IMDb-BEWERTUNG
6,5/10
3010
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe misadventures of a nun who can fly and her convent and neighbours.The misadventures of a nun who can fly and her convent and neighbours.The misadventures of a nun who can fly and her convent and neighbours.
- Für 1 Primetime Emmy nominiert
- 1 Gewinn & 3 Nominierungen insgesamt
Folgen durchsuchen
Empfohlene Bewertungen
The primary reason this series was as immensely popular with young girls as it was, was the relationship between Carlos Ramirez and Sister Bertrille (the secret is out -- most of the little girls of my era desperately wanted Sister Bertrille to run off with Carlos ... and no matter how TPTB tried to dissuade them, that fact never wavered). The two actors had amazing chemistry, a fact which no doubt reflected their friendship which lasted through the years. Forget the ludicrous premise and the almost cut-and-paste plot lines, the show has a gentle, genuine sweetness about it that just doesn't show up on TV these days. It's not treacly at all, despite the cynicism thrown at it. It's far from the worst TV show in the history of the medium. And it's a joy to see the work of Alejandro Rey, who had far too short a life.
This series was cute and funny during its original run -- but I was a kid going to Catholic school and maybe I was biased. But watching it now on TVLand, it's amazing that it still works. I think it's very nicely photographed, the music is wonderful, and probably the main thing is, that while it doesn't present a realistic portrayal of most of Latin America, it really doesn't talk down to or stereotype the characters either. So what if they all speak such magnificent English????
I grew up with this really cute series from the late 1960's, starring one of my favourite actresses, Sally Field. Back when I was a teenager, every girl's actress heroines were Sally Field, Patty Duke (The Patty Duke Show), and Hayley Mills (The Parent Trap and many other movies).
The series portrays the adventures of an airborne nun, Sister Bertrille, at the hilltop Convent San Tanco in Porto Rico. The fresh faced young sister is able to fly due to the combination of her light 90 pound weight, the elaborate, stiffly starched bird wing-like cornette of her habit, and catching whatever breeze chances to be blowing. She's a bubbly, free spirited young novice, whose unusual methods often bring her into conflict with the convent's more traditional & stern Reverend Mother. Other convent sisters also appear in the show, including her sidekick, Sister Jacqueline. The well intended Sister Bertrille endeavours to use her aviation skills to help people in trouble, but more often than not, instead gets HERSELF into trouble. She frequently runs into the charming casino playboy, Carlos Ramirez, disrupting his romantic activities with beautiful women. In fact, quite often Sister Bertrille requires Ramirez, who is the owner of a local disco and also a patron of the convent, to come to her rescue.
Sister Bertrille's adventures are many and varied. She has been mistaken for an enemy aircraft, had a pelican fall in love with her, inadvertently landed in the middle of a mobster's meeting, and ascended to the clouds to bring snow for a Norwegian nun's white Christmas. Occasionally she crash lands into a tree or whatever, but simply picks herself up and carries on.
True, nuns can't really fly so some complain that this program involves too unbelievable a premise. To them I would respond that the ideas behind other popular comedies of the 1960's aren't exactly realistic either, for example...Bewitched, I Dream of Jeannie, The Beverly Hillbillies, Gilligan's Island, and Hogan's Heroes, to name but a few.
Sally Field is cast in the whimsical role of Sister Bertrille and makes this series fly in more ways than one. This versatile and talented star of Gidget later went on to a brilliant movie career with Oscar winning dramatic roles in Norma Rae & Places of the Heart, also starring in countless others including one of my favourite romantic comedies, Murphy's Romance. Yes, we do indeed really like her, and any success achieved by this series is undoubtedly due to Sally Field's legendary charm and appeal.
This show is simply pure whimsical and heartwarming fun. Pity there aren't more mindless but wholesome TV programs like it these days.
The series portrays the adventures of an airborne nun, Sister Bertrille, at the hilltop Convent San Tanco in Porto Rico. The fresh faced young sister is able to fly due to the combination of her light 90 pound weight, the elaborate, stiffly starched bird wing-like cornette of her habit, and catching whatever breeze chances to be blowing. She's a bubbly, free spirited young novice, whose unusual methods often bring her into conflict with the convent's more traditional & stern Reverend Mother. Other convent sisters also appear in the show, including her sidekick, Sister Jacqueline. The well intended Sister Bertrille endeavours to use her aviation skills to help people in trouble, but more often than not, instead gets HERSELF into trouble. She frequently runs into the charming casino playboy, Carlos Ramirez, disrupting his romantic activities with beautiful women. In fact, quite often Sister Bertrille requires Ramirez, who is the owner of a local disco and also a patron of the convent, to come to her rescue.
Sister Bertrille's adventures are many and varied. She has been mistaken for an enemy aircraft, had a pelican fall in love with her, inadvertently landed in the middle of a mobster's meeting, and ascended to the clouds to bring snow for a Norwegian nun's white Christmas. Occasionally she crash lands into a tree or whatever, but simply picks herself up and carries on.
True, nuns can't really fly so some complain that this program involves too unbelievable a premise. To them I would respond that the ideas behind other popular comedies of the 1960's aren't exactly realistic either, for example...Bewitched, I Dream of Jeannie, The Beverly Hillbillies, Gilligan's Island, and Hogan's Heroes, to name but a few.
Sally Field is cast in the whimsical role of Sister Bertrille and makes this series fly in more ways than one. This versatile and talented star of Gidget later went on to a brilliant movie career with Oscar winning dramatic roles in Norma Rae & Places of the Heart, also starring in countless others including one of my favourite romantic comedies, Murphy's Romance. Yes, we do indeed really like her, and any success achieved by this series is undoubtedly due to Sally Field's legendary charm and appeal.
This show is simply pure whimsical and heartwarming fun. Pity there aren't more mindless but wholesome TV programs like it these days.
"The Flying Nun" was developed by Screen Gems writer Bernard Slade ("Bewitched", "The Partridge Family") from a book by Tere Ríos titled "The Fifteenth Pelican". Following the cancellation of "Gidget", ABC rushed to get Sally Field into her second starring sitcom- a role she was reluctant to accept and grew to hate. Field later stated that she was not treated with respect by some of her directors, and at times more like a prop. The hour-long pilot was filmed on location in San Juan, Puerto Rico with shots used as the series' opening and closing. The series hit the ground running as an instant hit but ratings dropped throughout the first season. The producers tried to compensate by changing the comedic format to broad slapstick in the second season before returning in the third and final season to its sweet, heart over laughs, light nature. During its run, co-star Marge Redmond, who also narrates each episode, was nominated for an Emmy Award for Outstanding Supporting Actress in a Comedy Series.
Reflecting upon the series after recently watching each episode, "The Flying Nun" was a ludicrous sitcom in an era of ludicrous sitcoms. Unfortunately, it was nowhere as sophisticated as "Bewitched", as endearing as "I Dream of Jeannie", as affable as "Mister Ed", or even matching the entertaining level of "Gilligan's Island". "The Flying Nun" was a series continually searching for its identity, reformatted each season. It struggled to find the balance between heart and laughs, but the rare times it did was very enjoyable. Plot lines were often dry and predictable, and at times completely misguided and lacking execution. Episodes excelled when it combined an engaging plot, clever dialogue, the warmness of the convent's heartfelt work, and well-placed comedy. Some of the best were feel-good offerings and those focused on being touchingly dramatic, especially "Antonio's Mother".
I felt it was easy to see that Sally Field was struggling to get into her role as Sister Bertrille early in Season One. But when she did embrace it audiences were rewarded with the warm, good-natured personality they came to admire in her similar character of "Gidget". Sister Bertrille serves as a great role model for everyone, hopefully inspiring them to be a better, more caring person. She had nice chemistry with Alejandro Rey, helping make Carlos' exasperated character relatable. Madeleine Sherwood played her sage, straight-laced superior very well as a figure who adhered to policies but made every effort to do the right thing. Emmy-nominated Marge Redmond sets up situations nicely through narration and as a sounding board for Sister Bertrille. Shelley Morrison's Sister Sixto was the most dependable source of comedy with her mispronoucation of the English language giving whole new meaning to situations. Vito Scotti's Police Captain Fomento was the focus of Season Two's new slapstick approach, but it was often too forceful and strained.
"The Flying Nun" would have perhaps been better served as an uplifting dramatic series in the vein of "Touched by an Angel".
Reflecting upon the series after recently watching each episode, "The Flying Nun" was a ludicrous sitcom in an era of ludicrous sitcoms. Unfortunately, it was nowhere as sophisticated as "Bewitched", as endearing as "I Dream of Jeannie", as affable as "Mister Ed", or even matching the entertaining level of "Gilligan's Island". "The Flying Nun" was a series continually searching for its identity, reformatted each season. It struggled to find the balance between heart and laughs, but the rare times it did was very enjoyable. Plot lines were often dry and predictable, and at times completely misguided and lacking execution. Episodes excelled when it combined an engaging plot, clever dialogue, the warmness of the convent's heartfelt work, and well-placed comedy. Some of the best were feel-good offerings and those focused on being touchingly dramatic, especially "Antonio's Mother".
I felt it was easy to see that Sally Field was struggling to get into her role as Sister Bertrille early in Season One. But when she did embrace it audiences were rewarded with the warm, good-natured personality they came to admire in her similar character of "Gidget". Sister Bertrille serves as a great role model for everyone, hopefully inspiring them to be a better, more caring person. She had nice chemistry with Alejandro Rey, helping make Carlos' exasperated character relatable. Madeleine Sherwood played her sage, straight-laced superior very well as a figure who adhered to policies but made every effort to do the right thing. Emmy-nominated Marge Redmond sets up situations nicely through narration and as a sounding board for Sister Bertrille. Shelley Morrison's Sister Sixto was the most dependable source of comedy with her mispronoucation of the English language giving whole new meaning to situations. Vito Scotti's Police Captain Fomento was the focus of Season Two's new slapstick approach, but it was often too forceful and strained.
"The Flying Nun" would have perhaps been better served as an uplifting dramatic series in the vein of "Touched by an Angel".
A novice nun at Convent San Tanco has the Reverend Mother up in arms: it seems she is so light that the winds pick up her starched habit and away she goes! Fun TV-series, adapted from Tere Rios' book "The Fifteenth Pelican", has Sally Field basically reprising her "Gidget" character in nun regalia. Although she has said this show was embarrassing for her, Sally is very appealing teaching the local kids English and singing them their lessons (oh yes, she was a Singing Nun too!). Her rapport with the other sisters is warm and friendly, and each week the Reverend Mother learned to loosen up a bit. After the location-rich pilot episode, the series got a little bit stuck in a studio-bound rut, but the flying sequences are always handled with comic flair. A few dud episodes (such as the one where the Reverend Mother and Field's Sister Bertrille changed personalities) didn't dim the overall appeal of "The Flying Nun", which was mostly blessed with fresh writing and a fast pace.
Wusstest du schon
- WissenswertesIn one episode, Sister Bertrille is looking at home movies of herself from when she was a teenager. The home movies were actually footage from Sally Field's previous series, Gidget (1965).
- PatzerIn the opening credits when Sister Bertrille is being dragged along by a dog, a wire can be seen holding her up.
- Zitate
Sister Bertrille: Could you please help? I'll give you five percent of the profit!
Carlos Ramirez: Sister Bertrille... Five per cent of nothing is *still* nothing!!
- VerbindungenFeatured in Television: Live Pictures (1988)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How many seasons does The Flying Nun have?Powered by Alexa
Details
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen