Wie ein Schrei im Wind

Lush Canadian scenery that stretches as far as can be imagined, and yet this film manages to convey claustrophobia on the part of a traumatized girl compelled to wed a brutish-seeming fur trapper. The two leads play off each other very well. Miss Tushingham cannot speak yet shows powerful emotions in her facial expressions and body language. Mr. Reed gives a bravuro performance as a rough man trying to show his underdeveloped tender side. The plot is tight, the cinematography excellent, and the acting first-rate. One comment to those who wonder why Eve didn't use sign language or write: In frontier, fur-trapping Canada, when this film is set, most folks were illiterate and no universal sign language system had yet been developed. And sorry the Indians weren't acted by real ones, but that seems a minor point in light of the job the cast and crew did on an obviously limited budget. Flaws aside, this was a gripping love story.

Like many other reviewers I remember this film from the late 60's on late night tv. It was the era of kung fu films and blaxploitation movies which we all watched avidly. Films like 'the Trap' held no interest for us but it held our attention and fascination in an absorbing way. The slowly changing relationship between the trapper and his mute wife/slave transfixed us in its humanity and fragility. The story centres around these two mismatched ndividuals, both handicapped in their own way as they struggle to make a life together in the canadian wilderness. From initial brutality to tolerance to interdependence and finally the eventual outcome at the end. Both Reed and Tushingham give strong performances here, especially Oliver. When he wasnt getting soaked he could turn out some amazing work.Sadly he is no longer with us and is no doubt propping up another bar somewhere in shakespeares heaven.He will be missed. I hope they repeat this on tv or release it on video again soon.It is a truly outstanding work.

--- mild spoilers ---

this British adventure film tells a heart-wrenching love story by combining a classic erotic fantasy with a realistic depiction of the hard life in the 19th century Canadian wilderness. The show-piece of the film is the wolf attack. It is brilliantly filmed, with the camera moving on and on through the dark snow-covered wood, while the starving beasts relentlessly try to snap at the wounded trapper. Actually, these are no wolfs but German shepherds, but the whole thing was so damn frightening that I completely forgot that this film is forty years old. Oliver Reed and Rita Tushingham are two great actors and make a wonderful couple in this film. I loved the last line delivered by Reed to Tushingham.

Only one thing I have to criticize: the two roguish native Americans are played by western actors with wigs. Looks very cheap by modern standards.

"The Trap" seems to be a lost classic. I had never heard or read of it until it aired on German television last week under the title "Wie ein Schrei I'm Wind". Then I found out that both of my parents had seen it decades ago and were so impressed by it that they never forgot it.

I saw this movie on TV when I was probably about 11 years old (35 years ago!)--and I still remember it very well. There was a local station which, for one solid week, aired it every day--and I watched it every single day! Unfortunately, I haven't seen it since and I don't think it's available on VHS but I remember it being visually beautiful and plot-wise, simply spellbinding, full of action, poignancy and suspense. Rita Tushingham and Oliver Reed are amazing in this. It's such a shame that no one aside from real film buffs have ever heard of this movie. It's a little lost gem that seems to have gotten buried somewhere in the Canadian snow--but if you ever get a chance to see it, please do!! It'll be time well spent.

I've seen this movie only twice. Once when it first hit commercial television, and again about 15 years ago, and it is unforgettable. It's great to see I'm not alone in my appreciation. I think it's a classic . . . . a "must see" for anyone who considers themselves a cinefile.

The two leads, Tushingham and Reed, are at the height of their powers and both give brilliant performances. (no hyperbole) The story is well conceived, well developed and executed to perfection. It holds together. The movie is a little gem.

Considering when it was made, the budget it was made under, and the politics of the time, (you couldn't find "real" Native American's in the actors union), it is an extraordinary work.

To criticize this movie for using an Italian "Indian" is like dismissing "Saving Private Ryan" because of a half-dozen glaring continuity errors. It means you've missed the point. Close your mind and open your heart. You will be rewarded for watching it, if in no other way than to witness, deeply and completely, the archetypes of what the masculine and feminine essences are in the universe.

Tushingham (Eve) IS the frightened rabbit that Reed (Jean) says she is. She has been torn from civilization to witness all manner of horrors of life in the wilderness. And what can be said of Reeds LaBete? Even those who laud this actors genius underestimate him.

While we're on the subject, how is it possible that during the Acadamy Awards Ceremony, when Reed's last movie "Gladiator" won BEST PICTURE, that he was overlooked when they did their eulogizing segment on those important figures who had passed away during the previous year? Conspicuous and tragic was his omission from that roster.

Do yourself a favor. See "The Trap". And then . . . . see it again.

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