Django - Sein Gesangbuch war der Colt

What a truly wonderful discovery and surprise. Lucio Fulci is best know in the genre of horror, I must admit to not being one of his biggest fans, his movies lack consistency, his earlier work outweighs, by far, his later work. But even the films regarded by his fans, The Beyond, Zombie Flesh Eaters etc. are severely overrated. Before I saw his Spaghetti Western Tempo di massacro (Massacre Time) I was impressed more by his earlier work, Don't Torture a Duckling for a perfect example of Giallo cinema. It all changed when I caught this truly outstanding cinematic experience...Tempo di massacro. From the excellent original Morricone' esquire score by Coriolano Gori to fantastic action sequences that obviously inspired John Woo's narrative traits (complete with flying 'slow mo' doves) The consistently great Franco Nero here gives an adequate performance (mirroring Eastwood's on screen presence) pairing perfectly with his on screen brother George Hilton who steals many of the films greatest lines from him. But the highlight of the film, by far, is the absolutely fantastic and mesmerising performance of Nino Castelnuovo playing the sinister whip brandishing Junior. Castelnuovo's performance lights up the screen here in a way rarely has been seen in cinema (for me Castlenuovo is one of the best character actors in Italian cinema with career defining leaps in so many genres ranging from comedy, horror, romance, erotica, western, sci-fi and drama) From the fantastic 'whipping' scene to the organ-playing scene... Nino Castelnuovo steals every moment on screen... and considering Franco Nero is in this that is by no means an easy achievement!

Just check this cinematic classic out...I have no doubt in saying that in a few more years, this will be seen as a true classic of the genre and will finally be given the respect and audience it so rightly deserves. Lucio Fulci's finest work! A MUST SEE!

Much more than just sixties exploitation cinema. I don't use this word lightly... it's a masterpiece of sixties cinema.

...Lucio Fulci's "Massacre Time" is a typical Spaghetti Western with a few things that seperate it from the pack. First, the presence of schlock horror-maestro Lucio Fulci makes it worth a try for devotees of the king of Italian gore. Second, the shootout at the end (while nothing compared to the action scenes of Sergio Corbucci, the best action director of Spaghetti Westerns) is quite interesting especially considering the many John Woo trademarks throughout (flipping while firing, the emptying of guns into a single person at close range, birds flying through the air, etc.). Whether this is coincidence or outright theft is up in the air. Third, the wonderful score. You'll be humming the theme song for the rest of the day.

To sum it up, this flick is interesting, but more or less typical for the genre.

Lucio Fulci would direct only three Westerns in his career and this is one of them. Tempo Di Massacro/Massacre Time(1966) came out three years before his first prosperous period in the early 70's. Although the Fulci touch is not fully developed, there are still scenes which contains mannerisms that would later become his trademark. It is about friendship and the lack of woman in a family structure. This film is also about the greedy and sadistic nature of the rich.

Massacre Time exhibits the fact that Lucio Fulci was not a hack as many people believe. It also shows that he was a talented film-maker who was capable of making great feature films. One reason to watch Massacre Time(1966) is the appearence of Franco Nero as this was done before he worked with Sergio Corbucci to do Django(1966). The story starts out slow, but ends in a awesome gun battle that foreshadows the famous shootouts of the Hong Kong Action films of the 80's and early 90's. The best way to view this film is via widescreen and hopefully in the Italian language as dubbing would gives this film little justice.

I have loved Fulci's Zombie films and his other horror films since long before I became interested in spaghetti westerns, so I was naturally very curious about this movie when I discovered that Fulci directed it. After viewing the film, I am very pleased to say that Fulci has directed an excellent western as well.

The music is a perfect example of a great non-Morricone score. Lallo Gori shows that he can have a style of his own and still create a score that is unmistakeably spaghetti western flavored. The theme song is fantastic, and you hear very different variations of it throughout the movie. This gives a feeling of continuity throughout the film without sounding redundant.

Nero and Hilton are both great, as usual. Hilton plays a funny character- a drunk who can shoot faster and straighter than anyone no matter how much he drinks! He can also fight several men at once even though he can't walk a straight line. The other actors are very good also. Nino Castelnuovo gets to play the most interesting part in the film. His character is truly weird and sadistic, and his preoccupation with playing the organ adds a nice hint of the macabre.

If you are a fan of spaghetti westerns or euro-films in general, do yourself a favor and see this movie.

When you hear the name of Italian movie director Lucio Fulci, you probably don't immediately think of spaghetti westerns, but Fulci did direct a few before he was associated as a horror director. For the most part, Fulci does a good job with what he was given with "Massacre Time". There is genuine atmosphere, an atmosphere of gloom and doom that will put you at unease. In the moments of action, Fulci creates both excitement and the feeling that maybe the protagonists might not succeed. He also gets Nino Castelnuovo to give a GREAT performance as the sadistic Junior, enough that you'll wish that there was more of this character in the movie.

The movie definitely has enough to satisfy fans of spaghetti westerns, though it's not without problems. There are a couple of major script problems, for one thing. It is NEVER explained how the character of Scott managed to take over the town, nor is his connection with the character of Tom explained. The biggest problem is that the first hour of the movie goes by VERY slowly. The movie takes an hour to do what would normally take about a half hour by a more efficient screenplay. So while this is a movie worth seeing, it's best saved for when you are in a patient mood.