Das schwarze Reptil

Harry and Valerie Spalding (Ray Barrett and Jennifer Daniel) move in to a quaint little cottage in a small village. The cottage used to belong to Ray's brother, before his untimely demise. It seems he died from "heart failure", but as time goes by, a far more insidious cause arises.

Enter Dr. Franklyn and his beautiful daughter, Anna (Jacqueline Pearce). What's really going on in that big, spooky old house of theirs?

THE REPTILE is a well-made Gothic horror film. It takes the basic "monster movie" idea, and adds a good deal of mystery and suspense. A classic Hammer film with loads of heavy atmosphere.

Special mention for the makeup department. A lot of time and effort went into this practical creation. In the age of CGI, such artistic genius seems to have been lost...

A young couple, Harry and Valerie Spalding, inherit and move into a small cottage previously owned by the husband's now deceased brother, Charles. Charles' death is something of a mystery, but none of the locals in the small Cornish village want to discuss it or any of the other deaths they've seen. Harry has seen some strange things in his time and believes that these deaths are similar to the cobra bite victims he saw in India. But a cobra in Cornwall - it's not possible. The couple meets their standoffish and odd neighbor, Dr. Franklyn, and his charming, but strange daughter, Anna. The Franklyn's are hiding a secret, but is it a secret capable of killing Charles and others in the community? Is there a giant, snake-like creature hiding in the Franklyn's house?

Of all the wonderful movies that Hammer made, I'm of the opinion that The Reptile is one of the most often overlooked gems in the catalog. It's a really nice movie that doesn't seem to get near the attention I feel it deserves. Good acting from a rather small cast (with a big, meaty role for Hammer regular Michael Ripper), nice pacing, solid direction, and that Hammer "look" (for lack of a better word) that I always enjoy. But what really sets The Reptile apart is the atmosphere. There's a real sense of fear and mystery about the whole movie. It's as creepy and suspense filled as anything Hammer ever made. And I just love the whole notion of a snake-cult putting a curse on Franklyn and his daughter. It's a unique, original idea for a movie. Sure, there have been other snake-to-man movies, but none that I've seen are as well done as this one. Finally, I've read complaints about the make-up effects. Personally, I think they're fine given the relative modest budget Hammer put-up for the movie. The snake appliances may not look as real as one might have hoped for, but at least they're not some weightless CGI nonsense. Just go with it and have fun.

Made back-to-back with Plague of the Zombies, and using many of the locations, the same director, and some of the cast from that film, The Reptile isn't quite as good as Hammer's only zombie movie, but is still splendid fun nonetheless.

Ray Barrett plays Harry Spalding, an ex-soldier who moves to Cornwall with his wife Valerie (Jennifer Daniel), after he inherits a country cottage from his recently deceased brother.

Unfortunately, the Spaldings' new life in the West country is far from idyllic: the locals are less than friendly (with the exception of Tom Bailey, the pub landlord, played by Hammer regular Michael Ripper); their new neighbours—Dr. Franklyn (Noel Willman), his beautiful daughter Anna, and their manservant—are more than a little creepy; and some kind of extremely venomous creature is on the loose and claiming victims right, left and centre.

Don't expect too much in the way of blood and boobs in this offering from Hammer: there is very little of both. What you do get, however, is a decent cast giving some fine performances (Michael Ripper, in particular, gets a chance to shine), some suitably atmospheric direction from John Gilling, and a memorable monster which, despite being kinda silly looking, is still pretty freaky.

And that's good enough for me!

This film is one of the best period horror films of it's day. The costumes and sets are lavish and the acting is notable. The 'Reptile' itself is hinted at but not seen for most of the film, building suspense. It is a shame that the video box shows what the Reptile looks like, lessening the shock when you see it on the screen. The make up was very ahead of its time, much more realistic than other films of its day. The only problem about the film is that it plays like a mystery, but we already know what is going on. People die after getting on the neck. No one knows who or what is doing the killing. A good guess on our part would be, the Reptile. By the time the players figure that out, we have already have figured out who is the Reptile. The film is a little low on terror and gore for a Hammer film, but writing and effects more than make up for it. Plus the film boasts one of the best 'dead body POV shots' ever filmed. A must for any Hammer fan!

The Reptile is famous for the fact that it utilises the same sets as the brilliant 'Plague of the Zombies', and as such; you would expect the rest of the film not to be up to Hammer's usual standards. This couldn't be further from the truth! While this may not be Hammer's best work, all the things that us fans have come to expect from this great studio are present, along with a few other little surprises. The film follows a man and his wife who move to a small village to live in the cottage that the man's brother left him. The brother died in mysterious circumstances...and our hero makes it his business to find out why. This plot is good enough, but it's the other one that really sparks the interest. The film introduces a brand new monster - the Snake Woman! Dracula, Frankenstein's Monster etc are all fine; but we've seen them all before. I have a lot of respect for this film just due to the fact that it's got something different on offer. The Snake Woman is an unfortunate victim of a curse...and she stalks the local population on the moors at night.

The film features a lot of suspense, and it pretty much runs throughout the entire run time. We are always on tender hooks to uncover the mystery behind the mystifying Snake Woman, and this is helped by the way that the plot continues to deal out cards, without telling the audience exactly what is going on until the end. The only real problem with the film is that the mythology never really explained in any great detail...the film, having a new monster at it's centre, would have benefited greatly from delving a little more into how she came about. This film is notable for Hammer fans because of the fact that the studio's favourite co-star, Michael Ripper, has got himself a starring role! This actor has done so much for Hammer films, and it's good to see him in a larger role for a change. The film benefits from the traditional Hammer style, including both lavish sets and a sense of goodwill that runs throughout. The film's climax is really good, as it provides an answer to both the plots running during the film, and even manages a little poetic justice! On the whole - don't miss this one. It may not be Hammer's best - or most famous - but I'm already looking forward to seeing it again!