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Der Held

Originaltitel: Nayak
  • 1966
  • Not Rated
  • 1 Std. 57 Min.
IMDb-BEWERTUNG
8,3/10
5718
IHRE BEWERTUNG
Der Held (1966)
Drama

Füge eine Handlung in deiner Sprache hinzuEn route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams, and past experiences.En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams, and past experiences.En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams, and past experiences.

  • Regie
    • Satyajit Ray
  • Drehbuch
    • Satyajit Ray
  • Hauptbesetzung
    • Uttam Kumar
    • Sharmila Tagore
    • Bireswar Sen
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,3/10
    5718
    IHRE BEWERTUNG
    • Regie
      • Satyajit Ray
    • Drehbuch
      • Satyajit Ray
    • Hauptbesetzung
      • Uttam Kumar
      • Sharmila Tagore
      • Bireswar Sen
    • 40Benutzerrezensionen
    • 32Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 8 Gewinne & 1 Nominierung insgesamt

    Fotos31

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    Topbesetzung26

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    Uttam Kumar
    Uttam Kumar
    • Arindam Mukherjee
    Sharmila Tagore
    Sharmila Tagore
    • Aditi
    Bireswar Sen
    • Mukunda Lahiri
    Somen Bose
    • Sankar
    Nirmal Ghosh
    • Jyoti
    Premangshu Bose
    • Biresh
    Sumita Sanyal
    Sumita Sanyal
    • Promila Chatterjee
    Ranjit Sen
    • Haren Bose
    Bharati Devi
    • Manorama (Mr. Bose's wife)
    Lali Chowdhury
    • Bulbul (Mr. Bose's daughter)
    Kamu Mukherjee
    • Pritish Sarkar
    • (as Kamu Mukhopadhyay)
    Susmita Mukherjee
    • Molly (Mr. Sarkar's wife)
    • (as Susmita Mukhopadhyay)
    Subrata Sensharma
    • Ajoy
    • (as Subrata Sen)
    Jamuna Sinha
    • Sefalika (Ajoy's wife)
    Hiralal
    Hiralal
    • Kamal Misra
    Jogesh Chatterjee
    • Aghore, elderly journalist
    • (as Jogesh Chattopadhyay)
    Satya Banerjee
    • Swamiji
    • (as Satya Bandyopadhyay)
    Gopal Dey
    • Conductor
    • Regie
      • Satyajit Ray
    • Drehbuch
      • Satyajit Ray
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen40

    8,35.7K
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    Empfohlene Bewertungen

    7crappydoo

    Great undiscovered film (I'm so glad)

    I have never seen an Indian movie quite like Nayak. Ray has forayed into parallel story telling, like Kurasawa's Rashomon and into dream logic like Bunuel's The Discreet Charm of the Bourgeoisie. I would personally rate it above Bergman's The Magician which also dealt with a similar theme of an actor's reality and people's acceptance of him as a super human and their reluctance of considering him as a human being. Between the two of them, Nayak is more easy to understand whereas The Magician puts its characters in various shades of good and evil throughout its running time.

    No such dramatics here and this movie is as good as it gets. I would rate it as one of his best movies amongst Pather Panchali and Charulata. The dream sequences were very well produced and were relevant to the storyline on a sub-conscious level.

    The subtitling on the Angel DVD wasn't very well done and the dialogues sometimes whizz by without us being able to read them in time. For people who are familiar with Indian languages, it may not be such a big deal since several of the Bengali words can be understood by them; however for non-Indian speakers this may come across as irritating.

    On a personal note, I am sometimes glad that not many people know about Ray because then I am able of recommending him to people who are in the know of the movie industry.
    9chakrabortyabhishek07

    Consortium of Greatness in 2 hours

    I was around 14 years old when I first saw this masterpiece of Satayajit Ray. One very common thing between Ray and Kurosawa I noticed was introspection of perception.

    A train journey allows a superstar to introspect his life and career which leaves him in shattered pieces. Uttam Kumar as Arindam was simply unbelievable and so was Shartmila Tagore as the reporter who was acting as a mirror (much needed) for Arindam to reflect.

    This movie will give everyone a glimpse of the price paid to succeed. Success here is the Devil and greed here is the devil's advocate.... the price..........."SOUL"

    A must watch if you are a movie lover....My Vote - 9/10
    8badar1981

    Another gem

    The complete experience can be summarized as "another master piece from a true master film director Satyajit Ray". It always remains a unique experience to watch in someone's past and especially into the hidden past. The movie tackles the very issue in the most effective of the ways. To carve you characters in the story is the most important part and great directors always take their time to do so and here Ray did it in style. He gives a very appropriate introduction to each. But what needs to be praised is… in doing so story did not come to halt… it keeps on moving and things become more clear with every passing movement.

    The acting is very good. I know only actor in the movie before watching it… and that is of Shermila Tagore (because of her Hindi films). But really admires the acting of the main role played by Uttam Kumar. He is very natural, fluent and expressions complement his words in every scene. Especially the acting is priceless to watch in the scene in which he is telling Aditi about his insult by the one of his senior. A must watch for all those who appreciate good… excellent cinema.

    8/10
    10sbaindia

    A Perfect Ten

    A movie at par with Citizen Kane and Rashomon and IMO even better than them in some ways. Impeccable direction and superb acting. Makes you wonder why these two - the actor and director not get together more often in Satyajit Roy films. The angst was so real it seems the guy is not acting any more - just telling his story as it is. The dream sequencewas outstanding as was the ending. The characterisation had on occasion skirted around the burlesque with the older actor in his first interaction with the protagonist but that made the scene all the more poignant. The underlying philosophy is not too deep but something that one can deeply empathise with. The greatness of this movie is how perfectly the story is told. There is an aura of dramatic tension throughout, not between the characters but within the protagonist himself. I would sincerely recommend this movie to anyone who loves what cinema is all about.
    10shahbaz-2

    A true masterpiece by Satyajit

    A least seen movie of Satyajit. Satyajit is one of the very few great directors who worked outside Hollywood circle and gave a lot to the film history. He is mostly know to the movie lovers as the creator of great APU TRILOGY. I feel that Ray's works are severely under-represented in USA, although most of his works are masterpiece or near-masterpiece. Thanks to Ishmael Marchent for arranging a retrospective on Ray's works at USA in 1996, I guess. But again in that retrospective, I didn't see the names of some of his great works, like NAYAK, KUNCHENJUNGHA, SEEMABADHYA, ARANYER DIN RATRI or SONAR KELLA. Names of the films that I always see in a Satyajit Festival are the APU TRILOGY, JALSHAGHAR, CHARULATA, GHARE-BAIRE ... etc. No doubt that all of those are great works of Ray, but indeed one cannot know the power of his filmmaking unless he sees some of his other less known works (some of which I mentioned).

    Nayak is a simple story of the most popular Film Actor of India, acted with all perfection by great Indian Actor Uttam Kumar, who goes to the capital city Delhi to receive an award of his achievement via a train. On the train he meets Shormila Tagore (Another favorite actress of Satyajit whom he casted in several other movies like, Apur Sansar, Devi, Aranyer Din Ratri, Seemabadhya ... etc.) and some other characters of the story. The story progresses when Uttam discusses with different aspects of his life and career with others (especially with Shormila). In depth thoughts and feelings of UTTAM sprung out as time goes by and Shormila discovers the very lonely man in Uttam hidden behind his day to day charismatic lifestyle.

    On my judgement, NAYAK is the greatest creation of RAY. UTTAM's acting can challenge anyone in the motion picture history. The high abstratness and philosophical bent of the movie is comparable to that of CITIZEN KANE (according to me, better than CITIZEN KANE) and the mutual conversations among the characters or the screenplay in other words, can beat those of MINDWALK, VANYA ON 42nD STREET, RED or CASABLANCA. A must see film for all great movie lovers. A 10+ out of 10.

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    • Wissenswertes
      Director Satyajit Ray had written the script of this movie considering only Uttam Kumar in the lead role. He had confessed that if Uttam Kumar had refused it, he would've abandoned the project altogether.
    • Zitate

      Arindam Mukherjee: There's no scope of overacting in front of camera; if you overact a little, then it will magnify tenfold in the camera.

    • Verbindungen
      Referenced in Autograph (2010)

    Top-Auswahl

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    FAQ16

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    Details

    Ändern
    • Erscheinungsdatum
      • 24. Januar 1969 (Ostdeutschland)
    • Herkunftsland
      • Indien
    • Sprache
      • Bengalisch
    • Auch bekannt als
      • The Hero
    • Produktionsfirma
      • R.D.Banshal & Co.
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    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 57 Min.(117 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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