Callan

Callan was a series I discovered after being laid up with a heavy cold a couple of years back. Taughtly written, gritty, with an extraordinary air of oppression. David Challan worked for a secretive government department with a grim mission...

All I could say I was hooked.

This was espionage for adults, the perfect antidote to the CGI and exaggerated heroics of Bond and Bourne; Edward Woodward's David Callan - an angry, cynical, insubordinate ex- con/ ex- soldier - could have done them a nasty (and a half) without blinking. Prior to Callan, the closest we had to 'real' spies was Alex Le Mass or Harry Palmer...and like them Challan knew he was in a dirty business.

Good turns too from Russell Hunter, William Squire, Liz Langdon and Patrick Mower (staggers me he made Carry On England at this time!). Harold Wilson said he liked the show too... while I admire his tastes - bearing in mind the climate of the Seventies - I have to ask what was going through his head when he watched it?

Highly recommended.

I think I managed to see the entire series bar a couple of episodes and the story lines were always excellent. Great casting throughout. Alas, I realize how old I have become now when I see how Anthony Valentine has aged - have just watched a 2005 episode of the BBCs "New Tricks" this evening, in which he featured. Sadly don't seem to have seen Edward Woodward in many productions during the years since "Callan".

I only ever saw the "Callan" episodes in black and white - colour TV didn't reach New Zealand until several years after it was available in the USA and Europe, and we couldn't afford a colour set until 1982 - but I wonder whether viewing it in black and white added more gritty realism to the plots, and perhaps if I watched it now remastered in colour, would I find it slightly disappointing? I haven't noticed it around on DVD but if I do, don't think I'll be tempted to buy, as I prefer to remember it still with great enjoyment.

I remember watching this as a teenager and thought it was really very good. In retrospect, it still is! Edward Woodward in the series long before The Equaliser (a watered down type of US show) gives a credible performance of Callan. It is reminiscent of The Ipcress File style and all the characters are well crafted. Russel Hunter as Linely the slightly freaky, weird unwilling accomplice with his Taxi as a cover is just superb. went on for four years and spawn a good movie. Spying in those days was a dirty game but one seemed to know who the enemy was most of the time. Today, one has no idea. Would like to see some reruns.

Callan was a very dark series which has never been given the credit it deserved. I'm glad to see the series on DVD here in England because it is a series I would recommend to anyone who wasn't born when it first aired.

A pre-Equalizer Edward Woodward played Callan who was an agent for British Intelligence. He was no James Bond however; Callan's was a dark world where everyone had their own agenda and no-one could be trusted. Things were not black and white; there were plenty of shades of grey. Unlike James Bond, Callan didn't have a posh car, plenty of beautiful women and he didn't get to jet off to sunny locations. Callan hated his job, he had no choice but to work for British Intelligence (watch the first episodes to see why that is). He was a good man deep down and cared about people but he was constantly required to lie and deceive people and cheat. He was given the dirty jobs no-one else wanted and whilst his superior (a man called Hunter, played by various actors)knew that Callan was good at his job, he also didn't care about Callan at all. Callan was a loner.

The premise was very interesting indeed. Callan was reluctantly doing a dirty job and his emotions came into conflict with his job at times. It was fascinating viewing.

Over the years there have been many dark series where you can never be sure who is good and who is bad. In a way, I guess it is indicative of the times we are living in. However, I think it is important to remember that Callan was the benchmark for many of the dark and pessimistic shows we see today and without Callan, many of them would not have arisen.

The other reviews will tell you that this is one of the best TV series ever, much under-appreciated, and worth your time. They are mainly right, with a few exceptions. First the genesis of the series is odd. Callan was originally a successful novel (younger readers, this would be in the days of paper and ink, not portable devices) and a solid action-thriller. The original Callan, as written, did indeed have a conscience but always preferred a quick and reliable solution (guns and bullets) to soul-searching. When the author, Mitchell, was approached to turn the story into a TV series, he did something very unusual. Where other authors will usually blame someone else for interfering with their work, Mitchell re-imagined Callan entirely on his own initiative, turning a man of action into man of conflict. With hindsight it was a brilliant decision. While we may never know what the British public would have thought of Callan as originally conceived (remember that TV violence was very stylized at the time, look at the Avengers, or Batman in the US) they simply fell in love with the re-imagined Callan as a soul-searching and reluctant spy. The show was #1 for several years and ultimately a much pudgier Woodward shuffled off to America to attempt to re-create the Callan persona for US tastes. With mixed success.