Flügel

A schoolmistress, former glory of the USSR air force, reflects on her life.

Within the post-war cinema (1960s), it's one of the best Russian films I have ever seen.

By Larisa Shepitko, one of the best female directors of all time, 'Wings' is the portrait of a woman who, even with a stable and successful life, feels an enormous nostalgia, when remembering the days on the front line to defend her nation.

The pace, slow and calm, is perfect for the effect that Shepitko intended to do.

The love for the country overrides the personal romance, and family and social relationships are questioned, when the desire to return to the former glory days consumes insanely the little that she still has inside her.

It's also a pertinent approach to feminism, and the role of women in the Soviet hierarchy.

The cinematography is very good, with a fabulous composition.

An early film of famed Russian director Larisa Shepitko, "Wings" is the story of a Nadezhda (Mayya Bulgakova), a former pilot considered a hero of the state. Rewarded for her wartime exploits, she is now the principal of a vocational school. She also holds a largely inconsequential bureaucratic position.

Emotionally unfulfilled, she daydreams about flying and dogfights.

With a peripatetic plot that is almost "slice of life", "Wings" explores the quotidian details of her life--small emergencies at school, her unsatisfactory relationships with her daughter and with a male friend.

The result is an examination of midlife crisis, the transfer of the military lifestyle to civilian life, and a feminist view of job roles in society. Nadezhda seems clueless about the causes of her own dissatisfaction with life. And her students serve as surrogates for military comrades and her own children as she tries to organize her life in a manner she feels is correct.

This film lacks a focus that would make it more relevant.

Nadezhda (aka Nadya), a school director and WWII heroine pilot is greatly respected by everybody. When she expels a boy from school for pushing a girl (she started it) Nadya gets to thinking. She had to make it in a man's world and has to continue being tough every day (deny her femininity, in a way) to get ahead. But is she maybe overdoing it a little? When offered a dance she declines although she would probably like to, and she denies that there is anything more than a platonic friendship between her and a male museum director. In what situations can she allow letting her guard down, allow being seen as a woman? She and her adopted daughter are more like good acquaintances, having completely different ideas about life and about being a woman. Where did she go wrong? She meets women who are quite happy with the modest roles assigned to them, apparently a lot happier than her. Is this the life she wanted?

All this thematically rich contemplating and melancholy of Nadya's happens without words. Mostly what we see is Nadya doing her job, administrating, exchanging words with people who recognize her, dealing with a young student who looks up to her, wandering around, going to bars, etc. She clearly isn't all stern and cold, she puts on a matryoshka doll costume to perform in a school play when a student suddenly drops out, she has a little personal woman-to-woman talk with a bar woman and then waltzes with her through the deserted bar, she gets giddy practically as soon as she smells alcohol and hence makes a fool of herself at her daughter's wedding celebration. In between all this we often see her thinking. What she really thinks about mostly is up to the viewer to interpret. One reviewer, for example, figured that Nadya's thoughts are purely those of nostalgia, for she is stuck in the glory days of her past while the present passes her by. Well, some of the things I think she thought about you can read in the first paragraph, so this review is thereby concluded.

Wings (1966)

How do we move on from our past glories? Can we? Do we even want to? Nostalgia is a powerful thing, sometimes too powerful for our own good. Larisa Shepitko's stunning debut feature Wings delves into these queries with the assured hand of an artist, executed in a patient and touching fashion.

Nadezhda Petrovna (Maya Bulgakova) is a former WWII fighter pilot hero struggles with her place in the world now that she is over forty and assigned as the head mistress of the provincial school, and seated in a meaningless bureaucratic post. When asked a question pertaining to her government field, she simply replies "I don't know anything." She is single, though in a loveless relationship with a museum curator. Her daughter has gone off and married an older man, yet Nadezhda has only met him over the phone. Of course, this hurts the lonely woman, so much so that she confides to her museum curator boyfriend that if she had been her real daughter she would have disowned her. She has nothing but memories and longings, and her job at the school. There she seems to find joy in fleeting moments. When one girl refuses to go on during a musical number, she puts on the girls costume instead so the others can still go on. But even there her life meets conflict. One student treats another, a girl, with physical cruelty. Nadezhda scolds him in front of a party gathering, after which he runs off. When he returns, he responds to question, "why?" with a blunt, "because I despise you." The film is juxtaposed with occasional flashbacks, usually just visuals - planes flying and soaring through the sky. But one turns out to be a fairly lengthy and dreamy rendering of a day out of the hospital with her love. the next sequence shows us how his plane went down, with Nadezhda on his tail. The plane crashes in a ball of flames, the wreckage captured in a swooping shot coming in overhead, freeze framing just directly above for moment, then moving on.

The glories she once knew, of love and heroism, a purpose in life, they're gone now, or so she feels. Her job at the school has the potential for a new purpose, but the cruelty only a couple students are enough to dissuade her from realizing that potential, and persuasion enough to leave the job and start anew. Her destiny is in the skies. After visiting with her daughter and her husband, who is entertaining his intellectual friends, she accuses her daughter of pitying her mother. She's just a plain old military woman, unsophisticated. Even though people seem to know her name and who she is everywhere she goes, its the truth.

There are many great movies about our yearning for the past, the desire to return to our glory days. Although Wings is a hearkening back to Nadezhda's military days and the difficulty of adapting to a peacetime life, perhaps drawing correlations to movies like The Best Years of Our Lives or Coming Home, it can equally be equated with films like Sunset Blvd. Wings though is just a different kind of film with a more touching execution. Although at times Nadezhda makes her situation more difficult than need be, she is always a sympathetic character.

Larisa Shepitko was one of the Soviet Unions unsung heroes. Her career lasted barely a decade, and she made only 4 films. I've seen two of them, this one and The Ascent, and both are nothing short of masterpieces. Sadly, she was killed in a car accident shortly after making The Ascent while scouting locations for her next project. Thankfully her work is again resurfacing thanks to the folks at Criterion. A boxset of Wings and The Ascent has been released through the Eclipse series.

Shepitko infuses her film with deep yearning painted in broad strokes. Her composition, even here in her first film, are assuredly artistic. The cinematography is stunning, particularly in the flashbacks. As beautiful as the film looks visually, and as stirring the direction is, the performance of Maya Bulgakova is at least the equal. Her portrayal of Nadezhda is nothing short of brilliant. She is able to convey so many emotions and express so much feeling with just a body language.

When she goes to visit the airfield, she climbs with struggle into a plane, dressed in her high heels and skirt. The men, overjoyed that the great Nadezhda Petrovna has come to visit, push her back to the hanger. The camera sits on her face for a few moments, as she moves from joy, to teary sadness, back to joy. The gesture is appreciated, but her destiny lies on the wings of love and steel birds.

This is a film directed by Larisa Shepitko--a woman whose life was cut very short at age 41. Because Russian movies are generally pretty tough to come by here in the US and because her career was short, there aren't a lot of opportunities to see her films.

"Wings" is a very slow-moving film. This isn't necessarily a criticism--just a comment on the style. Instead of telling the viewer a lot about the lady who is the subject of the film, you slowly begin to learn more about her as she appears to be in the throes of an existential crisis.

Nadezhda Petrovna is a woman in her early 40s, though she appears much older. She is the principal of a high school but seems vaguely dissatisfied with her job and personal life. Watching her, she seems rather sexless and emotionally stunted--and a bit lost. As the film unfolds, you learn through brief flashback scenes that she was a pilot during WWII and apparently since then, she has been in a bit of a fog. And, the only time she smiles or seems at ease is when in an airplane. Throughout nearly all of the film, Petrovna walks about in a rather tentative and slow-motion manner--and it may take some getting used to in order to enjoy the film. Perhaps 'enjoy' is not the right word, as this isn't meant to be enjoyed but more appreciated for the character study that it is. Visually and especially musically, this is a very, very good film--very evocative but slow and with a rather vague ending that might disappoint many. I give it a 7, as it IS a quality production--but not one that I'd heartily endorse.

By the way, while this is NOT a funny film and won't elicit a lot of laughs, I did love seeing the school play where a few of the kids were dressed like nesting dolls (matryoshka dolls). This was pretty cute.