Minirock und Kronjuwelen

Two clever, but rebellious and anarchic upper-class brothers (Oliver Reed and Michael Crawford) plot the ultimate robbery - the theft of the crown jewels from the Tower of London and concoct what they believe is the perfect alibi; the trouble is, can they trust one another?

Both are a couple of drifters from a highly privileged background and have been given the best in life, but they are bored and suffer from a superiority complex which means they think they are above the law and that winning is all that matters. The theft is a chance to cock a snook at the British establishment, of which they are a part, and to brag about it to their party-going 'hooray' friends, thus enabling them to become part of folklore for their generation. They believe they can get away with it so long as the jewels are returned to the Tower - and there lies the crunch.

The opening scene shows the Crawford character being slung out of the army for breaking every rule in the book and circumnavigating the army's chain of command so that he can capture his objective on Salisbury Plain. The fact that he used his initiative is neither here nor there - he's a rebel with no ethics and that doesn't fit well with the British Army. In time of war, you need buccaneers like the brothers in order to win the day. They are straight out of sixteenth century tradition of Francis Drake and Walter Raleigh and this coincides exactly with the spirit of the hedonistic 'swinging sixties' where anything goes.

The picture is tremendous fun and is well scripted by Dick Clement and Ian La Frenais, two of the best screenwriters around. Michael Crawford didn't want to participate in the making of the film originally as he thought no-one would believe he could be Oliver Reed's brother. However, prior to filming, he met Reed's real-life brother who displayed an uncanny resemblance to Crawford and this made him change his mind. THIS MOVIE MUST BE BROUGHT OUT ON DVD NOW!!!

Perhaps Michael Winner never directed an undeniable masterpiece but he certainly came close with films like DEATH WISH, THE SYSTEM, HANNIBAL BROOKS, among others.

THE JOKERS likewise rates short of a masterpiece but it has going for it self-deprecating British humor at its rawest, backed up by superb comedic performances from Oliver Reed and Michael Crawford as brothers intent on subverting authority at any cost for their personal fame rather than gain. As the offspring of the well off aristocratic Tremayne family, they do not really need to work but both join the British Army, are dishonorably discharged, and decide to go on a bomb hoax quest to prove their worth to themselves, in time upgrading that pastime to robbery.

Surrounded by 1960s belles, night club dancing, moronic parents, and a parody of the armed forces (James Donald as Col. Gurney-Simms is an absolute hoot), Scotland Yard (Harry Andrews is terrific as Inspector Marryatt), palace and Tower London guards, and the entire cabinet with then Prime Minister Harold Wilson at the top (when the crown jewels are pilfered the PM is away on vacation), the two brothers proceed to throw London into a spin as bomb call follows bomb call. Mind-boggingly, in the middle of it all stands one complete needless character called Lt Sprague, played by the great Edward Fox, who seems to predict where the next bomb might turn up, and who for some unexplained reason neither brother seems to like.

There is just a teeny weeny spanner in the works: brother David (Reed) is much more highly regarded by his parents and acquaintances than brother Michael (Crawford). That said, the latter is not half as dumb as others might believe... and when the symbols of the British monarchy are stolen good ol' Mike pulls a fast one on Dave, who, for all his sharp thinking, fails to see it coming...

Better than competent cinematography from Ken Hodges, including the magnificently done Tower of London heist. Imaginative, sardonic script by Dick Clement and Ian La Frenais.

I enjoyed every minute of it! 8/10.

Like another of the commenters, I saw this film on the late night telly. I loved it all the way, and as an American, managed to appreciate some of the British humor. One joke, in particular, that made me laugh up a storm was when some guy tries to explain the bomb plantings by blaming it on "the Mafia." Michael Crawford sniggers, "Surbiton branch?" I recommend this film to anyone who wants to be entertained by one of the first films in what would become the best years of British comedy.

As the remains of Michael Winner's already tarnished reputation as a film maker stagger bloodied and battered from the wreckage of his latest debacle "Parting Shots", it is difficult to believe that he was once a genuinely promising director. A director who in the sixties had proved his worth largely with hip and swinging comedies such as "The Jokers". In this picture we follow the exploits of two well off brothers, with far too much time on their hands,as they set out to steal the crown jewels, not for financial gain or any political reason but just for the sheer hell of it. The script is razor sharp, Winner's direction is crisp, and the perfectly cast Oliver Reed and Michael Crawford both shine as the two scheming siblings. The fact that the establishment figures are not stereotypically portrayed as buffoons but as highly competent officials makes it more of a delight to see the brothers run such rings round them. With a couple of brilliant twists along the way the only let down is seeing the film run out of steam towards the very end. Its a shame Dick Clements and Ian La Frenais, who penned this film, could have not come up with a climax as inventive as what had come before in this remarkable movie.

Oliver Reed stars in this heist of the Crown Jewels. A "Class" Act of the brothers' Tremayne! This is a thrilling worthwhile film that shakes you up, but leaves you begging for more. A movie that tells what it was like to be in London in the 1960s, the suspense builds till the mystery overwhelms the senses and you wish that the film will never end. Some of the scenes near the end of this film are so haunting and surreal that they leave an indelible memory imprint.

I highly recommend this film as the intensity of Oliver Reed will have you on the edge of your seat from beginning to end. Not too many films capture the imagination, but this one grabs you immediately and never lets go until it is time to hit the exits.

Go see it and Enjoy! Big time entertainment!