Die Rückkehr der glorreichen Sieben

"The Magnificent Seven" was an exceptional remake of Akira Kurosawa's "The Seven Samurai". But, unlike the Japanese film, it was set in the West. Because of a terrific musical score and excellent cast, the film was a resounding success. Now, years later, the studio is whoring out the name in a remake. I know it sounds very harsh, but there is so much that disappoints in "Return of the Seven".

The biggest problem in this film is that of the three survivors at the end of the last film, only one is played by the same actor in both films (Yul Brynner). The other two are played by new actors. These two plus the new members of the group are all lightweights compared the the fine cast in the first film. Think about it--here we have the likes of Claude Akins, Robert Fuller and Warren Oates instead of actors like Steve McQueen, Charles Bronson and James Coburn! The second biggest problem in the sequel is that the film is pretty much the same as the first film. The SAME great music is once again here and the plot is pretty much the same, as the seven rescue the exact same town that was terrorized in the first film! It cheapens the name of the franchise and offers nothing particularly new.

Now the actors do try their best and the film is worth seeing as a time-passer. But, it's just not a worthy sequel to one of the best westerns of the 1960s--it's only a pale imitation. Interestingly, the next film in the series, "The Guns of the Magnificent Seven" is actually a bit better even though NONE of the actors playing the seven are back because at least the plot is a tiny bit different.

This is the second in the original series of four "Magnificent Seven" movies . This sequel to ¨Magnificent seven¨ is well played Yul Brynner as tough gunslinger named Chris who along with Vin , Robert Fuller, and their group set off in rescue some Mexican villagers . One day someone comes and takes most of the men prisoner . The villagers have been kidnapped by gunfighter bandits . Chico one of the remaining members of The Magnificent Seven now lives in the village that formerly helped and being also abducted . His wife named Petra (Elisa Montes replacing Rosanda Monteros) sets out to look for Chris, the leader of The Seven for help . Chris is decided to take a group and strike a blow against the Mexican bandits . Chris also meets Vin (Robert Fuller replacing Steve McQueen) another surviving members of The Seven . They find four other men and they go to help Chico (Julian Mateos substituting Horst Buchhold) , they are a womanizer (Warren Oates) , a revenger (Claude Akins), a highwayman (Virgilio Teixeira) and an orphan named Manuel (Jordan Christopher) . As Chris and his buddies , each of whom comes for a different reason , must free a Mexican village imprisoned by nasty outlaws (Emilio Fernandez , Rodolfo Acosta in similar roles to Calvera's Elli Wallach) who are devastating the small location . All of them get a chance to redeem themselves . Later on , the group develops a plan to secure the villagers defend it against enemy attack.

Chris character was played by Yul Brynner in two occasions and one performed by Lee Van Cleef and George Kennedy . Brynner as a two-fisted pistolero is very good ; in fact , it was Yul Brynner who approached producer Walter Mirisch with the idea of doing a Western adaptation of Akira Kurosawa's classic, The seven Samurais. Yul insisted he would only make this film if Steve McQueen was not involved , McQueen felt the plot was too absurd and for this, and other reasons, was not interested anyway . The story is similar to previous entry , including customary outlaw band formed by an eclectic gang with diverse characters as well as speciality , as dynamite or guns . The film gets action Western , exciting riding, shootouts, it's funny and entertaining , although nothing new but displays a slight style . The movie contains some moment of violence and even touching on the relationships between the villagers and the Magnificent. Being a Spanish/US co-production , there appears several actors usual in Spaghetti-Paella Western such as Julian Mateos , Ricardo Palacios , Elisa Montes , Carlos Casaravilla and Fernando Rey playing his ordinary role as a priest . This is a passable though inferior sequel from the original and enduringly popular ¨The magnificent seven¨( John Sturges,1960) that is equally remake of ¨The seven samurais¨ (Akira Kurosawa) . After that , followed ¨The return of the seven¨(Burt Kennedy,1966), again with Brynner and ¨Guns of the magnificent seven¨ (Paul Wendkos,1969) with George Kennedy and ¨The Magnificent seven ride¨ with Lee Van Cleef by George McCowan and continued with a TV series and a Television movie realized in 1998 . As always, breathtaking and memorable musical score by Elmer Berstein ; Elmer , whose score for this movie is one of the best-known ever composed, also wrote the soundtrack for the parody of this film, 'Three amigos'. Appropriate cinematography by expert cameraman Paul Vogel , filmed on location in Colmenar , Alicante , Nuevo Baztán, Madrid, Samuel Bronston Studios, Madrid, and , of course , Almeria , Spain . Although this film revisits the village from the first movie, it was shot in Spain, not Mexico. Among the many reasons were the difficulties that occurred between the American filmmakers and the Mexican crew and government censors during the shooting of the first film .

The motion picture was professionally directed by Burt Kennedy .He initially was screenwriter , his initial effort, ¨Seven men from now¨ (1956), was a superb western, the first of the esteemed collaboration between director Budd Boetticher and star Randolph Scott. Kennedy wrote most of that series, as well as a number of others for Batjac, although it would be nearly 20 years before Wayne actually appeared in the film of a Kennedy script. In 1960 Kennedy got his first work as a filmmaker on a western, ¨The Canadians¨ (1961), but it was a critical failure . He turned to television where he wrote and directed episodes of "Lawman" (1958), "The Virginian " (1962) and most notably ¨Combat!"(1962) . He returned to films in 1965 with the successful ¨The Rounders¨ , later producing and directing the pilot for the TV series of the same name and subsequently the notorious ¨Support you local sheriff¨ , it results to be one of his best Western . This good Western is a Yul Brynner vehicle , if you like his particular performance ,you'll enjoy this one .

Though not as good as the original, The Return Of The Seven brings back Yul Brynner for another appealing turn as black-clad anti-hero Chris Adams, with Claude Akins and Warren Oates providing memorable support. However, the rest of the seven are kind of bland, but alright.

Burt Kennedy was one of the best and least heralded directors that the western genre has to offer. Here, he doesn't disappoint, filling the screen with the type of excellent screen composition that his old collaborator Budd Boetticher was known for and from whom he no doubt learned to direct.

The afore mentioned direction, good production values, and exciting action sequences, as well as the performances of Brynner, Oates, Akins and Emilio Fernandez all help make up for the slow spots in the script.

Speaking of Warren Oates, the same year he also starred in the art-house/drive-in western The Shooting. Such a great actor he is, that Oates doesn't even seem like the same person in both movies! Three years later, he and villain Fernandez were opposite each other again in The Wild Bunch.

Do you remember how the first Magnificent Seven ended? Yul Brynner and Steve McQueen rode off after polishing off Eli Wallach and his group of bandits. Horst Bucholtz as Chico stayed in the village and married a girl from there. The other four also stayed in six by four graves.

Flash forward now to the present. One day another group of bandits sweep down on the village, they take Chico and the rest of the men as workers on a little project. They've taken the men from two other villages as well.

The call is sent out for help again. Yul Brynner and Robert Fuller in Steve McQueen's role recruit four others and ride back to where they fought that battle many years earlier.

Instead of the eminently practical Eli Wallach whose interest in these poor villages was for supplies during the winter for his gang. This time we're dealing with a fanatic played Emilio Fernandez who Yul Brynner has had dealings with before. He's got all these peasants working as slave labors to rebuild a church as a monument to his two dead sons. The man's trolley has definitely slipped his tracks.

I guess I miss Eli Wallach from the original. I found Fernandez's character to be just too off the mark for me. I can't believe his own men are standing for what he wants.

Just as Steve McQueen came from western television so does his replacement Robert Fuller, fresh from the Laramie series. Fuller is competent enough, but does not have McQueen's charisma by a stretch. Too bad they couldn't get Steve McQueen to repeat his role.

The other four of the new Seven are Jordan Christopher, Claude Akins, Warren Oates, and Rudolfo Acosta. All of them fill roles that we've come to expect of them. Julian Mateos takes Horst Bucholtz's part, a more mature Chico to be sure.

You could not have done this film without that wonderful Elmer Bernstein theme again. What I can't understand is why his score was nominated again as there was nothing original in it.

Return of the Seven is a decent enough remake, but it ain't a patch on the original.

In some ways, it almost seems unfair to compare a sequel to the original, that we should judge it on it's own merits. However, usually the only reason we are watching a sequel is because of the original, so my review consists primarily in comparison.

The most interesting thing about Return is how hard the makers tried to make it like the original. They were largely successful. Burt Kennedy's direction is good and recreates the visual feel of the original. Of course, Bernstein's score highlights the film. The story, different in particulars, is goes through essentially the same stages: armed men attack the village, the call for help, the gathering of the seven, traveling to the village, defying the villain, the first attack beaten off, a pause where we get to know the characters and their motivations better, the final attack. The only difference is that the villagers do not 'betray' their protectors, as in the Magnificent Seven. A character even sneaks into the enemy camp in much the same fashion as in the earlier movie.

The real weakness of the sequel is the script. Along with the excellent acting and music, the dialogue in the first film was very well written and something of a departure from earlier westerns. It was terse, oftentimes funny, filled with meaning. In Return the delivery and the tone is the same, but the words spoken so solemnly are utterly commonplace and with no humor. Robert Fuller would have been a good replacement for McQueen, but the character is written completely differently and is far less interesting.

The acting, also, is inferior to the first film.

Another problem with the film is the portrayal of the peasants. They are a not characters, as in The Magnificent Seven, but a mass. This film is solely about the 7 Americans riding to the rescue to the rescue of defenseless peasants and at times seems to have a pro-intervention (pro-Vietnam?) political subtext that the in first film, which was a translation of Seven Samurai to the New World, was either absent or more subtle.

All this said and out of the way, film has lots of action, a good score, and Yul Brynner, who is always fun to watch in a western whether it is The Magnificent Seven or Adios, Sabata. Fans of westerns and action films will probably find it entertaining.

Familiar face Emilio Fernandez, who played Lorca, acted in over 70 films, starting in Mexico, and wrote and directed many of them. The relationship between his character, his dead sons, and Chris could have made a very compelling film. Unfortunately it was not expanded on.