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Das Quiller Memorandum - Gefahr aus dem Dunkel

Originaltitel: The Quiller Memorandum
  • 1966
  • 16
  • 1 Std. 44 Min.
IMDb-BEWERTUNG
6,3/10
4590
IHRE BEWERTUNG
Das Quiller Memorandum - Gefahr aus dem Dunkel (1966)
In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate.
trailer wiedergeben3:08
1 Video
58 Fotos
CrimeDramaMysteryThriller

Füge eine Handlung in deiner Sprache hinzuIn the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate.In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate.In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate.

  • Regie
    • Michael Anderson
  • Drehbuch
    • Elleston Trevor
    • Harold Pinter
  • Hauptbesetzung
    • George Segal
    • Alec Guinness
    • Max von Sydow
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    4590
    IHRE BEWERTUNG
    • Regie
      • Michael Anderson
    • Drehbuch
      • Elleston Trevor
      • Harold Pinter
    • Hauptbesetzung
      • George Segal
      • Alec Guinness
      • Max von Sydow
    • 92Benutzerrezensionen
    • 42Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 3 BAFTA Awards
      • 4 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 3:08
    Official Trailer

    Fotos58

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    Topbesetzung25

    Ändern
    George Segal
    George Segal
    • Quiller
    Alec Guinness
    Alec Guinness
    • Pol
    Max von Sydow
    Max von Sydow
    • Oktober
    Senta Berger
    Senta Berger
    • Inge Lindt
    George Sanders
    George Sanders
    • Gibbs
    Robert Helpmann
    Robert Helpmann
    • Weng
    Robert Flemyng
    Robert Flemyng
    • Rushington
    Peter Carsten
    Peter Carsten
    • Hengel
    Edith Schneider
    • Headmistress
    Günter Meisner
    Günter Meisner
    • Hassler
    • (as Gunter Meisner)
    Ernst Walder
    • Grauber
    Philip Madoc
    Philip Madoc
    • Oktober's Man (Brown Trousers)
    John Rees
    • Oktober's Man (Black-Rimmed Glasses)
    Bernard Barnsley
    • Mr. 'F'
    • (Nicht genannt)
    Victor Beaumont
    Victor Beaumont
    • Weiss
    • (Nicht genannt)
    Harry Brooks Jr.
    • Oktober's Man (Tall Blonde)
    • (Nicht genannt)
    Otto Friese
    • Waiter
    • (Nicht genannt)
    Herbert Fux
    Herbert Fux
    • Oktober's Man (Pipe)
    • (Nicht genannt)
    • Regie
      • Michael Anderson
    • Drehbuch
      • Elleston Trevor
      • Harold Pinter
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen92

    6,34.5K
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    Empfohlene Bewertungen

    7battle-3

    memorable, haunting spy flick

    Very satisfying spy flick which, if it grabs you, may haunt you for a long time. Perfect and slightly ironic ending. Excellent musical score too.
    7blanche-2

    Interesting spy film

    An almost unrecognizable George Segal stars in "The Quiller Memorandum," set in Berlin and made 40 years ago. Segal is a very young man in this, with that flippant, relaxed quality that made him so popular. This time he's a spy trying to get the location of a neo-Nazi organization. The cast is full of familiar faces: Alec Guinness, who doesn't have much of a role, George Sanders, who has even less of one, Max von Sydow in what was to become a very familiar part for him, Robert Helpmann, Robert Flemyng, and the beautiful, enigmatic Senta Berger.

    This is a very good spy movie. Spy movies were the "in" thing in the '60s. This one doesn't have gadgets and goes more for subtlety. The last 30 minutes are tense and exciting, and the last scene, loaded with subtext, is just great.
    6hokeybutt

    They Don't Make 'Em Like This Anymore

    THE QUILLER MEMORANDUM (3 outta 5 stars)

    The 1960s saw a plethora of two kinds of spy movies: the outrageous semi-serious James Bond ripoffs (like the Flint and Matt Helm movies) and the very dry, methodical ones that were more talk than action (mostly John Le Carre and Alistair MacLean adaptations). This is one of the better examples of the talky thrillers. Not that the movie is boring... there is lots of good, cat-and-mouse dialogue courtesy of playwright Harold Pinter. George Segal plays the hero, an undercover spy who goes to West Berlin to find out who killed his predecessor... who was on the trail of modern-day Nazis. Segal has surprisingly little difficulty in finding himself right in the thick of things... being captured and drugged by the baddies... and even having time for a romance with a German schoolteacher who may know more than she lets on. Parts of the movie reminded me a lot of the classic "The Third Man"... which I think the director was trying to emulate at times. Well, this is not quite a classic of that caliber but it is a very well-written and smoothly-paced "old school" thriller. Segal makes a very cool lead... witty and sarcastic, yet with a vulnerable side, too.
    6Lejink

    Our Man In Berlin...

    Languid, some might say ponderous mid-60's British-made cold-war drama (it could scarcely be called a thriller, more "The Spy Who Came In From The Cold" than, say "Thunderball") that for all its longueurs, does have some redeeming features. These include another superior soundtrack by John Barry, if perhaps a little too much son-of "The Ipcress File", some fine real-life (West) Berlin exteriors, particularly of the Olympic Stadium with its evocation of 1936 and all that and Harold Pinter's typically rhythmic, if at times inscrutable screenplay. George Segal, plays the edgy American-abroad new CI5 recruit (looking unnervingly at times like a young George W Bush!) before he started doing "genial" and reminds us that his previous part was in the heavyweight "Who's Afraid of Virginia Woolf". Try as he might though, he can't quite carry the lead here, lacking as he does the magnetism of Connery or the cynicism of Caine. Alec Guinness gets to play a Smiley prototype but brings too much Noel Coward to the table. Max Van Sydow is better as the neo-Nazi leader, veiled by the veneer of respectability as he cracks his knuckles and swings a golf club all the time he's injecting Segal with massive doses of truth serum, while Senta Berger is pleasant, but slight, as the pretty young teacher who apparently leads our man initially to the "other side", but whose escape at the end from capture and certain death at the hands of the "baddies" might lead one to suspect her true proclivities. The movie wants to be more Le Carre than Fleming (the nods to the latter fall flat with a couple of fairly underpowered car-chases and a very unconvincing fight scene when Segal first tries to escape his captors) but fails to make up in suspense what it obviously lacks in thrills. I also expected just a little more from the interrogation scenes from the man who wrote "The Birthday Party". Watchable and intriguing as it occasionally is, enigmatic is perhaps the most apposite adjective you could use to describe the "action" within. In conclusion, having recently watched "Quiller's" almost exact contemporary "The Ipcress File", I have to say that I preferred the latter's more pointed narrative, down-home grittiness and star acting to the similar fare offered here.
    Insp. Clouzot

    A good spy movie

    Other viewers have said it all: it is a good movie and more interestingly it is a different kind of spy movie. It is credible. The shooting on location in Berlin makes it that much more thrilling.

    Good acting. Fantastic last 30 minutes where I have rarely felt so tense so the suspense was intense: great chase in the streets of Berlin but in a different way from James Bond...

    Definitely worth seeing. You won't be disappointed.

    Final note: there is no stupid romance to spoil the film. The ending in itself contributes to the film's value (you will see).

    My vote: 8 / 10.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The source novel "The Berlin Memorandum" is billed in the credits as being by Adam Hall. This is a nom de plume for author Elleston Trevor.
    • Patzer
      During the car chase scene, the cars behind Quiller's Porsche appear and disappear, and are sometimes alongside his car, on the driver's (left) side.
    • Zitate

      Quiller: Met a man called Oktober.

      Pol: Oh yes?

      Quiller: Know him?

      Pol: We've never actually met.

      Quiller: At the end of our conversation, he ordered them to kill me.

      Pol: And did they?

    • Verbindungen
      Featured in Al Murray's Great British Spy Movies (2014)
    • Soundtracks
      Wednesday's Child (Theme Song)
      Music by John Barry

      Lyric by Mack David

      Sung by Matt Monro

      [Played on the radio when shoeless Quiller arrives at the hotel]

    Top-Auswahl

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 24. Februar 1967 (Westdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprachen
      • Englisch
      • Deutsch
    • Auch bekannt als
      • Tod in Berlin
    • Drehorte
      • Europa-Center, Charlottenburg, Berlin, Deutschland
    • Produktionsfirmen
      • The Rank Organisation
      • Ivan Foxwell Productions
      • National General Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 44 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

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