prompt an unlikely couple into quick marriage and barebones apartment. The idea's rich in comedic material so no wonder it keeps coming back. On their honeymoon, stodgy lawyer husband (Redford) is overwhelmed by sexy free-spirited wife (Fonda). She can't get enough kissy-face or sex, while he struggles between lawyerly duties and a burgeoning libido. Meanwhile, she oozes over their cramped apartment, six long flights up, while he's too smothered over to object. Things bumble along until complications take their toll.

    I love it when goofy neighbor Boyer takes the married couple and Fonda's straight-laced mother (Natwick) to a run-down Albanian eatery. It may be seedy on the outside but on the inside it's a vibrant bohemian paradise. Of course, Fonda and Boyer are in their element, real swingers, while the two conventional types can barely endure. In fact, Redford's quiet discomfort as he sits at the noisy round table amounts to a triumph of low-key expression. And catch it when the belly dancer smothers his unhappy face in her ample breasts. Edelman also scores as the drooping telephone guy. It's like, time and again, he's having to climb Mt. Everest with a heavy load. In fact, the movie milks that 6-long-flights-up, but still gets laughs from a sweaty cast. I can imagine what the auditions were like.

    Anyway, the movie's first two-thirds is full of such inventive comedic moments that had me thinking "real classic". But then, much too abruptly, Fonda's sparkly role shifts and the prevailing mood goes with it. Same thing with Redford's conventional personality. That is, he goes from stodgy to goofy and she goes from ditzy to crabby. In short, they suddenly swap roles in unconvincing fashion, even for what is now a serio-comedy. In my book, the change over is too clumsily handled to maintain comedic momentum, and a potential classic is lost. Nonetheless, on balance, the movie's still lively entertainment, full of bright moments, and worth catching up with.

    (In passing- I suspect the moral to the story, if such can be said, is that without some common ground even the best offbeat relationship can't last.)
    drama_mama20

    remarkable piece of work for anyone looking for simplicity in today's complicated world.

    I would recommend this movie to anyone for its simplicity. Though simple and quiet, this movie is stunning. The situation of a young married couple played out almost entirely in their one bedroom apartment adds to this movies basic plot. The nonchalant attitude of a newly married man and his very emotionally free wife is quite exciting. I would normally ask for a lot more from a movie, but in "Barefoot in the Park" it is not needed. The superb acting of both Robert Redford and Jane Fonda leave you stoked for the thrilling dialogs that take place between the couple. There is an abundance of humor. The movie simply leaves you feeling casual in a very glamorous world.
    Bondorf39

    One of the best

    Despite the electricity of "The Odd Couple" the emotional force of "Lost in Yonkers" and the Depression-era angst of "Brighton Beach Memoirs," this remains the best movie made of a Neil Simon play.

    Like "The Odd Couple" it owes most of its enduring success to the chemistry between Jane Fonda and Robert Redford (reprising his role in the Broadway show) as the hapless newlyweds trying desperately to make it work. This is the movie that is responsible for most of the "mismatched" romantic comedies we've ever seen, including "Along Came Polly" and TV's "Dharma and Greg." It proves that flowery romantic prose isn't what makes a great love story, bold heroes and damsels in distress don't make a good love story. No, what makes a good love story are two people who, from start to finish, makes the audience go "Oh, God in heaven, please let them work it out!"

    The brilliant dialogue of Mr. Simon, the charm of Mr. Boyer and the majestic backdrop of New York City make this a must-see for anyone who loves 1, comedy, 2, love stories or 3, Robert Redford because after this, he never really made another movie that was at all comparable.

    Oh, I just remembered "Laughter on the 23rd Floor." I guess it's a tie for best Neil Simon movie.
    7jckruize

    Romantic comedy as lightweight as they come.

    This film version of one of Neil Simon's early Broadway hits coasts on the likability of its cast and a lot of classic Simon banter. The gossamer-thin plot, about newlyweds who find out they don't know each other as well as they thought, is only a framework to hang a bunch of running gags about drafty New York flats, endless stairs, oddball neighbors and the like.

    Laughs are plentiful, although as in the rest of Simon's work, one is acutely aware that nobody is so quick with the one-liners in real life.

    Boy, were they young back then! Robert Redford underplays charmingly as Paul Bratter, up-and-coming lawyer and all-round stick-in-the-mud; Jane Fonda is his new bride Corie, sexy, fun-loving and relentlessly cute to the borderline of annoyance. When you find her schtick getting a little hard to take, concentrate instead on veteran character actors Charles Boyer and Mildred Natwick, who lend spirit and class to their comedic roles.

    Perhaps the direction by Gene Saks is a tad stagebound (he directed the Broadway version), and the cinematography a bit muddy, but Neal Hefti contributes another sprightly score that does a lot to compensate. Overall, an undemanding, undeniable pleasure.

    Handlung

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    • Wissenswertes
      Robert Redford loathed wearing a suit and tie all day, which was required for his character. During breaks between filming, he wore western boots and a black cowboy hat.
    • Patzer
      Bloomingdales calls to say the furniture won't be delivered. The phone was installed only minutes earlier, so Bloomingdales would not have the number to call.

      This is not a Goof; Bloomingdale's (or anyone else) would, in fact, know the number to call. The phone number is assigned at the same time that one signs up for service. Nobody has to wait until the day of installation to know what their number is; it isn't up to the installer.
    • Zitate

      Ethel: I had to park the car three blocks away. Then it started to rain so I ran the last two blocks. Then my heel got caught in a subway grating. When I pulled my foot out, I stepped in a puddle. Then a cab went by and splashed my stockings. If the hardware store downstairs was open, I was going to buy a knife and kill myself.

    • Verbindungen
      Edited into The Kid Stays in the Picture (2002)
    • Soundtracks
      Barefoot in the Park
      Written by Neal Hefti and Johnny Mercer

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 29. September 1967 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Descalzos en el parque
    • Drehorte
      • 111 Waverly Place, Greenwich Village, Manhattan, New York City, New York, USA(the Bratters' apartment)
    • Produktionsfirmen
      • Paramount Pictures
      • Nancy Enterprises Inc. (I)
      • Wallis-Hazen
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 2.000.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 361 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 46 Min.(106 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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