Rancho River

The Rare Breed is the second of four films James Stewart did with director Andrew V. McLaglen. This is a fictionalized account about how Hereford cattle came to the great state of Texas. In this film Stewart brought a breeding bull together with his owners, Maureen O'Hara and Juliet Mills.

The question of course is whether the breed can stand up to a harsh and cruel Texas winter and breed calves. I guess since in real life there are a whole lot of Hertford cattle all over the USA now, the answer is they could. Of course in the film it involved some sacrifice in regard to some notions the women had, especially Juliet Mills who regards the bull Vindicator as a family pet.

Stewart's character, Sam 'Bulldog' Burnett has a bit of the rogue to him, but he certainly turns out to be the decent reliable Jimmy Stewart that movie audiences for three generations loved. Irish born Maureen is a proper English lady and Juliet Mills does very well as the daughter.

In her memoirs Maureen O'Hara said that some scenes she states she stole from Jimmy Stewart got cut from the final print. In watching The Rare Breed tonight, there were some illusions to some banter and a horse race that we just see the finish of. I'm sure that was what she was referring to although it's pure speculation as to the reason for the edit.

But if Maureen was worried about scene stealing, the guy who stole the film completely is Brian Keith. He plays the Scotch Texas cattle baron with proper brogue and a wild appearance. When we first see him, he's a real frontier character with a possible aversion to soap and water. Maureen has a civilizing affect on him and Keith becomes a rival to Stewart for her affections. He's quite a sight in the uniform of his former Highland regiment playing the bagpipes.

The Rare Breed doesn't rank up there with most of the Anthony Mann westerns of the Fifties. But it's entertaining enough and nothing anyone in the cast need be ashamed of.

Not only a good story but the acting was terrific in this western where a woman, played by Maureen O'Hara, comes to America with her daughter. Her husband died and she had to take over. It was the introduction of Hereford cattle into the American West that was her husband's dream. They enlisted help from Sam, played by James Stewart, who struggles to bring a bull to breed in Texas. The whole journey is fraught with many dangers and Sam doubted the survival potential of this 'rare breed'. If you like good stories, I recommend this one highly. 7/10

This is dire. Without James Stewart, this flabby, far-too-long cattle yarn would be unwatchable. As it is, it's not far off. Stewart made a few of these 'modern' westerns for Universal in the mid 60's ("Shenandoah" springs to mind) and they are consistently shallow and unrealistic.

Two English beauties, Martha and her daughter Hilary, travel out to the American West in 1884 to sell their prize hornless bull. They meet up with Bulldog Burnett, a trusty cowpoke, who helps them move their bull to Texas. Various adventures befall them along the way.

The film wants to be a comedy action movie, but fails in both departments. The script is very weak and the improbabilities of the story are just too much to swallow.

Stewart plays Burnett, and manages to inject a bit of human interest into even this poorly-drawn character who has to utter some dreadful lines. Martha is played by Maureen O'Hara. She reacts beautifully and wordlessly when Bowen proposes marriage, but other than that she has nothing to do in the whole interminable film except look pretty and seem aloof. Juliet Mills is passable as the female ingenue Hilary, as is her male counterpart (Jamie, played by Don Galloway), but their characters are too flimsy to merit further attention. Jack Elam plays the bad guy Simons, as ludicrous a villain as exists anywhere on celluloid.

And now for the daffy parts. Burnett and the English ladies have camped for the night on the trail, but their camp is as bright as day, thanks to the Universal 'look'. Somebody takes a shot at Burnett, the bullet striking the coffee pot in his hand, but everyone decides to ignore it and turn in for the night! The notion that these two fragrant English roses would sleep on dirt is preposterous, but worse is to follow. The next morning, they are wearing crisp new outfits, both featuring dazzling white blouses - even though they have no luggage with them! Simons shoots his partner dead for no reason whatsoever - even though he is within his victims' earshot and risks ruining his own plan.

When Simons stampedes Jamie's herd, nobody notices him firing his gun or riding in among the cattle, waving a yellow scarf. When he robs the travellers, the obvious thing for him to do is to kill them, but he lets them go free. Before and after the dry gulch sequence, the group moves through lush pasture land. The dry gulch simply doesn't fit with the terrain (which is probably meant to be Oklahoma Territory). Brian Keith as Alexander Bowen parades the most awful Scottish accent since Brig O'Doon - and because he's Scottish, he plays the bagpipes, of course.

The scenes in the Bowen ranch yard and the blizzard sequence are very obviously filmed in a studio.

Verdict - Too long, too shallow ... and too bad they decided to film it at all.

This western has much going for it: great stars (Jimmy Stewart, Maureen O'Hara, and Brian Keith), interesting plot twists (is Stewart's character a thief, after all), and some comedic moments (Brian Keith is a hoot as Scottish cattle baron). Take the movie as it is, an old western that is mediocre in script with star power holding it afloat, and you'll enjoy the movie. Start picking it apart for studio shots, etc and of course you'll not enjoy it. The storyline of how Herefords came to replace Texas Longhorns sounds plausible enough. It was cute how Juliet Mills (sister of Hayley) got that Hereford bull to follow her by whistling "God Save the Queen". Juliet added quite a bit to the movie, and she was a good balance to the humorous triangle of Keith, O'Hara, and Stewart. Some reviews are harsh, yet the questions remains--How could anyone not enjoy a movie with Jimmy Stewart in it?

Director Andrew V. McLaglen's "The Rare Breed" (1966) has a surprising amount of historical interest, both to students of the old west and to western genre film buffs. It is actually a fairly accurate (if fictionalized) account of the displacement of Longhorn cattle on the Texas range by intentional interbreeding with more conventional bulls (in this case a Hereford named Vindicator).

Just as interesting is the film's position as one of the early intentional parodies of the western genre. While less obvious than in "Cat Ballou" (1965), the self-reflexive elements and parody are there if you look close. The most obvious are Brian Keith's overplayed (almost expressionistic) Scotsman and McLaglen's juxtaposition of classic John Ford outdoor scenery with obvious sound stage shots-including matte paintings by Albert Whitlock. And McLaglen rounds out his cast with genre favorites Ben Johnson, Harry Carey Jr., and Jack Elam.

But "The Rare Breed's" real claim to fame is as the first "chick flick" western. It is likely to appeal more to women than men viewers as the story is told from the point of view of its heroine Hilary Price (Juliet Mills), who sets out with her parents to bring a small herd of cattle from Hertfordshire (England) to the American west. Unfortunately her father dies on the ocean voyage so Hilary and her mother Martha (Maureen O'Hara) are faced with the daunting task of completing what had been her father's dream.

Mills is wonderful in this role and it really suits her. She is a placid observer of the strange land in which she finds herself while her mother is almost savagely reactive. Yet Mills gets all the really good lines as Hilary injects a lot of wit and wry humor into the story. McLaglen gives real dimension to only two of the characters, Hilary and "Bulldog" Sam Burnett (Jimmy Stewart). Burnett is a cowhand who starts out to swindle the two women but ends up being completed by them; eventually becoming a father/husband replacement to Hilary and Martha respectively, as well as a complete believer in their mission to change the nature of the American cattle industry.

But Burnett has to come a long way to make this transition as he begins by calling the symbolically named Vindicator a muley bull (because it has no horns). His reaction does not get him off to a good start with the protective Hilary, who has raised Vindicator from a calf. The bull follows her around like a dog and is easily quieted with a verse from "God Save the Queen".

Entertaining but not riveting, this unique example of the genre is a nice change of pace. Unfortunately the scenes between Keith and O'Hara will make you think more of Disney's original "The Parent Trap" than the film you thought you were watching.

Then again, what do I know? I'm only a child.