Callan

The other reviews will tell you that this is one of the best TV series ever, much under-appreciated, and worth your time. They are mainly right, with a few exceptions. First the genesis of the series is odd. Callan was originally a successful novel (younger readers, this would be in the days of paper and ink, not portable devices) and a solid action-thriller. The original Callan, as written, did indeed have a conscience but always preferred a quick and reliable solution (guns and bullets) to soul-searching. When the author, Mitchell, was approached to turn the story into a TV series, he did something very unusual. Where other authors will usually blame someone else for interfering with their work, Mitchell re-imagined Callan entirely on his own initiative, turning a man of action into man of conflict. With hindsight it was a brilliant decision. While we may never know what the British public would have thought of Callan as originally conceived (remember that TV violence was very stylized at the time, look at the Avengers, or Batman in the US) they simply fell in love with the re-imagined Callan as a soul-searching and reluctant spy. The show was #1 for several years and ultimately a much pudgier Woodward shuffled off to America to attempt to re-create the Callan persona for US tastes. With mixed success.

I remember watching this as a teenager and thought it was really very good. In retrospect, it still is! Edward Woodward in the series long before The Equaliser (a watered down type of US show) gives a credible performance of Callan. It is reminiscent of The Ipcress File style and all the characters are well crafted. Russel Hunter as Linely the slightly freaky, weird unwilling accomplice with his Taxi as a cover is just superb. went on for four years and spawn a good movie. Spying in those days was a dirty game but one seemed to know who the enemy was most of the time. Today, one has no idea. Would like to see some reruns.

I as addicted to this series when it was first shown. Seeing it again in recent years confirmed to me just how good it was. Far better than most modern fare.

Callan was a reluctant killer who somehow always ended up doing what he knew was right but also what was morally grubby. The other characters were all superb and strongly drawn in their own right. Hunter, the leader of the section, Lonely the criminal low life friend, Toby the upper class psychotic who ends up his friend. The only drawback is the lack of strong women characters, apart from a few occasional guests.

This was a spy drama that made you think, that made you question your own side.

Modern writers could well learn from this series.

Callan was a series I discovered after being laid up with a heavy cold a couple of years back. Taughtly written, gritty, with an extraordinary air of oppression. David Challan worked for a secretive government department with a grim mission...

All I could say I was hooked.

This was espionage for adults, the perfect antidote to the CGI and exaggerated heroics of Bond and Bourne; Edward Woodward's David Callan - an angry, cynical, insubordinate ex- con/ ex- soldier - could have done them a nasty (and a half) without blinking. Prior to Callan, the closest we had to 'real' spies was Alex Le Mass or Harry Palmer...and like them Challan knew he was in a dirty business.

Good turns too from Russell Hunter, William Squire, Liz Langdon and Patrick Mower (staggers me he made Carry On England at this time!). Harold Wilson said he liked the show too... while I admire his tastes - bearing in mind the climate of the Seventies - I have to ask what was going through his head when he watched it?

Highly recommended.

"Callan" shall always remain the ultimate Spy drama on British television. Nothing can match the series for character depth, drama, storytelling, tension and suspense. Thankfully, all the existing episodes can be enjoyed once again, thanks to DVD. For the record, 34 episodes exist - including all of the colour ones that ran from 1970 to 1972. The regular cast are a delight. Edward Woodward is the ideal choice to play the main character of a highly skilled but reluctant killer for British Intelligence. The character is someone who has no formal training or qualifications. Killing is the only thing he knows and Callan relies upon that kind of work in order to survive another day. Regarding the character of "Hunter," he is described as being a cold fish who needs to be that way in order to perform his job with efficiency. He is the one who sets up the various jobs for his operatives in "the Section." Where he receives his orders, we never know. There were different actors who played "Hunter." For the first series which was broadcast in 1967, Ronald Radd played the character and is excellent. Then he was unavailable and so Michael Goodliffe replaced him until 1969. He left because he was unhappy with working on the series and wasn't bonding with the cast, apparently. He didn't like appearing in a programme which reminded the actor of his time serving in the Second World War. For the rest of the black and white series, Derek Bond played "Hunter." Anthony Valentine personified evil and sadism as the psychopathic operative Toby Meres. His character was a "public school" background and was from a privileged family. He had no conscience about killing anyone, he enjoyed the act of committing murder. To Meres, he employed whatever means were necessary in order to complete an assignment. He and Callan came to respect each other begrudgingly after a while. Every time Anthony Valentine smiled or applied a bit of charm, you winced slightly because you knew it was a facade which masked what was lurking underneath....... The character of Lonely was brilliantly brought him to life by Scottish actor Russell Hunter. Lonely was someone who helped Callan by providing him with guns, tailing someone, breaking into someone's house. Eventually, he was employed as a taxi driver for "the Section." Lonely was loyal to Callan but mainly because he was terrified of being beaten by him. In a strange way, Callan regarded Lonely as being about the only person he thought of as a friend. Both characters felt like outcasts in society for different reasons. The black and white episodes crackle and are about as taut and realistic as you could get. The sense of continuity is just about maintained, in spite of the missing episodes. The final black and white from series 2, was supposed to mark the end of the series for good. The last scene was meant to show Callan's fate. However, to everyone's considerable surprise, there was a public outcry as "Callan" had become a sensation right across Britain. The viewing figures were enormous and the public wanted more episodes. 1970 saw the series being made and broadcast in colour. It was time to take "Callan" to a new level. Unfortunately, Anthony Valentine was unavailable to reprise his role of Meres. Instead, Patrick Mower was brought in as another character, James Cross. Like Meres, Cross was a hard, sadistic killer who was in love with cruelty for its own sake. He had high hopes of advancing his career as an operative and this included replacing Callan as the number one killer in the section. He was a great character and Patrick Mower played him well but I narrowly prefer Anthony Valentine as Meres. Welsh actor William Squires was cast as the new "Hunter." He was another very effective boss and seemed to treat Callan as a bit more of a human being. A further addition to series 3, was the character of the sections physician - Dr. Snell. He was the kind of person who had such a clinical approach to his work, that it bordered on Nazism. At the beginning of series 3, Callan has to prove once again that he is worthy of being kept in the department. There follows various stories that explore his character further, his relationships with Lonely, with Hunter and very occasionally with the opposite gender. A major feather in the shows cap, was the hiring of George Markstein who acted as Script Editor. All kinds of stories have circulated about Markstein have surfaced. These include his having worked for British Intelligence. He was thought to have had an air of menace about him. Even so, he was an asset to the series. Series 4 brought a bit of a twist to the tale, in that Callan was promoted to "Hunter." Geoffrey Chater was brilliant as the rather shadowy civil servant who gave the orders usually, usually via "Hunter." The production values were rather modest, although they had improved slightly during the colour episodes. The beauty of "Callan" lays in its writing and acting. The two components go hand in hand. The violence is rather tame in comparison with these days but the violence in "Callan" has a purpose, it isn't just thrown in for the sake of it. For television of the times, it was quite a realistic kind of violence. Most of the time though, it was implied and that was enough. We see many talented actors in the supporting cast, including Tony Beckley, Dennis Price, Windsor Davies, Graham Crowden, Sarah Lawson amongst others. Watching a masterpiece of a series like "Callan," makes me realise what a deplorable state modern television is in.